"I'm sure," he said. He looked over at Art. "Is there any magic sort of thing you people do to lift tracks from under snow like this?"
"Nope."
"Well, then," said Sam, "all we can do is see if the tracks diverge into three separate sets as they go… How far is the farmhouse?"
"About three-quarters of a mile, just over the hill, here," I said.
Art propped his arm on the fence post, and took three or four photos of the very faint track leading up the hill. It was hard to see among the trees and large limestone outcroppings on the slope of the hill. He wanted photos before we crossed the fence and tracked the area up.
We crossed the barbed-wire fence, and followed the track. My over the hill comment had made it sound so simple. Actually, the hilltop was divided, and we had to go down a long reverse slope, and back up again before we reached the crest that allowed us to see the house. The track split into two distinct portions three times in that distance. Never into three, though.
Worse, on the way down to the house, it split into two discernible depressions, and they stayed that way for about a hundred yards, until we lost them in the multitude of tracks made yesterday and since. Just the way two men, walking together, would approach their target. Walking parallel, with about a fifteen-foot separation.
We stopped in Borglan's yard. There were now two cars there, and a pickup truck. Cletus Borglan opened the door just before I got there.
"What do you want?"
"We just wanted to let you know that we were done with the tracks," I said. I watched him eye Sam. Cletus was one of those who had no time for the DNR, especially their Fish and Game officers.
"Did you think they took a deer on the way?"
"No point in being sarcastic, Cletus," I said. "We were just trying to learn something from their route."
He looked at me with cold, unblinking eyes, and it was very much apparent that he didn't believe a word I was saying.
"Right," he said. "So, if they were burglars, how come there's nothing missing?"
"Well," I said, "I don't think…"
"We aren't allowed to discuss a current investigation," interrupted Art, quickly. "Everything must be held confidential while the investigation is active."
I had been about to say that they hadn't had a chance to take anything, but Art was right. Technically, anyway. It's just that the official confidentiality thing sounds so much like an attempt to conceal something. Besides, there was always some slack you could let out, but apparently, Art didn't want any going toward Borglan. I wasn't about to be so unprofessional as to argue the point in front of Cletus. Although, come to think of it, I wouldn't have been so unprofessional as to interrupt me, either.
"'Investigation'?" asked Cletus, just as two men I recognized as being area farmers came to the door behind him. "Isn't that just another word for cover-up?"
"Cletus," I said, grinning, "I just wish I knew enough about what happened to know what should be covered up." I shook my head, and glanced at Art. "Anyway, just wanted to make sure you got that copy of the search warrant, and answer any questions you might have."
"Nothin' personal," said Cletus, "but I'd just as soon ask my attorney."
"I would, too," I said, turning to go. "That's what you pay 'em for." As I was turning, I could see through the sliding glass doors, and became aware that there were at least two other occupants of the house. As I walked away, I heard Cletus say, "That one's a deputy, and one is a damned game warden." I began to suspect that one of the unknowns might be his attorney. I didn't look back, because when there is a bit of tension in the air, looking back after you've done what you've come to do can get you into an argument. But I was certainly glad I'd dropped the search warrant copy off before we went for our walk.
The consensus among us was that we had achieved very little. This was expressed by Sam Younger as we walked back to the cars.
"Well, shit…"
We parted company with Sam, who had to go on a deer-poaching call. I was sorry there hadn't been anything more for him to get his teeth into.
Back in my car, Art and I did some serious thinking. I could remember very clearly that there had been no other car tracks when I drove into the Borglan yard the day before. With what I'd say was a high probability that there were two sets of tracks going from the roadway, over the hill, and to the farm, I just couldn't see how it was possible for Fred to have gotten there to do the deed.
"Simple," said Art. "One of the brothers was already there."
Well, I have to admit, I hadn't thought of that possibility. "Why?"
"Don't know, yet," he said. "But I'll figure it out."
"Well, one thing's for sure," I said. "Somebody was already there. Any way you cut it. It could have been Fred, too, for that matter. Could have been."
So. Two sets of tracks going in. Two dead bodies, both shot in the head. They hadn't killed each other, nor had they killed themselves. No obvious involved weapon at the scene. (There wasn't a.22 in the gun cabinet. All shotguns and larger caliber handguns.) No spent shell casings, which indicated to me a revolver. The mess pretty much cleaned up. The bodies put in the shed, covered with a tarp, as if awaiting disposal at a later date.
"Who do you think was going to go back and dispose of the bodies?" I asked of no one in particular.
"Fred," said Art. Instantly. "Probably as soon as he got a buddy to help." He paused for a second. "Or, maybe, if he wasn't able to get a friend to help him out, that's why he just gave up and went to the cops?"
"Yeah?" I said. I just didn't think Fred had done it. I did have to admit, though, that I still didn't have another suspect.
"You still skeptical?" asked Art. "Well, that's good. Keeps us honest." Condescending. Immediately separating me from "them," the true professionals. I resent things like that, but there are simply times where you can't let it show.
I cleared my throat. "Which still leaves us with the snowmobile tracks," I said. "Time to talk with the hired man."
"I'd like to see 'em from the air first," said Art. "To see where they all go."
Well, sure. Who wouldn't? It was just that some of us weren't used to working with choppers available. We checked through dispatch for the status of his flying machine.
"They're supposed to be at the Maitland Airport in about ten," she said. "They report a 'window' of about an hour, and then they want to head back. There's a front moving in."
Reasonable, as they had probably come from Des Moines to Dubuque, refueled at the Dubuque Airport, and then headed up to Maitland International, as we called it. Reverse that to go home, and you're talking about three or more hours. Maitland International, also known as MAX, was a grass strip and one tin shed with a wind sock on the curved roof, and a large machine shed that was called a hangar. But it was ours.
We had just enough time to get to MAX, to meet them. I really hoped we'd get a Huey.
We hit the airport about fifteen minutes later, and there was an Army-drab Huey sitting there. Yahoo! My lucky day.
We met the pilots and the crew chief, they opened the large sliding doors on the sides for us, and closed them as soon as we were secured in the canvas bench seats. We were held in by thin seat belts, and faced outward. Infantry assault helicopter, you know. Wanted to be able to jump out as soon as they hit the ground.
We were also each given a headset and mike, which we keyed by pressing a button that was clipped to our coats. I was on the right side and Art was on the left, with the crew chief in the middle. With a roar, we were airborne, and sliding over Maitland.
I gave directions to the pilot, and in about two minutes, we were able to make out the Borglan place. A minute later, we were over the Borglan house at 750 feet, and started following the snowmobile tracks to the southwest. They went over a small board bridge that crossed the stream, and then through a wooded area, along fencerows, and eventually came out at the hired man's residence. All of them.