The mountain was further off than it had seemed in the red light of the dawn. As they marched towards it, it seemed to recede rather than draw closer. As the light changed, so the mountain changed its mood. It became remote and austere, and the stone cliffs glittered in the sunlight like a crocodile's scales.
O'wa sang as he trotted at the head of the file: See, spirits of the San We come to your secret place With clean hands, unstained by blood.
Al See, spirit of Eland and Mantis, We come to visit you with joyous hearts, and songs for your amusement The mountain changed again, began to quiver and tremble i in the rising heat. It was no longer massive stone, but rippled like water and wavered like smoke.
It broke free of the earth and floated in the air on a shimmering silver mirage.
O, bird mountain That flies in the sky We bring YOU praises.
O, Elephant Mountain, greater than Any beast of earth or sky, we hail you, O'wa sang, and as the sun swung through its zenith and the air cooled, so the Mountain of All Life settled to earth again and loomed high above them.
They reached the scree slopes, loose stone and debris that lay piled against the cliffs, and paused to look up at the high summit. The rocks were painted with lichen growth, sulphur-yellow and acid-green, and the little hyrax rock rabbits had stained the cliffs with seepage from their middens, like tears from an elephant's eyes.
On a ledge three hundred feet above them stood a tiny antelope. It took fright and with a bleat like a child's penny whistle, shot straight up the cliff, leaping from ledge to unseen ledge with all the nimbleness of a chamois, until it disappeared over the crest.
The y scrambled up the steep scree slope until they touched the base of the cliff. The rock was smooth and cool and overhung them, leaning out at a gentle angle like a vast cathedral roof.
Be not angry, ye spirits, that we come into your secret place, H'ani whispered, and tears were coursing down her ancient yellow cheeks. We come in humble peace, kind spirits, we come to learn what our offence has been, and how we can make amends. O'wa reached out and took his wife's hand and they stood like two tiny naked children before the smooth rock.
We come to sing for you and to dance, O'wa whispered. We come to make peace, and then with your favour to be reunited with the children of our clan who died of the great fever in a far place. There was such vulnerability in this intimate moment that Centaine felt embarrassed to watch them. She drew away from the two old people, and wandered alone along the narrow gallery before the cliff. Suddenly she stopped, and stared up in wonder at the high rock wall that hung out over her head.
Animals, she whispered.
She felt the goose-flesh of superstitious fear rise along her forearms, for the walls were decorated with paintings, frescoes of weirdly wrought animals, the childlike simplicity of form giving them a beauty that was dreamlike, and yet a touching resemblance to the beasts that they depicted. She recognized the darkly massive outlines of tusked elephants and horned rhinoceros, the wildebeest and sassaby with horns like crescent moons marching in closely packed phalanxes across the rock walls.
And people, Centaine whispered, as she picked out the sticklike human shapes that ran in pursuit of the herds of wild game. Fairy beings, the San's view of him self, armed with bows and crowned with wreaths of arrows, the men adorned with proudly erect penises, disproportionately large, and the women with prominent breasts and buttocks, the badges of feminine beauty.
The paintings climbed so high up the sheer walls that the artists must have built platforms, in the fashion of Michelangelo, to work from. The perspectives were naive, one human figure larger than the rhinoceros he was hunting, but this seemed to deepen the enchantment, and Centaine lost herself in wonder, sinking down at last to examine and admire a lovely flowing waterfall of overlapping eland, ochre and red, with dewlaps and humped shoulders, so lovingly depicted that their special place in San mythology could not be overlooked.
H'ani found her there, and squatted beside her.
Who painted these things? Centaine asked her.
The spirits of the San, long, long ago.
Where they not painted by men?
No! No! Men do not have the art, these are spirit drawings.
So the artists skills were lost. Centaine was disappointed . She had hoped that the old woman was one of , i the artists and that she would have an opportunity to J
watch her work.
Long ago, H'ani repeated, before the memory of my father or my grandfather.
Centaine swallowed her disappointment and gave her self up to enjoyment of the marvelous display.
There was little left of the daylight, but while it lasted, they picked their way slowly around the base of the cliff, i walking with heads thrown back to marvel at the gallery of ancient art. At places the rock had broken away, or the storms and winds of the ages had destroyed the frescoes, L but in the protected gulleys and beneath the sheltering overhangs the paint seemed so fresh, and the colours so vivid, that they might have been painted that very day.
In the last minutes of daylight they reached a shelter where others had camped before them, for the hearth was thick with wood ash and the cliff was blackened with soot, and there was a pile of dead wood left beside it, ready for use.
Tomorrow we will learn if the spirits are hostile still, or if we will be allowed to proceed, H'ani warned Centaine. We will start very early, for we must reach the hidden place before the sun rises, while it is still cool.
The guardians become restless and dangerous in the heat."What is this place? Centaine insisted, but once again the old woman became vague and deliberately absentminded. She repeated the San word which had the various meanings hidden place or safe shelter, or vagina, and would say no more.
As Hlani had warned, they started out long before sunrise the next morning and the old people were quiet and anxious and, Centaine suspected, fearful.
The sky was barely lighting with the dawn when abruptly the path turned a sharp corner in the cliff and entered a narrow wedge-shaped valley, the floor was thickly covered with such luxuriant growth that Centaine realized there must be good water below the surface. The path was ill-defined, overgrown and clearly had not been trodden for many months or years. They had to duck under the interlocking branches and step over fallen boughs and new growth. In the cliffs high above them Centaine made out the huge shaggy nests of vultures, and the grossly ugly birds with their bare pink heads crouched on the rim of their nests.
The Place of All Life, H'ani saw her interest in the nesting birds. Any creature born here is special, blessed by the spirits. Even the birds seem to know this The high cliffs closed in upon them as the valley narrowed, and at last the path ended against the rock in the angled corner where the valley finally pinched out, and the sky was hidden from them.
O`wa stood before the wall and sang in his hoarse ghostchant, We wish to enter your most secret place, Spirits of all Creatures, Spirits of our clan. open the way for us. He spread his arms in entreaty. May the guardians of this passage let us pass through. O'wa lowered his arms, and stepped into the black rock of the cliff and disappeared from Centaine's sight. She gasped with alarm, and started forward, but Ham touched her arm to restrain her.