Back outside, where the air was fresh and cold, I met with Nancy and Shamrock.
"Well, that was fun." Nancy patted Shamrock on the shoulder. "I'm glad one of us is hardy enough for this."
"No problems," said Shamrock, who was busy ejecting the last roll of film from her "official" camera.
"Let's go sit in our car, and we can talk a couple of details," I suggested. "Where it's warmer."
Car meetings aren't the best way to do things, but cops have to use 'em all the time. It's cramped, the roar of the defroster muffles things, and the coffeepot is usually several miles away. But we managed. Shamrock transferred the required film to us, and we went over the ground rules.
"No number of shots," I said.
"Sure," said Nancy.
"Either specific or vague. None of the 'several shots were fired,' or anything like that. Just 'shot.' That's plenty. And no caliber. Nothing about a.22, or a.38 or anything like that."
"Okay, Carl. Not to worry."
"Now, how are you planning to go about getting us what we want?"
"Interview, like a follow-up. You know. Back to the ones who mentioned cops being killed. Like I'm following up a lead. Get talking. At least let them know I'm interested." Nancy turned to Shamrock. "She'll get some shots. One or two, with the interview subject."
"Don't take any chances," I cautioned. Unnecessarily.
"Yeah, right," said Nancy.
"We'll wait for you to call," I said.
"Don't let me dangle this time," said Nancy. She kind of grinned. Kind of. She'd done this sort of thing before.
"Wouldn't think of it," I said. I smiled.
Back in Maitland with only a few hours to go before my shift ended, I picked up a call from Jake at the crime lab. He was looking for Art, but good old Art was busy calling around for a parka on another phone. Dispatch gave Jake to me. Jake, himself, was in his middle fifties, and a really great guy. I'd known him for years, and agreed with the rest of the entire state that he was the best analyst the lab had.
We talked for a few moments about how the case was moving nowhere fast.
"Things," I said, trying to be profound, "aren't always what they seem."
"For sure," said Jake. "Like that cartridge case we found in our vacuum bag. I never would have guessed that in a million years."
There was a stunned silence on my end.
"Hey, Carl, you there?"
"Yeah. Did you say you found a casing from the Borglan crime scene?"
"Sure. Didn't Art tell you? I told him this morning."
Well, in his favor, Art had been a bit distracted by other things.
"No, he must have forgotten. Good news, though. Now, all we have to do," I said, "is match it to one of a million.22s in the world…"
"No problem," said Jake. "It isn't a.22."
"Pardon?"
"Not a.22, although you'd think it was. It's a 5.45 mm PSM cartridge. Very unlikely there'd be more than a handful of 'em in the U.S. "
"What," I asked, "is a 5.45 mm PSM?" Out of the corner of my eye, I saw Lamar perk up.
"Same thing we asked," said Jake. "Turns out it's a Soviet handgun, issued to troops of various sorts. Mostly KGB, NVD, and State Security. Very rare. Collector's item, I'd say.
"About a forty grain bullet," he said. "Not much, about two and a half grams. But ballistically about the equivalent of a.22 long rifle. The gun looks a lot like a PPK. Barrel just over three inches."
"Automatic, then?"
"You bet, Carl."
"And you only recovered one casing?"
"I think somebody beat us to the clean-up," said Jake. "They just missed one."
"Any idea how you'd go about getting hold of one of those PSMs?"
"Not a guess, Carl. No help there at all." He thought for a second. "Maybe a gun show? Or a collector's magazine?"
Well. In a stroke, Jake had pretty well eliminated anybody "average" in the area. I'd seen Cletus Borglan's gun cabinet, and nothing having any connection to a handgun had been in there. Not necessarily a complete negative, but another difficulty.
He said to have Art call him. Sure thing.
I hung up the phone, and looked at Lamar. "You know anything about a PSM?"
"It's Russian," he said. "That's about it." He folded a piece of paper, and put it in his pocket. "Notes on the PSM and the cartridge," he said.
"I'm kind of anxious to hear what Art has to say about this," I said. But alas, Art had slipped out, no doubt on the case of finding a warmer winter jacket.
When I got home, Sue and I had a nice, late, no-pressure kind of supper. We cooked together, making spaghetti and fat-free meatballs, toasted garlic bread, a great fresh salad… It was nice. I would have had some wine, but opted for soda instead. Legally, we were always subject to being called out, and if somebody got in real trouble, I didn't want to let them down.
We ate in our dining room, as opposed to TV trays in front of the tube while watching the news. Nice. No conversation about work. For either of us. For about two minutes.
"How are things going with Art?" she finally asked.
"Fantastic!" Well, as close as you can come with spaghetti in your mouth.
She gave me a look of disbelief.
"Well," I admitted, "it might have something to do with his not being around today."
"Well, just don't let him distract you too much when he gets back," she said. "I know you'll do your best, but he's just not as important as your business."
We cleared the table, and I sat down in my recliner, started to watch the news, saw that the damned warm front was still off to the west, and slept for about an hour and a half. That was unusual, but welcome.
"Still tired from being up for about two days, like a teenager," said Sue. "But you're not…"
"I guess so." I stretched. "No, I'm sure not. The nap helped, though."
Consequently, when the phone rang at about 2115, I was almost ready to go. Full, not too tired, and a bit testy, but nearly ready. It was John Wilis, the new guy. Like I've said, new but sharp. Respectful, as well. Not necessarily respectful of my enormous talent, maybe, but at least respectful of my age.
"Sir?"
"Hey, John. What's up?"
"Uh, could I pick you up… I've got somethin' to show you, I think…"
I went back to the living room, where Sue was reading. "Gotta go for a bit," I said.
"I thought so."
"Sorry… I'll try to get back as soon as I can."
"Something dangerous?"
"I hope not." I grinned. "I'm too full of spaghetti to chase anybody, or to run away, for that matter.''
I went upstairs, and pulled on a uniform. I always kept my utility belt attached to my uniform pants. You do that with little fasteners, called "keepers," that loop over the garrison belt, and secure the utility belt in place. It was much easier with the newer nylon belts than it had been with the old leather ones. Anyway, as I stepped into my uniform pants, the utility belt with its pistol holster, magazine holders, walkie-talkie holder, chemical mace holder and can, and handcuff case was already attached. All you had to do was put on the right underwear for the season, put on and fasten the Velcro straps for your bulletproof vest, put on a shirt, pull on the pants, lace your boots, and fill the various holsters and holders as you were on the way out of the room. Since it was very cold, I had to take the time to put on long underwear. But I was still fully uniformed and equipped in under three minutes. I pulled on my dark green sweater and walked down the stairs.
"Just like a forest green Batman," said Sue, "heading out of the Bat Cave."
I locked the chamber of my S &W 4006 open, slipped a magazine into the butt, snapped the chamber closed with a loud clack, and dropped the hammer. Ready to go. You never knew.
"You better wear more than that down vest."
"I'll grab my parka from my car," I said. "I'm gong to be riding with John for a while."