Nairn was silent, trying to hear what Declan wasn’t saying, what might lie within his words. He gave up. The bard was too subtle and he too ignorant to understand much more than his own seedling ambitions.
He said finally, haltingly, “And learning these simple words might—”
“Yes,” the bard said intensely. “Yes. Their power will open your path to King Oroh’s court. The language you are learning is rooted in his land; that power was born here, belongs here. You will use it, in his court, as you see best.”
“How can you possibly think—”
“I don’t think. I know. You have no idea of your own powers. Even King Oroh, who has few abilities in that direction, recognized yours. We let you flee that day on the Welde because I knew that you would find your own way back to me. Power recognizes itself, even in those most oblivious to it. You recognized what, beyond music, I have to give you.”
Nairn stood wordlessly again, unable to summon any argument, only wonder at where the path out of the pigsty had led. The harp spoke for him, his thumb picking at the single string again as he mused. When he looked up finally, Declan had gone.
Winter howled across the plain and stripped it bare. Along the dark, sluggish river, stone cottages seemed to huddle in the snow among the leafless trees. Declan, who said he felt the cruel season coming in his aging bones, had raided his coffers, gifts from the king, and laid in supplies and firewood for a siege. The world shrank daily, lost its far horizons. Days began and ended in the dark. Tempers grew short; noses ran; nerves frayed. Lovers quarreled by day and tangled again in the night for warmth. Nothing existed, it seemed, beyond the plain; its blanched earth, its vast silence, ringed the tiny island upon the hill like an eternally frozen sea.
Nairn, who regarded seasons with a lover’s eye, watched winter’s changing moods, its astonishing expressions, and learned to write its ancient words: fire and ice, breath and death, dark, night, end. The full moon hanging so clearly among the frozen stars that it seemed to take on dimensions was a word in itself, he thought; it spoke a silent mystery that was somehow connected to the list of patterns lengthening daily under his nib. The glittering path of its light across the dead white plain turned to music in his head; he fashioned its fiery white brilliance with his fingers, played it back to the moon.
He went into the kitchen one morning and found, instead of the tall, calm beauty stirring the porridge, someone darker, slighter, with a tumble of untidy hair and eyes, when she glanced toward him, of a light, startling gray beneath level black brows. She filled a bowl for him briskly without explaining herself.
“Where is Odelet?” he asked, ladling bites into his mouth as he stood there, the way he was used to since they had become friends.
“Upstairs,” was the laconic answer, meaning: in the room with the great hearth and the tables where the more civilized students were eating.
“Who are you?”
“I’m Muire.” She took a poker to the fire under the cauldron with a great deal of energy, until the listless flame leaped to embrace all the wood it could reach. “Salix’s granddaughter. She sent me up here to help out.”
He nodded. Odelet, of the fairer climes in east Belden, suffered in the cold; her eyes and nostrils had been red-rimmed for weeks, and she had begun to make bullfrog noises, coughing in the night.
“Good. Do you know how to cook?”
Muire smiled thinly, as though he had asked if she knew how to gut a fish or milk a cow or pluck a hen or any other of a hundred things any idiot knew. “I can cook,” she said. He stood there chewing absently, watching her as she shook a lump of dough from a bowl, dropped it onto a patch of flour on the table, and pummeled it with her fingers until it lay round and plump as a cushion. She took a knife to it, slashed it delicately with one long line across its surface and a shorter line to each side of that, three twigs, he realized slowly, in the ancient pattern for “bread.”
“Do you know what that means?” he asked abruptly. “Those lines?”
She considered them, then him, her dark brows peaked. “My grandmother always does that,” she explained. “To me, it means ‘bread.’ ”
What other magic words had traveled down from ancient days to her? he wondered. Or to Salix? He took to visiting the kitchen when he had a moment, doing the odd task for Muire: bringing in firewood, scrubbing out the cauldron, hauling in water from the frigid well. He left her messages: a twig-word in a dusting of flour on the table, in a spill of gravy. A few she noticed and understood; others she swept up without question with her cloth. Declan, he knew, would have been appalled at him scattering secrets everywhere. But what the bard didn’t know he didn’t have to think about, and how would he find out anyway?
“How do you know these things?” Muire asked him, after he carved the twiglet-pattern for “willow” on top of the butter in the crock. “Salix puts signs like that in her jars and boxes. I thought she made them up for herself because she can’t write.”
“They’re very old,” he answered absently, his mind already traveling down the hill ahead of him. “I wonder where she learned them. I’d like to see your grandmother’s signs.”
Muire paused in the midst of chopping the pile of carrots and parsnips he had brought up from the root cellar. She pushed hair out of her eyes with the back of her wrist, said simply, “Follow me home, then, whenever you want. She won’t mind.” She resumed her quick, vigorous strokes with the cleaver, running down a foot of carrot in a breath, while Nairn eyed her silently, curiously. Her eyes had been lowered as she spoke, and she didn’t look back at him now, though she must have felt his swift attention. Another message, maybe, in the complex language of the body. Or maybe not.
He plucked a bite of carrot out of the wake of the flashing blade. “I will,” he said.
He did, a few days later, after supper on an evening so clear that stars and the half-moon hanging above the village shone luminous and upside down, like a migrant school of glittering fish, in the black waters of the Stirl.
Salix was a rangy, muscular woman with a cascade of white curls and eyes as dark as whortleberries. Her cottage by the river smelled oddly of smoke, rotting eggs, and lavender when they walked in. She laughed as she stirred the mass in her cauldron, and they reeled back out, pushing their weeping faces into the cold again to drag at air that burned like fire and gave them no relief.
“It’s a good poultice for wounds,” she said. “Graf Dix missed his chopping stump and came close to cutting off his foot with his ax this morning. I’m making a great pot of it for him. Nairn, isn’t it? You were scaring the wolves away from my granddaughter on her way home?”
“Something like that,” Nairn agreed.
“He wanted to see your pots, Gran,” Muire said, untying her cloak. “He’s learning your signs.”
The spoon spiraling through the morass in the cauldron briefly stopped. “Is he now?”
“He says they’re very old words. You never told me that.”
“You never asked. They’re just some odd things passed down from my grandmother.” The spoon was moving again; Salix’s eyes, no more expressive than the dark face of the moon, considered Nairn. “And who might be teaching you? Surely not the bard who came with the barbarian king? Why would he have paid any attention at all to such distant past?”