“The stones,” Nairn told her. “He saw that writing everywhere on the standing stones across the kingdoms.” He gazed back at her, feeling something flow out of her to meet him midway in the flickering lights and shadows of her cottage. “You know,” he breathed, scarcely hearing himself. “You know what they are.”
Her face, the skin clinging so to her bones that it seemed ageless, softened into reminiscence. “Once. Once maybe, when I was your age, I caught a glimpse inside them. What they truly mean underneath what they say they are. But my gran died, and there was no one else to teach me.”
“But what are they?” Muire asked bewilderedly. “If they’re not what they mean? I never knew they meant anything at all but what you called them: ‘comfrey’ and ‘mandrake’ and such.”
“That’s all they are to me now,” Salix said, “those ancient words.” She gave the spoon a turn or two silently, her eyes going back to Nairn. They smiled faintly; she added softly, “I can feel them in you, wanting to speak. Isn’t that strange?”
“Yes,” he said breathlessly. “How do I—”
“I have no idea. But that bard knows, or he wouldn’t be teaching it to you.” She lifted the spoon, rapped it against the iron rim. “Is that a good thing or a bad thing? I don’t know that, either. Come and let me know, will you, when you find out?” He nodded wordlessly. “You’d best go back up now; the wild things are out tonight, hunting under the moon.” She chuckled. “Though they’ll give you a wide berth when they catch a whiff of you. Muire, make him a brand to light his way.”
She slipped out with him, for another clean breath, she said, as she handed him the torch. But the air between them spoke, brittle as it was, and then her smile did, in the firelight. He wondered, as he bent to catch her kiss, what pattern of twigs that lovely word might make.
When he climbed back up the hill, he found the snow around the school churned by wagon wheels and horses. The broad room the students used both as refectory and study was full of wealthy travelers and guards dripping at the hearth. A young man with Odelet’s grace and coloring stood at the hearth, talking earnestly to Declan. The students around them softened their playing so they could hear the news. Nairn, taking off his cloak and watching Odelet come from her chamber wrapped head to heel in a great quilt, realized what they had come for.
“I sent for Odelet’s brother,” Declan explained to the students. “Her health is frail; she needs to be cared for at home.”
Her wan smile, in a face as pallid as eggshell but for her raw nose, seemed genuinely grateful. Nairn bade farewell to her reluctantly the next day, for the band of courtiers, guards, and hunters wanted to get back across the plain before the storms returned.
“Perhaps you’ll come to play in Estmere someday,” she told Nairn. “I hope so.”
He gazed mutely at her lovely face, felt his suddenly heavy heart overladen with wishes, promises, resolves. He saw himself on a fine white horse, riding beside King Oroh to her father’s castle, trumpets sounding, doors opening at their approach. “I will come,” he said huskily; his eyes clung to her as she turned, a shapeless bundle of furs helped into the well-appointed wagon by her ladies.
As the students gathered around the retinue, a couple piping their farewells, Odelet’s brother stopped his mount beside Declan.
“Thank you,” he said. “This is most likely the only way she would have permitted herself to be taken home.” He paused, shook his head like a restive horse, and added, “I forgot. I was asked to give you a message from King Oroh, who is staying with my father. The bard you chose as your replacement died in an unfortunate accident. The king wants you to find him a new bard.” He paused, squinting into the rare winter sunlight and pulled words slowly out of memory. “You know what he needs, the king said, and he will be patient. This must be a bard to bring honor to the new realm of Belden, and he has utmost trust in you that you will recognize the bard he needs.”
He raised his hand in farewell and shouted to the wagon driver, leaving the old bard still as a standing stone in the snow, and even more wordless.
Chapter Nine
Princess Beatrice found the face on the disk in her father’s private collection of antiquities. It lay in a case of rosewood and glass, this time on the page of an open book. She could not read the language; it was all in chicken-track runes, probably carved on stone originally, and comprehensible only to those chosen few who kept its secrets. Whoever had copied them had sketched the disk as welclass="underline" the hooded face on the circle, its beaky profile already grown nebulous with centuries. The book had lain there, open to that page, for years. She must have glanced at it many times in passing until it imprinted itself into her memory, and the memory had stirred to wake when Curran’s shovel brought the face to light at the bottom of the dig site.
But who was it? she wondered. Or did that matter? Was it simply the recognition of a symbol among those in the know that mattered?
She rang a little bell hung to one side of a shadowy oak corridor to summon the curator. He appeared out of his mysterious warren of offices, workrooms, storage closets. He was a tall, bulky man who always dressed in black; his portentous and slightly annoyed expression melted away when he saw Beatrice.
“Princess,” he exclaimed, smiling.
“Good morning, Master Burley.” He had been down that corridor all her life, looking much the same, beetle-browed and bald as a bedpost, even in the early years when she had to stand on her toes to see into the cases.
“On your way to work, I see.”
“Yes,” she agreed, cheerfully. Her digging clothes appalled her mother, so Beatrice usually made a point of fleeing out the nearest door of the castle as soon as she had pulled on her dungarees and boots. But she had taken the detour on impulse that morning, guessing that her father, occupied with business and guests, would not have had time to delve into the mystery yet. “I wonder if you could tell me something about this face?”
Master Burley followed her through the dustless, softly lit, spaciously enclosed spoils of history: jeweled chests and weapons, pipes and harps, coins and clothes, ornately carved cups and platters, to the case in the corner.
He looked at the face, and said softly, “Ah.”
“What does ‘ah’ mean? Master Cle laughed inordinately when he saw it. What would make him do that?”
“Really? I had no idea he knew how. That particular face—what we can see of it—has appeared here and there through the centuries, on the odd metal disk or coin at its earliest; later on this seal, as the frontispiece of this book, even stamped into the silver guard of this sword.” He moved as he spoke, taking her from case to case, from century to random century. “Here we see it even on this delicate ivory cameo. So we must conclude that the face is suggestive of many different things: secrets, scholarship, violence, love, power.”
“All that,” she said, entranced. “But, Master Burley, who in the world is it?”
“No one,” he answered with more complacency than she could have summoned. Apparently, he had learned to live with this mystery. “Scholars have suggested various possibilities. The only thing they agree on is that the importance seems a matter not of identity—the owner of the face, or the original artist having died centuries ago—but of symbolism. Of recognition.”
“Of what?” she demanded.
“We don’t know that, either, Princess. Perhaps of the language. Or the secrets it hides.”
“So if you recognize the face, you are one who knows the secrets?”
“Roughly,” he agreed.
“Well, then, what does the secret language say? Surely somebody has translated it.”