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Breaks in the forest became more frequent the higher we climbed, and presently a new type of undergrowth began to appear: massive tree-ferns standing in conspiratorial groups at the roadside on their thick, squat, and hairy trunks, the fronds of leaves sprouting from the tops like delicate green fountains. These ferns were the guardians of a new world, for suddenly, as though the hills had shrugged themselves free of a cloak, the forest disappeared. It lay behind us in the valley, a thick pelt of green undulating away into the heat-shimmered distance, while above us the hillside rose majestically, covered in a coat of rippling, waist-high grass, bleached golden by the sun. The lorry crept higher and higher, the engine gasping and shuddering with this unaccustomed activity. I began to think that we should have to push the wretched thing up the last two or three hundred feet, but to everyone's surprise we made it, and the lorry crept on to the brow of the hill, trembling with fatigue, spouting steam from its radiator like a dying whale. We crawled to a standstill and the driver switched off the engine.

'We go wait small-time, engine get hot,' he explained, pointing to the forequarters of the lorry, which were by now completely invisible under a cloud of steam. Thankfully I descended from the red-hot inside of the cab and strolled down to where the road dipped into the next valley. From this vantage point I could see the country we had travelled through and the country we were about to enter.

Behind lay the vast green forest, looking from this distance as tight and impenetrable as lambs' wool; only on the hilltops was there any apparent break in the smooth surface of those millions of leaves, for against the sky the trees were silhouetted in a tattered fringe. Ahead of us lay a world so different that it seemed incredible that the two should be found side by side. There was no gradual merging: behind lay the forest of huge trees, each clad in its robe of polished leaves, glittering like green and gigantic pearly kings; ahead, to the furthermost dim blue horizon, lay range after range of hills, merging and folding into one another like great frozen waves, tilting their faces to the sun, covered from valley to crest with a rippling fur of golden-green grass that paled or darkened as the wind curved and smoothed it. Behind us the forest was decked out in the most vivid of greens and scarlets – harsh and intense colours. Before us, in this strange mountain world of grass, the colours were soft and delicate – fawns, pale greens, warm browns, and golds. The smoothly crumpled hills covered with this pastel-tinted grass could have been an English scene: the downland country of the south on a larger scale. The illusion was spoilt, however, by the sun, which shone fiercely and steadily in a completely un-English manner.

From then onwards the road resembled a switchback, and we rattled and squeaked our way down into valleys, and coughed and grunted our way up the steep hillsides. We had paused on one hilltop to let the engine cool again, and I noticed in the valley ahead a village, looking at that distance like an irregular patch of black toadstools against the green. When the engine was switched off, the silence descended like a blanket; all we could hear was the soft hiss of the grass moved by the wind and, from the village far below us, the barking of a dog and the crowing of a cockerel, the sounds tiny and remote but clear as a bell. Through my field-glasses I could see that there was some activity going on in the village: crowds of people milled round the huts, and I could see the flash of machetes and spears, and the occasional glint of a gaudy sarong.

'Na whatee dat palaver for dat place?' I asked the driver.

He peered down the hill, screwing up his eyes, and then turned to me, grinning delightedly.

'Na market, sah,' he explained, and then, hopefully.' Masa want to stop for dat place?'

'You tink sometime we go find beef for sale dere?'

'Yes, sah! '

'For true?"

' For true, sah ! '

'You lie, bushman,' I said in mock anger. 'You want to stop for dis place so you go find corn beer. No be so?'

'Eh! Na so, sah,' admitted the driver, smiling, 'but sometimes Masa go find beef there also.'

'All right, we go stop small time.'

'Yes, sah,' said the driver eagerly, and sent the lorry hurtling down the slope towards the village.

The big huts, with their conical thatched roofs, were grouped neatly round a small square which was shaded with groups of young eucalyptus trees. In this square was the market; in the patchwork of light and shadow under the slim trees the traders had spread their wares on the ground, each on his own little patch, and around them thronged the villagers in a gesticulating, chattering, arguing wedge. The wares offered for sale were astonishing in their variety and, sometimes, in their incongruity. There were freshwater catfish, dried by wood smoke and spitted on short sticks. These are unpleasant-looking fish when alive, but when dried and shrivelled and blackened by the smoking they looked like some fiendish little juju dolls, twisted into strange contortions by a revolting dance. There were great bales of cloth, some of it the highly coloured prints so beloved of the African, imported from England; more tasteful was the locally woven cloth, thick and soft. Among these patches of highly coloured cloth were an odd assortment of eggs, chickens in bamboo baskets, green peppers, cabbages, potatoes, sugar-cane, great gory hunks of meat, giant Cane Rats, neatly gutted and hung on strings, earthenware pots and cane baskets, eroco-wood chairs, needles, gunpowder, corn beer, gin-traps, mangoes, pawpaws, enemas, lemons, native shoes, lovely raffia-work bags, nails, flints, carbide andcascara, spades and leopard skins, plimsolls, trilbys, calabashes full of palm wine, and old kerosene tins full of palm and groundnut on.

The inhabitants of the market were as varied and as curious as the wares offered for sale: there were Hausa men clad in their brilliant white robes and little white skull-caps; local chieftains in multi-coloured robes and richly embroidered caps with tassels; there were the pagans from distant mountain villages, wearing nothing but a scrap of dirty leather round the loins, their teeth filed to points, their faces tattooed. For them this represented a teeming metropolis, and the market was perhaps the high spot of the year's amusements. They argued fiercely, waving their arms, pushing each other, their dark eyes shining with delight, over such things as cocoa yams or Cane Rats; or else they stood in little groups gazing with hopeless longing at the toppling piles of multi-coloured cloth, milling round from one vantage point to another, in order to get the best views of these unobtainable luxuries.

My staff and the lorry driver disappeared into this pungent, swirling crowd like ants into a treacle tin, and I was left to wander round by myself. After a time I decided to try to take some photographs of the pagan tribesmen, so I set up the camera and started to focus it. Immediately, pandemonium broke loose; the tribesmen with one accord dropped their goods and chattels and fled for the nearest shelter, screaming wildly. Rather bewildered by this, for the average African is generally only too pleased to have his photograph taken, I turned to a Hausa standing close by and asked him what was the matter. The explanation was interesting: apparently the pagans knew what a camera was, and knew that it produced pictures of the people it was pointed at. But they were firmly convinced that with each photograph taken the photographer gained a small portion of his subject's soul, and if he took many photographs he would gain complete control over the person in question. This is a good example of witchcraft being brought up to date; in the old days if you obtained some of your victim's hair or toe-nails you had great power over him; nowadays if you get a photograph it apparently acts just as well. However, in spite of the reluctance on the parts of my subjects, I did manage to get a few shots of them, by the simple method of standing sideways on, looking in the opposite direction, and taking the photographs from under my arm.