There was one man who had taken matters into his own hands and built a ten-foot cinder-block wall around his entire property. He regularly sprinkled the top with broken beer bottles, which spilled over the side. No matter how many fines or threats of demolition came from the county, he would not tear the wall down. The war between the city officials and this homeowner had been going on for a decade with seemingly no end, and though he had made the local papers repeatedly, there was never a picture of him. I had begun to think of him as a homunculus who contained within him all the fears of modern man. There were no pictures of him because he looked like all of us. His fear had made him into a phantom who changed shape behind his walls. He was my mother, hiding in the linen closet. He was my father, drawing shadows on sheets of plywood. He was Natalie, afraid of loneliness, or Sarah, stealing change. He was me as I passed his house at 7:23 on a Friday night, going to Mrs. Leverton’s. I hoped, as he roared and thundered and fought off every lawsuit or claim, that he would survive forever or, if not, would at least die thrashing and spent long after all our deaths.
I drove into Phoenixville proper, the old part of town, where revitalized businesses still shut down at five p.m. and the streets were empty except for small clusters of activity that revolved around insular community projects. I saw Antipode, the sculpture gallery, all lit up. It was a hub for the arty in the area, and I had gone there more than once. It had been the scene of my drunken date with Tanner. He and the owner, surrounded by people much younger than they were, had engaged in a one-upping concerning each other’s relevance.
“That was the saddest display I’ve seen in a long time,” I said as the two of us stumbled out onto the sidewalk.
“Oh, shut up!” he had cried. “What have you ever done?” And our companionable misery began.
Antipode was bright but quiet tonight. I saw movement toward the back. A show was being hung. Down the block, the wheeled carts of the Paperback Shack, which were brought in each night, had been knocked over onto the sidewalk and into the road. The owner, a lone old woman, stooped to pick them up, no doubt regretting her attempt to stay open longer for the sake of attracting after-work customers.
I pulled over into an empty spot and got out. I gathered up a group of tattered romances strewn in the road, their busty cover art faded from long days in the sun. But what caught my eye was a heap of moldy poetry books, seemingly adhered to one another, that had fallen as one. The names appeared Russian to me. Quickly I scanned the titles and knew immediately: these were the books Mr. Forrest had donated to the local library thirty years ago. “They are deficient in their Russians,” he had said to me.
I startled the woman when I said, “Excuse me,” and held out the two stacks of paperbacks.
She spit toward me, spraying my hand as well as the books.
“I’ll put them here,” I said, and laid them on the trunk of a stripped-down Lincoln Continental.
As I walked back to my car, I could hear her muttering. I had read about the poet Marina Tsvetaeva and how she had hung herself from a coat hook. How was that possible? I had thought at the time. Ceiling fixtures, trees-yes. But doorknobs or coat hooks?
Shooting yourself in the head was, I’d been told, a message suicide, but what kind of message had my father been leaving? I had scoured the house for a note afterward, looked in his drawers and under his pillow, and ended up washing down the stairwell with old rags, determined to erase the only marks he’d left.
I neared my mother’s neighborhood, and a hot wave of dread began to prickle across my spine and back, tiptoeing along my shoulder blades and turning into gooseflesh. I could not explain why, exactly, but I sensed I should not even pass through the place, much less stay the night. I was also tired. It was easier for me to attribute the strange shifts in my body to a forlorn exhaustion-the futility and ruin of the last twenty-four hours taking over my heart, my limbs, my mental firings-than to know I was merely a robot that had gone off the rails and that, after serving its master faithfully for years, had turned back predictably to the place where it was made.
A few of the houses were still dark, waiting for their owners, but most had one or two lights on. There were young couples with children in my mother’s neighborhood, but these were not the same sort of couples who bought the faux manses near Natalie’s house. These were couples who cleaned their own houses and fixed their own leaks. They set aside weekends to replace the rotting shingles or paint their chimneys, trim their trees, or wash their cars. The children helped and were rewarded with ice cream or special TV shows.
I drove by Mrs. Tolliver’s house as I rounded the bend toward my mother’s and Mrs. Leverton’s. There was no light on, and I wondered where Mrs. Tolliver had gone. It had been a summer night, I remembered, when Mr. Tolliver, screaming at her from his position on the lawn, suddenly clutched his chest.
“He fell over like a pillar of salt,” my mother said. “Blam! The sprinkler shifted before anyone had thought to shut it off. They drove him to the hospital sopping wet.”
I had seen Mrs. Tolliver six months later, when I was home visiting my parents with Emily and Jake. We were shopping in the Acme. She lit up at the sight of Emily.
“How wonderful!” she said. She was animated in a way I hadn’t remembered. Overwhelmed to see me in the deli aisle, she had gestured with a package of boneless chicken in her hand.
I asked after her, her house, how she was feeling.
“It’s too late for me,” she said at some point. “Not you. It’s not too late for you.” She looked at Jake and smiled, but the smile contained a wince, as if she were afraid of being hit.
I was lost in thoughts of Mrs. Tolliver when I saw him through his giant, still-uncurtained window. Mr. Forrest sat in his front room, as he always had, for all the world to see. I pulled the car over to the side of the road opposite him. I was not even aware of what was to my right-a house, a horizon, or the pope out for a stroll.
I lowered the window and let the night air of my old neighborhood flood in. I breathed. I smelled the scent of the lawns and the asphalt. And I heard faint music. It was coming from Mr. Forrest’s; he was listening to Bartók.
He and my mother had argued in the months following my father’s death. There had been no funeral, and Mr. Forrest found the omission unforgivable; he didn’t care whether she could leave the house or not. “And why, Helen,” he had asked me, “were those guns allowed to remain?”
Without reflection, I got out of my car and hurried across the road and up the sloped concrete walk. He had never favored vegetation, and decades on there was barely a bush or branch on his lawn. Two chubby untamed boxwoods were the exceptions. They stood on either side of his stoop.
But I did not make it there. Halfway up the path, I stopped to watch. There was something in Mr. Forrest’s lap-an animal-and he was petting it. I thought for a moment about all of his dogs, but then I realized that it was Bad Boy, the marmalade tom. He was upside down in Mr. Forrest’s lap, allowing himself to be scratched.