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Here. Look at this.’ He indicated a grubby bottle full of some fieryIooking liquid. ‘It’s home-made beer’ he said, ‘and jolly good too.

I made three, but the other two exploded. I’m going to call it Plaza beer.’

‘Why?’ I asked. ‘Are you going to sell it?’

‘Good Lord, no!’ said Scobie. ‘Just for home use.’ He rubbed his stomach reflectively and licked his lips. ‘Try a glass’ he said.

‘No thanks.’ The old man now consulted a huge watch and pursed his lips.

‘In a little while I must say an Ave Maria. I’ll have to push you out, old man. But just let’s have a look and see how the Mock Whisky is getting on for a moment, shall we?’ I was most curious to see how he was conducting these new experiments and willingly followed him out on to the landing again and into the shabby alcove which now housed a gaunt galvanized iron bath which he must have bought specially for these illicit purposes. It stood under a grimy closet window, and the shelves around it were crowded with the impedimenta of the new trade — a dozen empty beer bottles, two broken, and the huge chamberpot which Scobie always called ‘the Heirloom’; not to mention a tattered beach umbrella and a pair of goloshes. ‘What part do these play?’ I could not help asking, indicating the latter. ‘Do you tread the grapes or potatoes in them?’ Scobie took on an old-maidish, squinting-down-the-nose expression which always meant that levity on the topic under discussion was out of place. He listened keenly for a moment, as if to sounds of fermentation. Then he got down on one shaky knee and regarded the contents of the bath with a doubtful but intense eye.

His glass eye gave him a more than mechanical expression as it stared into the rather tired-looking mixture with which the bath was brimming. He sniffed dispassionately and tutted once before rising again with creaking joints. ‘It doesn’t look as good as I hoped’ he admitted. ‘But give it time, it has to be given time.’ He tried some on his finger and rolled his glass eye. ‘It seems to have gone a bit turpid’ he admitted. ‘As if someone had peed in it.’ As Abdul and himself shared the only key to this illicit still I was able to look innocent.

‘Do you want to try it?’ he asked doubtfully.

‘Thank you, Scobie — no.’

‘Ah well’ he said philosophically, ‘maybe the copper sulphate wasn’t fresh. I had to order the rhubarb from Blighty. Forty pounds. That looked pretty tired when it got here, I don’t mind telling you. But I know the proportions are right because I went into it all thoroughly with young Toby before he left. It needs time, that’s what it needs.’ And made buoyant once more by the hope, he led the way back into the bedroom, whistling under his breath a few staves of the famous song which he only sang aloud when he was drunk on brandy. It went something like this:

I want Someone to match my fancy I want Someone to match my style I’ve been good for an awful long while Now I’ll take her in my arms Tum ti Tum Tum ti charms….’ Somewhere here the melody fell down a cliff and was lost to sight, though Scobie hummed out the stave and beat time with his finger.

He was sitting down on the bed now and staring at his shabby shoes.

Abruptly, without apparent premeditation (though he closed his eyes fast as if to shut the subject away out of sight forever) Scobie lay back on the bed, hands behind his head, and said:

‘Before you go, there’s a small confession I’d like to make to you, old man. Right?’ I sat down on the uncomfortable chair and nodded. ‘Right’ he said emphatically and drew a breath. ‘Well then: sometimes at the full moon, Im Took. I come under An Influence.’ This was on the face of it a somewhat puzzling departure from accepted form, for the old man looked quite disturbed by his own revelation. He gobbled for a moment and then went on in a small humbled voice devoid of his customary swagger. ‘I don’t know what comes over me.’ I did not quite understand all this. ‘Do you mean you walk in your sleep, or what?’ He shook his head and gulped again. ‘Do you turn into a werewolf, Scobie?’ Once more he shook his head like a child upon the point of tears. ‘I slip on female duds and my Dolly Varden’ he said, and opened his eyes fully to stare pathetically at me.

‘You what?’ I said.

To my intense surprise he rose now and walked stiffly to a cupboard which he unlocked. Inside, hanging up, moth-eaten and unbrushed, was a suit of female clothes of ancient cut, and on a nail beside it a greasy old cloche hat which I took to be the socalled ‘Dolly Varden’. A pair of antediluvian court shoes with very high heels and long pointed toes completed this staggering outfit.

He did not know how quite to respond to the laugh which I was now compelled to utter. He gave a weak giggle. ‘It’s silly, isn’t it?’ he said, still hovering somewhere on the edge of tears despite his smiling face, and still by his tone inviting sympathy in misfortune.

‘I don’t know what comes over me. And yet, you know, it’s always the old thrill’ A sudden and characteristic change of mood came over him at the words: his disharmony, his discomfiture gave place to a new jauntiness. His look became arch now, not wistful, and crossing to the mirror before my astonished eyes, he placed the hat upon his bald head. In a second he replaced his own image with that of a little old tart, button-eyed and razor-nosed — a tart of the Waterloo Bridge epoch, a veritable Tuppeny Upright. Laughter and astonishment packed themselves into a huge parcel inside me, neither finding expression. ‘For God’s sake!’ I said at last. ‘You don’t go around like that, do you, Scobie?’

‘Only’ said Scobie, sitting helplessly down on the bed again and relapsing into a gloom which gave his funny little face an even more comical expression (he still wore the Dolly Varden), ‘only when the Influence comes over me. When I’m not fully Answerable, old man.’ He sat there looking crushed. I gave a low whistle of surprise which the parrot immediately copied. This was indeed serious. I understood now why the deliberations which had consumed him all morning had been so full of heart-searching. Obviously if one went around in a rig like that in the Arab quarter…. He must have been following my train of thought, for he said ‘It’s only sometimes when the Fleet’s in.’ Then he went on with a touch of selfrighteousness : ‘Of course, if there was ever any trouble, I’d say I was in disguise. I am a policeman when you come to think of it.

After all, even Lawrence of Arabia wore a nightshirt, didn’t he?’ I nodded. ‘But not a Dolly Varden’ I said. ‘You must admit, Scobie, it’s most original …’ and here the laughter overtook me.

Scobie watched me laugh, still sitting on the bed in that fantastic headpiece. ‘Take if off!’ I implored. He looked serious and preoccupied now, but made no motion. ‘Now you know all’ he said.

‘The best and the worst in the old skipper. Now what I was going to ——’ At this moment there came a knock at the landing door. With surprising presence of mind Scobie leaped spryly into the cupboard, locking himself noisily in. I went to the door. On the landing stood a servant with a pitcher full of some liquid which he said was for the Effendi Skob. I took it from him and got rid of him, before returning to the room and shouting to the old man who emerged once more — now completely himself, bareheaded and blazered.