Åsa Larsson
The Blood Spilt
The second book in the Rebecka Martinsson series, 2007
Translated By Marlaine Delargy
First published in Sweden as Det blod som spillts 2004
See, where the Lord comes out from his dwelling-place, holds the nations of the world to account for their guilt! Earth shall disclose the blood spilt on it, and no more cover its dead.
– ISAIAH 26:21
Hold they shall not, your terms with death, your compact with the grave; when the flood of ruin sweeps past, it shall leave you prostrate.
It will carry you away as it passes; pass it will, suddenly, in the space of a day and a night, and the very alarm of it will make you understand the revelation at last.
– ISAIAH 28:18- 19
FRIDAY JUNE 21
Iam lying on my side on the kitchen sofa. Impossible to sleep. At this time of year, in the middle of summer, the nights are so light they allow you no rest. The clock on the wall above me will soon strike one. The ticking of the pendulum grows louder in the silence. Smashes every sentence to pieces. Every attempt at rational thought. On the table lies the letter from that woman.
Lie still, I say to myself. Lie still and sleep.
My thoughts turn to Traja, a pointer bitch we had when I was little. She could never settle, walked round and round the kitchen like a restless soul, her claws clicking on the lacquered wooden floor. For the first few months we kept her in a cage indoors to force her to relax. The house was constantly filled with the sound of “sit” and “stay” and “lie down.”
Now it’s just the same. There’s a dog in my breast who wants to jump up every time the clock ticks. Every time I take a breath. But it isn’t Traja who’s inside me ready to pounce. Traja just wanted to trot around. Get rid of the restlessness in her body. This dog turns her head away from me when I try to look at her. She is filled with evil intent.
I shall try to go to sleep. Somebody should lock me in. I ought to have a cage in the kitchen.
I get up and look out of the window. It’s quarter past one. It’s as light as day. The long shadows from the ancient pine trees along the edge of the yard extend toward the house. I think they look like arms. Hands stretching up out of their restless graves and reaching for me. The letter is lying there on the kitchen table.
I’m in the cellar. It’s twenty-five to two. The dog who isn’t Traja is on her feet. She’s running around the edges of my mind. I try to call to her. Don’t want to follow her into this untrodden territory. My head is empty on the inside. My hand takes things off the wall. Different objects. What do I want with them? The sledgehammer. The crowbar. The chain. The hammer.
My hands place everything in the trunk of the car. It’s like a puzzle. I can’t see what it’s meant to represent. I get into the car and wait. I think about the woman and the letter. It’s her fault. She’s the one who’s driven me out of my mind.
I’m driving the car. There’s a clock on the instrument panel. Straight lines with no meaning. The road is carrying me out of time. My hands are clutching the wheel so tightly that my fingers are hurting. If I kill myself now they’ll have to cut the steering wheel out of the car and bury it with me. But I’m not going to kill myself.
I stop the car a hundred meters from the shore where she keeps her boat. I walk down to the river. It’s shining and quiet, waiting. There’s the faint sound of lapping water beneath the boat. The sun is dancing on the ripples caused by a salmon trout coming to the surface to eat flies. The mosquitoes are swarming around me. Whirring around my ears. Landing round my eyes and on the back of my neck and sucking blood. I don’t take any notice of them. A sound makes me turn around. It’s her. She is standing no more than ten meters from me.
Her mouth opens and forms itself around words. But I hear nothing. My ears are sealed up. Her eyes narrow. Irritation springs to life in them. I take two tentative steps forward. I still don’t know what I want. I am in the territory beyond all sense and reason.
She catches sight of the crowbar in my hand. Her mouth stops moving. The narrow eyes widen once again. A second of surprise. Then fear.
I catch sight of the crowbar myself. My hand whitens around the steel. And suddenly the dog is back. Enormous. Paws like hooves. The hair is standing up from the back of its neck all the way down to its tail. Teeth bared. It’s going to swallow me whole. And then it’s going to swallow the woman.
I’ve reached her. She looks at the crowbar as if she were bewitched by it and so the first blow strikes her right on the temple. I kneel down beside her and lay my cheek against her mouth. A warm puff of air against my skin. I haven’t finished with her yet. The dog rushes out like a mad thing, straight for everything in its way. Its claws rip the earth, leaving great wounds. I am rampaging. I am racing into the far country that is madness.
And now I am lengthening my stride.
Pia Svonni the churchwarden is standing in her garden smoking. She usually holds the cigarette the way girls are supposed to, between her index and middle fingers. But now she’s holding it firmly between her thumb and her index and middle fingers. There’s a hell of a difference. It’s nearly midsummer, that’s why. You get kind of crazy. Don’t want to sleep. Don’t need to either. The night whispers and entices and draws you in, so you just have to go outside.
The wood nymphs are putting on their new shoes, made of the finest birch bark. It’s a real beauty competition. They forget themselves and dance and sway in the meadows, even though a car might pass by. They wear out their shoes while the little ones stand hidden among the trees, watching with huge eyes.
Pia Svonni stubs out the cigarette on the base of the upturned flowerpot that serves as an ashtray and drops the stub through the hole. She suddenly decides to cycle down to Jukkasjärvi church. Tomorrow there’s a wedding there. She has already done the cleaning and made everything look nice, but now she has the idea of picking a big bunch of flowers for the altar. She’ll go out into the meadow beyond the churchyard. Buttercups grow there, and globe flowers and purple cranesbill in a haze of cow parsley. And forget-me-nots whisper along the edge. She pushes her cell phone into her pocket and pulls on her tennis shoes.
The midnight sun casts its glow over the yard. The thin light falls through the fence and the long shadows from the slats make the lawn look like a homemade rag rug, woven in stripes of greenish yellow and dark green. A flock of thrushes is screeching and playing havoc in one of the birch trees.
The whole way down to Jukkasjärvi is one long downhill run. Pia pedals and changes gear. Her speed is lethal. And no helmet. Her hair streams out behind her. It’s like when she was four years old and used to swing standing up on the old swing made out of a tire in the yard, until it felt as if it were going to swing right round. She cycles through Kauppinen where some horses gaze at her from under the trees. When she passes the bridge over the river Torne she can see two little boys fly-fishing a little way downstream.
The road runs parallel with the river. The village is sleeping. She passes the tourist area and the restaurant, the old Konsum supermarket and the ugly community center. The old folk museum’s silvery timber walls and the white veils of mist on the meadow in front of the fence.