I followed Mrs. Plomer down the stairs. I couldn’t, in all conscience — what a phrase — have remained in hiding any longer. Polly saw me over her mother’s shoulders and her eyes widened. “It’s you!” she said in a hoarse whisper. “You gave me a fright.” I said nothing. It seemed to me that instead of being frightened she was making an effort not to laugh. She had on a thick wool dressing-gown, and was, like me, barefoot. I hitched the blanket more closely about me and gave her what was meant but surely failed to be a lofty glare. I must indeed have looked like Lear, returned from the heath and sheepishly not dead from sorrow. “Come along,” Polly said to her mother, “you must go back to bed now, you’ll catch your death.” She led her away, glancing back at me and indicating with a sideways dip of her head that I was to go into her bedroom and wait for her.
The air inside the room was thick with sleep. The fire in the grate had died and left behind an acrid resinous reek. Under the light of the lamp the bedclothes were thrown back in what seemed an artful way, as if someone like me — someone, that is, like I used to be — had arranged them just so, in preparation for the model who, disrobing now behind a screen, would in a moment appear and drape herself against them in the pose of an overripe Olympia. You see, you see what in my guilty heart I hanker after? — the bad old days of the demi-monde, of silk hats and pearly embonpoint, of rakes and rakesses astray on the boulevards, of faunish afternoons in the atelier and wild nights on the sparkling town. Is that the real, shameful, reason I took up painting, to be the Manet — him again — or the Lautrec, the Sickert, even, of a later age? Polly came back then, no Olympia but a reassuringly mortal creature, and the room was just a room again, and the rumpled bed the place where she had been innocently asleep until two desperate night wanderers had awakened her.
Now she shed her dressing-gown with a vexed shrug and, chilled from wherever she had taken her mother to, clambered hurriedly into bed in her pyjamas — winceyette, I believe that stuff is called, another notable word — and pulled the bedclothes to her chin and lay on her side with her legs drawn up and her knees pressed to her chest, shivering a little, and ignoring me as thoroughly as her mother had when she turned away from me on the stairs. I wonder if women realise how alarming they are when they go tight-lipped and mute like that? I suspect they do, I suspect they’re very well aware of it, although if they are, why don’t they use it more, as a weapon? I sat down beside her carefully, as if the bed were a boat and I were afraid of capsizing it, and adjusted the blanket around my shoulders. Have I said how cold I was by now, despite the woolly warmth there in the room? I gazed at Polly’s cheek, which used to glow so hotly when she lay with me on the sofa in the studio of old. The lamp-light gave to her skin a rough-grained, papery texture. Her eyes were closed but I could tell she was far from sleep. I groped around on the eiderdown — that crackly satin giving me the creeps again — until I found the outline of one of her feet, and pressed it in my hand. She said something that I didn’t catch, still with her eyes closed, then cleared her throat and said it again. “Such a get-up! My mother. I don’t know what goes through her head.” No comment seemed required of me and so I said nothing; as far as I was concerned, Mrs. Plomer was beyond discussion. I could feel the warmth returning to Polly’s foot. Was a time I would have grovelled in the dust before this young woman just for the privilege of taking one of her little pink toes in my mouth and sucking it — oh, yes, I had my moments of adoration and abjection. And now? And now the old desire had been replaced by a different kind of ache, one that would not be assuaged in her arms, if it could be assuaged at all. What was it, this thing gnawing at my heart, as in former times quite other things had gnawed at quite other of my organs? As I sat there turning over this question there came to me, to my great consternation, the thought that the person lying beside me under the bedclothes with her knees clutched to her breast might be — I hesitate to say it — might be my daughter. Yes, my lost daughter, brought back by some bright magic from the land of the dead and given all the attributes, commonplace and precious, of a lived life. This was a very strange notion, even by the standards of the extraordinary and turbulent times I was passing through. I let go of her foot and sat back, light-headed and aghast. It sometimes occurs to me that everything I do is a substitute for something else, and that every venture I embark on is a botched attempt at reparation for a thing done or left undone — don’t ask me to explain it. Outside in the night it began to rain again, I heard it, a gathering murmur, like the sound of many voices in the distance speaking together in hushed tones.
Slightly salty to the taste, those toes of hers were, when I sucked them. Salty like salt tears.
She stirred now and opened her eyes and put a hand under her cheek and sighed. “Do you know what it was that first attracted me to Marcus?” she said. “His weak eyesight. Isn’t that strange? His eyes were affected by all that close-up work he had to do for so many years when he was an apprentice. You know that’s why he seems so awkward, why he moves so slowly and so carefully? It was sweet to see the way he touched things, getting the feel of them, as if that was the only way he could trust what he was doing. That’s the way he would touch me, too, the barest touch, just with the tips of his fingers.” She sighed again. Her hair always smells a little like musty biscuits; I used to love to bury my face in it and snuffle up that soft fawn odour. She stirred, extending her legs under the covers, and turned over and lay on her back, with her hand behind her head now, looking up at me calmly. The way she was lying made the skin at the outer corners of her eyes became slightly stretched and shiny, which gave to her features a curiously lacquered, Oriental cast. “Tell me why you ran off,” she said. I didn’t attempt to reply, only shrugged and shook my head. She pulled her mouth sideways in a grimace. “You can’t have known how humiliated I would be — at least, I hope you didn’t, or you’re even more of a monster than I thought.” I said I didn’t know what she meant — I did, of course — and she made that moue again with her mouth. “Don’t you? Look at all you were, all you had, all that you’d done, and look at what I was, a watchmaker’s wife whiling away her days in a no-hope backwater.” This was spoken with such a sudden harshness that it took me aback, I who by now was driven so far back it had seemed there was no further I could go. But I nodded, trying to look as if I understood and sympathised. Nodding, it struck me, was an apt way, in this instance, of repeatedly hanging my head. Shame, though, I find, even at its most burningly intense, is always somewhat detached, as if there were a secret escape clause written into it. Or maybe it’s just me, maybe I’m incapable of true shame. After all, I’m incapable of so much. Polly was regarding me now with a sort of rueful scepticism, almost smiling. “I thought you were a god,” she said, and at once, of course, I thought of Dionysus taking pity on poor abandoned Ariadne and plucking her up from Naxos and making her immortal, whether she wanted it or not; the mighty ones of Mount Olympus always had a soft spot for a girl in distress. But they have all departed, those gods, into their twilight. And I was no god, dear Polly; I was hardly a man.
Now, at this moment, in this late afternoon, as my pen scratches away crabbedly at these futile pages, somewhere outside on Hangman’s Hill a solitary bird is singing, I hear its passionate song, limpid and bright. Do birds sing at this late time of year? Maybe their kind also has its bards, its rhapsodes, its solitary poets of desolation and lament, who know no seasons. The day wanes, the night comes on, soon I’ll have to light my lamp. For now, though, I am content to sit here in the October gloaming, brooding on my loves, my losses, my paltry sins. What’s to become of me, of my dry, my desiccated, heart? Why do I ask, you ask? Don’t you understand yet, even yet, that I don’t understand anything? See how I grope my way along, like a blind man in a house where all the lights are blazing.