She walked along beneath a sky of bird’s-egg blue, past fields of ripening barley, beets, turnips, and beans; small herds of cattle, flocks of sheep, and geese. The river rolled away to her right, its long, slow currents barely ruffling the quiet jade-green surface. Mother ducks surrounded by a flotilla of half-grown ducklings paddled among the weeds growing long at the banks, the little ones dibbling for insects and bits of edible flotsam.
A dairyman walking beside his donkey cart approached on the lane that ran along the bank; he tipped his hat as he passed. The air was momentarily filled with the slightly sour, milky scent of the dairy, and Wilhelmina was instantly plunged back into a time and place she scarcely remembered ever having been: a farm in Kent when she was barely six years old. It was a school trip, and her class had visited a farm that produced the milk she and her classmates drank every day from little bottles. The farmer had shown them into the separating room to see the huge machines at work dividing the raw milk from the cream; the smell of the room-strongly pungent and steeped in the sharp rancid odour of fermenting cheese-had so overwhelmed her young senses that it remained with her ever after.
She greeted the farmer and then paused to watch him on his way, breathing in the scent as he passed. Mina was still thinking about that school trip, so long forgotten but vividly revived, when the lane turned to follow a bend in the river and passed into a beech wood copse. The sunlight through the trees threw dappled shadows on the path, and she was looking at the pattern as she walked. She happened to slip her hand into her pocket and brushed Burleigh’s device. To her surprise, it was warm to the touch.
She looked down and saw a deep blue light burning through the fabric of her smock. The thing was glowing.
She stopped and with trembling fingers drew out the brass-encased device. A strong blue light streamed through the little holes that lined the curve of one side, and through the central half-moon aperture as well. Something had stirred the instrument to life, but what?
Mina gazed around her. She noted the trees, the leaf-shadowed lane, the wide sweep of the river, and even the cloud-spotted sky above and the birds soaring there. She regarded everything, yet saw nothing she supposed might trigger the sudden awakening of the curious little gismo that was even now filling her hand with an appreciable warmth.
Slowly, keeping her eyes on the object, she began walking again. The lane curved as it followed the river, and gradually the light in Burleigh’s object faded. She kept walking until the last little glimmer of blue light died. She turned and retraced her steps. As she half expected, after a few steps the glow rekindled… a few more steps, and the glow grew brighter.
She marched a dozen swift paces along the lane, moving out from the shelter of the copse. The softly glowing blue light slowly faded once more, and the device cooled in her palm.
She stopped and, certain that she stood on the brink of discovery, made a slow about-face and moved once more into the copse. The deep indigo light returned, and this time she imagined she heard a small squeaking sound-almost like the chirp of a baby bird. Still walking slowly, she held the device to her ear and confirmed that yes, indeed, the thing was speaking to her. Instinctively, she put her finger to the tiny knurled nub on the surface of the device and gave it a twist: the peeping sound grew louder.
“’Hello!” she muttered to herself. “It’s a volume knob.”
Still walking slowly, she noted when the blue glow began to fade once more, then instead of waiting until it went out altogether, she spun on her heel and headed back the opposite way, still holding the instrument out in front of her. At the exact place where the light was brightest and the sound the loudest, she stopped.
Burleigh’s mechanism was obviously marking the place, but try as she might she could not see why. She stood perfectly still and gazed at the little woodland glade around her. What was different or special about this place? What was the gismo trying to tell her?
She cast her mind back to the first time she had made a leap. Something that Kit had said about lines etched on the landscape came drifting back into her consciousness, and she looked for anything that might resemble a line. Although it took a few moments, the realisation finally dawned on her that she was, in fact, staring right at it: a perfectly straight course through the beech copse, a thin trail with trees on either side and the merest trace of a path on the ground like that wild animals made-a fox run, perhaps-but straight as an arrow until losing itself in the deep shade of the little wood.
Wilhelmina swallowed and found that not only had her mouth gone dry, but her heart was beating very fast. “This is it,” she said to herself. “This is one of those leys.”
Her feet were already on the path before she had even decided what to do. Walking steadily into the grove, her eyes fixed on the stone-shaped instrument, she noted that the glowing light began to pulse gently with every step. The faint chirping sound did not grow louder, but the squeaks came faster; she stepped up her pace and the chirps came more quickly.
A breeze stirred the nearby leaves; the branches overhead moved with a sudden gust, and darkness descended over her-as if she had moved into the deep shade of a large tree. Just that. Nothing else. Three more steps carried her out from the shadow of the tree and into
… a broad sunlit glade.
The beechy copse was gone. The curving riverbank was gone too, along with the surrounding fields and hills. Instead, she stood in a pool of bright sunlight at the bottom of a deep canyon. Behind her stretched a long incline etched into the cliff face leading to the grassy sward on which she stood. Towering over her on every side were high limestone cliffs, and directly below her a shallow river sloshed around the huge stones and boulders littering the valley floor. She heard a ragged screech and glanced up to see a hawk soaring through the cool, bright air.
“Mina, you’re not in Bohemia anymore,” she whispered, her voice falling softly in the silence of the glade.
The device in her hand still glowed softly but was no longer sounding. What a clever little thing, she thought; and then, What shall I call you? Ley lamp, she decided on a whim, and the name seemed to fit.
Curious about where she had landed, Wilhelmina proceeded to look around, taking care not to wander too far lest she lose her bearings. She tucked the ley lamp into her pocket and continued down the path to the bottom of the canyon. Around the next bend, the valley widened; the limestone walls receded. Someone had planted fields of corn on the rich flat ground either side of the river. A short distance ahead she could see a few stone and timber buildings, but there was no one about.
As Mina approached the buildings, the riverside trail became a twin-track road that ran through the tiny settlement and on, through the little farmyard and around another bend. Since no one seemed to be about, she paused to look inside one of the buildings as she passed; it was a simple animal shed with straw covering the floor and an empty manger below a squared hole in the wall, which served as a window. She moved on, following the road as it wound ’round the bend. In the heights above her another hawk had joined the first, and both soared in slow wheeling circles.
Just around the bend she saw that someone had made a dam of river rocks-a primitive construction of stones heaped one atop another across a narrow part of the river. The water pooled nicely behind this simple barrier, forming a wide, placid pond. On a rock ledge just above the pond stood a stout stone building, which on closer inspection turned out to be a ruin. The roof was gone, and two of the four walls had tumbled into rubble, but the remains of a great wooden wheel and several grindstones lay amongst the jumble of wreckage.