I gave a bow and indicated that he should lead the way. The housekeeper detained me with a hand on my arm.
‘You upset the mistress and you’ll have me to reckon with,’ she threatened in a low, furious voice. ‘Receiving you when she’s suffering from one of her headaches! Whatever next!’
‘That’ll do, Paulina!’ Godfrey exclaimed impatiently. ‘Come along, chapman, please. Mistress St Clair doesn’t like to be kept waiting.’
I followed him meekly up the main staircase and was ushered into the room I had already visited twice before, but, for the first time, I entered through the main bedchamber door.
‘I’ve brought the pedlar, as you see, my love,’ Godfrey muttered, and withdrew hurriedly, closing the door behind him. His attitude was that of a man who, having reluctantly played his part, wanted nothing further to do with the matter. His nervousness was palpable – an unease that should have made me wary but failed to do so because, in some measure, it was Godfrey St Clair’s natural manner.
Judith, fully clothed, was sitting up on the bed, but not in it. She had removed her shoes in order, I presumed, not to dirty the magnificent coverlet, while the bed curtains had been pushed right back to the head of the bed so that the story of Daphnis and Chloe was visible only as streaks of ochre and daubs of terracotta pink.
‘Ah! Roger the Chapman!’ she murmured, somewhat mockingly, I thought. ‘Sit down.’ And she indicated a stool set ready for me by the side of the bed.
She was certainly very pale, but otherwise gave no impression of a woman in the throes of a debilitating headache. A carved wooden cup with a silver rim, which stood on the bedside cupboard beside the candlestick and candle, appeared, from what I could see of it as I sat down, to be full to the top of some brownish liquid. She evidently had not yet swallowed the potion Godfrey had prepared for her, which, again, argued no great degree of discomfort. These signs and portents should have put me on my guard. But, I regret to say, they didn’t.
‘Well?’ she invited, a little smile lifting the corners of her mouth. ‘Do you know now who killed my nephew? And why?’
I didn’t return her smile. ‘I think so,’ I answered.
‘You only “think so”? I expected better of you than that.’
‘All right,’ I said. ‘I do know. But I’ll be honest with you, mistress. I’ve no real proof.’
At that, she laughed. ‘That’s not just being honest,’ she said. ‘That’s being foolhardy. So! You’ve no proof unless the murderer confesses?’
‘No. Only suspicions. And if the Dowager Duchess of Burgundy refuses to accept those suspicions–’
‘Which she doubtless will!’
‘Which, as you say, she doubtless will, then there is nothing further I can do in this matter.’
Judith nodded thoughtfully. ‘On the other hand,’ she said, ‘suspicion, like mud, tends to stick and can ruin a life quite effectively. Although, of course, one still has that life, which must be preferable to a painful death. So I can’t promise you that you’ll get your confession, chapman.’ She closed her eyes for a moment or two before suddenly opening them wide and turning them intently on me.
‘Tell me, then,’ she said, looking down her masterful nose, ‘what made you first suspect me?’
I considered this. ‘I think it was when you told me that your nephew had been murdered in Faitour Lane. This, of course, was perfectly true, but his body was later shifted by two of the beggars round the corner into Fleet Street and left outside St Dunstan’s Church.’
‘A very foolish mistake,’ Judith commented harshly, plainly angry with herself, as well as with me for picking it up. ‘So that’s how the corpse came to be moved, is it? I did wonder … Go on! What else?’
‘I found it odd that, after Fulk’s death, you changed your will back again to its original form with such speed. Not much in itself, perhaps, but when I thought about it, it suggested to me a desire to erase Fulk from your life as soon as possible – a desire to right a wrong for the people you truly cared for: your husband, Mistress Alcina and Master Jocelyn. Even, perhaps, Lionel Broderer. As I said: a feeling, not evidence.’
Judith pursed her lips. ‘No, not evidence,’ she agreed. ‘You’ve mentioned nothing so far that I couldn’t refute. So? What more? Or isn’t there anything?’
I sat up straighter on my stool and eased my aching shoulders. ‘You haven’t asked me yet’, I pointed out, ‘why I think you killed your nephew.’
She laughed. ‘Very well, then. Why did I murder Fulk, Master Chapman? Although I’m sure you’ve worked it out.’
‘Because he was threatening you.’
‘Indeed? And why would he be able to do that?’
‘Because Fulk wasn’t the first person you’d killed, was he, mistress? Twelve years ago you murdered your first husband. And I think – indeed, I’m almost sure – that if I were to dig beneath that willow tree in your garden, I should probably find his bones.’
There was silence, eventually broken by a deep sigh as Judith propped herself a little higher on her pillows. ‘I think you’re forgetting that Edmund Broderer was dragged from the river several weeks after he disappeared,’ she reminded me.
‘No, I’m not forgetting. But a body that’s been in the Thames for that length of time would be almost unrecognizable. Except, of course, by his loving wife who identified him by the shape of his feet and some intimate bodily mark.’
The slightly tolerant smile had by now quite vanished and her eyes were like steel. ‘You have been asking a lot of questions, Master Chapman,’ she snapped. ‘And, seemingly, getting a lot of answers. So tell me! Why would I have wanted to kill Edmund Broderer?’
It was my turn to smile. ‘I wasn’t sure until young Bertram Serifaber mistook Lionel for Brandon Jolliffe, and then I realized the likeness betwen them myself. And when I found young Roger Jessop, Nell’s half-brother – you remember Roger Jessop, don’t you? The young lad who used to work in your garden – and saw that he, too, bore a strong resemblance to the other two, I started to believe that they might all have been sired by the same father. This morning, therefore, I talked not only to Mistress Jolliffe but also to Martha Broderer. Both women were quite frank with me about their relationship with your former husband.’
‘A lot of men have bastards,’ my companion sneered. ‘Men are like that: incontinent where their need for women is concerned. But their long-suffering wives don’t murder them. They endure, like our poor Queen.’
‘Maybe,’ I agreed. ‘But what if a woman’s husband is proposing to leave her for his former sweetheart, his cousin’s widow? What if he’s talking of obtaining a divorce because of that wife’s barrenness? What if this woman cannot bear the thought of being abandoned and humiliated for a woman she despises?’
‘What if! What if!’ Judith St Clair broke in angrily. ‘It seems to me there’s more “what if” about your suspicions than substance. And what makes you think Edmund is buried beneath my willow tree?’
‘You’re very fond of that spot. People have told me so. Yesterday, when you invited me into your garden to stand with you under the tree, I had the feeling that you were secretly laughing at me. Mocking me. Taunting me, perhaps, with the evidence buried beneath our feet. Call me fanciful if you like, but that is how it struck me.’
She gave a hard, artificial little laugh. ‘I certainly do call it fanciful! Do you think anyone would be convinced by such nonsense?’
‘Probably not. But someone might be more interested in the fact that young Roger Jessop, a child raised and nurtured by you from his earliest days, suddenly ran away because, after a series of odd mishaps and near “accidents”, he grew to believe that his life was in danger. I wondered why that should be, until I learned from William Morgan and from you that he had been digging around the willow. The lad didn’t find anything; his suspicions of anything, or anyone, being buried there weren’t even slightly aroused. But you couldn’t take the chance of letting him live.’