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When I kissed her      she tasted like gunmetal cities pricked with soapy, foaming green: strange-bred grasses clutching at air, like a polished sheet of polar ice, and she dancing upon it, a new kind of beast, feet blue and bare, heedless, atavistic, her hair an explosion which, of course, is red, could never have been anything other than red. In her kiss, she walks naked through Hellas Planitia; her pilgrim road all on fire, under crystal, under a golden sizzle of solar wind. Her teeth on my lips I watch her buy this memory from a bazaar, drink krill from a pink glass vial, mate with a toad-skinned boy, and hold against her small breasts an ultraviolet bubble wherein she and I are kissing, forever, so very like living things.
When I kissed her      she tasted like two moons tumbling, gleaming, old bones cast into the sky to foretell my own obsolescence.     What place I, in the place where she lives? What good my French cuffs in that long desert?      When I kissed her I knew she was not like me: she knew none of the secret houndstooth shames that gentlemen know. Her Galapagos-soul had flashed past all that, and she moved like dust on the plain.
A gentleman comes boldly,      when he comes. He knocks at a little round door, all etiquette, bred like a dog to race after her, oh, to run, while she speeds ahead in her uncatchable orbit, spinning on her silver rod      always,      always, so very like a living girl,      always,      always, so very much faster than he.
I cannot go to Mars. I am extinct there— customs would never let me pass. The days of maids yelping in chicken yards, scared half to death of a hymen are gone.
When I kissed her      she tasted like change, like the face of the moon suddenly showing her dark.      I did not notice. Still yet in the chicken yard, thinking it mattered, that it would bother her, I curdled the milk and ruined the beer, unspun the wool and frightened the cows, crowing at my body’s breadth— while she, oil-grimed, skull shaved, quietly built red engines to carry herself off.
My hands in her hair, I looked up in the smoky night, to a red thing in the sky, and began to break along the seams, to fold and arc like a steel cockerel straining at the sun, to sear into a thing that might match her; not gentle, not bred, a thing which might taste of orange domes like bodies rising, of pilgrim blood both savage and serene.

The Wolves of Brooklyn

It was snowing when the wolves first came, loping down Flatbush Ave, lithe and fast, panting clouds, their paws landing with a soft, heavy sound like bombs falling somewhere far away. Everyone saw them. Everyone will tell you about it, even if they were in Pittsburgh that weekend. Even if they slept through it. Even if their mothers called up on Monday and asked what in the world was going on out there in that Babylon they chose to live in. No, the collective everyone looked out of their walk-up windows the moment they came and saw those long shapes, their fur frosted and tinkling, streaming up the sidewalks like a flood, like a wave, and the foam had teeth.

These days, we go to work. We come home. We put on dresses the color of steel and suits the color of winter. We go to cafes and drink lattes with whiskey and without sugar or bars where we drink whiskey without ice and without water. Bars aren’t noisy anymore. It’s a murmur, not a roar. They keep the music turned down so we can talk. So we can tell our wolf stories. Outside the windows, where the frost crackles the jambs, they stand and press their noses to the glass, fogging it with their breath.

Camille sits with her elbow crossing her knee, her dress glittering ice because they like it that way. They watch you, when you shine. Her lavender hair catches the lamplight, expensive, swooping and glossy, rich punk girl’s hair. She says:

“I was walking to the store for coffee. We always run out; I just never think of it until it’s already gone. I thought I’d get some cookies, too. The kind with jam in the middle, that look like a red eye. I guess that doesn’t matter. You know, I always fuck up jokes, too. Anyway, it was snowing, and I just wanted some coffee and cookies and then it was walking next to me. He was walking next to me. A big one, as big as a horse, and white, so white in the snow and the streetlight, his fur so thick your hands could disappear in it. All I could think of was the horse I used to love when I was a kid. Boreal. My mom used to drive me to the stables every morning and I’d brush him and say his name over and over, and the wolf was white like Boreal, and tall like him, and I started running because, well, shit, he’s a wolf. Running toward the store, like I could still get coffee and cookies. He ran with me. So fast, and I had my red coat on and we were running together through the snow, his breath puffing out next to me, and I saw that his eyes were gold. Not yellow, but gold. I was red and he was gold and we were running so fast together, as fast as Boreal and I used to run; faster. We ran past the store, into the park, and snow flew out under my feet like feathers. I stopped by that little footbridge—the wolf was gone and I had just kept on running out into the frozen grass.”

The wolves never cross the bridges. Sometimes they run right up to them, and sniff the air like Brooklyn has a musk and it fades at the edges, like they accidentally came too close to the end of the world. They turn around and walk back into the borough with their tails down. They stop right at Queens, too. They won’t cross the borders; they know their home. For awhile no one talked about anything else, and all our friends in Manhattan wanted to come and see them, photograph them, write about them. I mean, wouldn’t you? But there were incidents—like any dog, they don’t like strangers. This girl Marjorie Guste wanted to do a whole installation about them, with audio and everything. She brought a film crew and a couple of models to look beautiful next to them and she never got a shot. The wolves hid from her. They jumped onto the roofs of brownstones, dipped into alleys and crawled into sewer gratings. We could see where they’d gone sometimes, but when MG swung her lens around they’d be gone, leaping across the treetops in the snow.

Geoffrey, despite the name, is a girl. It’s a joke left over from when she was a kid and hated being the four hundredth Jenny in her grade. She’s got green sequins on, like a cigarette girl from some old movie theatre. I love how her chin points, like the bottom of a heart. We dated for awhile, when I was still going to school. We were too lazy, though. The way you just wake up sometimes and the house is a disaster but you can’t remember how it really got that way, except that how it got that way is that you didn’t do the dishes or pick up your clothes. Every day you made a choice not to do those things and it added up to not being able to get to the door over the coffee mugs and paperbacks piled up on the floor. But still, she was at my house the night the wolves came, because laziness goes both ways.