About the narrow, childlike waist there was a brief loin-cover of tanned rawhide and then, remarkably, a Ianyard from which dangled a clasp knife. It was an Admiralty-type knife with a horn handle such as British sailors carried, and Lothar had not expected to find a tool like this one on a Bushman's corpse in the wastes of the Kalahari. He unlooped the lanyard and dropped the knife into his pocket. There was nothing else of value or interest on the body, and he certainly would not bother to bury it. He left the old man jammed into the rocky crevice and climbed back down to where Swart Hendrick waited for him.
What did you find? Hendrick demanded.
Just an old man, but he had this. Lothar showed him the knife and Swart Hendrick nodded without particular interest.
Ja. They are terrible thieves, like monkeys. That's why they were creeping around our camp. Into the kloof there, amongst that horn bush. It will be dangerous to climb down. I would leave it. Stay here, then, Lothar told him and went to the edge of the deep ravine and looked down. The bottom was choked with dense Thorn growth, and the climb would indeed be dangerous, but Lothar felt a perverse whim to go against Swart Hendrick's advice.
it took him twenty minutes to reach the bottom of the ravine, and as long again to find the corpse of the Bushman he had shot. It was like trying to find a dead pheasant in thick scrub without a good gundog to sniff it out, and in the end it was only the buzz of big metallic-blue flies that led him to the hand protruding from a clump of scrub, with the pink palm uppermost. He dragged the body out of the thorn scrub by the wrist and realized that it was a female, an ancient hag with impossibly wrinkled skin and dangling breasts like a pair of empty tobacco pouches.
He grunted with satisfaction when he saw the bullet hole exactly where he had aimed. It had been an extremely difficult shot, at that range and deflected. He transferred his attention immediately from the bullet wound to the extraordinary decoration that the old woman wore around her neck.
Lothar had never seen anything like it in southern Africa, although in his father's collection there had been a Masai necklace from east Africa, which was vaguely similar. However, the Masai jewellery had been made with trade beads, while for this collar the old woman had collected coloured pebbles and had graded and arranged them with remarkable aesthetic appreciation. Then she had most cunningly fastened them into a breast plate that was at once strong and decorative.
Lothar realized that it would have considerable value for its rarity, and he rolled the old woman on to her face to unknot the string that held it at the back of her neck.
Blood from the massive exit wound had soaked the string, run down it and clotted on some of the coloured stones, but he wiped it off carefully.
Many of the stones were in their original crystalline form, and others were water-worn and polished. The old woman had probably picked them out of the gravel banks in the dry river beds. He turned them to catch the light and smiled with pleasure at the lovely sparkle of reflected sunlight. He wrapped the necklace in his bandanna and placed it carefully in his breast pocket.
One last glance at the dead Bushwoman convinced him that there was nothing else of interest about her, and Lothar left her lying on her face and turned to the difficult climb up the ravine wall to where Swart Hendrick waited above him.
Centaine became aware of the feeling of woven cloth upon her body, and it was so unfamiliar that it brought her to the very threshold of consciousness. She thought that she lay upon something soft, but she knew that was impossible, as was the filtered light through green canvas.
She was too tired to ponder these things, and when she tried to keep her eyelids open, they drooped against her best efforts and she became aware of her weakness. Her insides had been scooped out of her as though she were a soft-boiled egg, and only her brittle outer shell remained. The thought made her want to smile, but even that effort was too great and she drifted away into that lulling darkness again.
When next she became aware, it was to the sound of someone singing softly. She lay with her eyes closed and realized that she could understand the words. It was a love song, a lament for a girl that the singer had known before the war began.
It was a man's voice, and she thought it was one of the most thrilling voices she had ever heard. She did not want the song to end, but suddenly it broke off, and the man laughed.
So, you like that do you? he said in Afrikaans, and a child said, Da! Da! so loudly and so clearly that Centaine's eyelids flew open. It was Shasa's voice and every memory of that night with the lion in the mopani came rushing back at her, and she wanted to scream again.
My baby, save my baby! and she rolled her head from side to side, and found she was alone in a hut with thatched roof and canvas sides. She lay on a camp cot, and she was dressed in a long cool cotton nightgown.
Shasa! she called out, and tried to sit up. She managed only a spasmodic jerk, and her voice was a dull, hoarse whisper.
Shasa! This time she summoned all her strength. Shasa! and it came out as a croak.
There was a startled exclamation, and she heard a stoat clatter as it was overturned. The hut darkened as someone stepped into the doorway, and she rolled her head towards the opening, A man stood there. He was holding Shasa on his hip.
He was tall, with wide shoulders, but the light was behind him so she could not see his face.
So, the sleeping princess awakes- that deep, thrilling voice -at last, at long last. Still carrying her son, he stepped to the side of her cot and bent over her.
We have been worried, he said gently, and she looked up into the face of the most beautiful man she had ever seen, a golden man, with golden hair and yellow leopard's eyes in his tanned golden face.
On his hip Shasa bounced up and down and reached towards her.
Mama! My baby! She lifted one hand, and the stranger swung Shasa off his hip and placed him beside her on the cot.
Then he lifted Centaine's shoulders and propped her into a sitting position with a bolster behind her. His hands were brown and strong, yet the fingers were as elegant as those of a pianist.
Who are you? Her voice was a husky whisper, and there were dark smears below her eyes, the colour of fresh bruises.
My name is Lothar De La Rey, he answered, and Shasa clenched his fists and pounded his mother's shoulder in a gesture of overwhelming affection.
Gently! Lothar caught his wrist to restrain him. Your mama is not up to so much love, not yet. She saw how Lothar's expression softened as he looked at the child.
What happened to me? Centaine asked. Where am YOU were attacked and mauled by a lion. When I shot the beast, you fell out of the tree. She nodded. Yes, I remember that, but afterwards You suffered concussion and then the wounds from the lion claws mortified. How long? she breathed.
Six days, but the worst is past. Your leg is still very swollen and inflamed, Mevrou Courtney. She started. You use that name.
Where did you learn that name? i know that your name is Mevrou Centaine Courtney and that you were a survivor from the hospital ship Protea Castle. How? How do you know these things? I was sent by your father-in-law to search for you. My father-in-law? Colonel Courtney, and that woman, Anna Stok. Anna? Anna is alive? Centaine reached out and seized his wrist. is no doubt about that at all! Lothar laughed. ThereShe is very much alive. That is the most wonderful news! I thought she was drowned -Centaine broke off as she realized that she was still holding his wrist. She let her hand fall to her side and sank back against the bolster.