He saw faces around his bed now, rippling, like reeds, beyond the surface of the mosquito net, faces that were watching him, studying his body, as it lay there in its urgent nakedness; faces he knew, or recognized, a grey-haired woman smiling through twinkling bifocals; a gap-toothed boy, grinning, circling the bed; an old man with tears in his eyes, peering at him in the darkness; a thin, young woman, holding hands with her friend. They were standing around his bed in attitudes of concern, like nurses and doctors' assistants, waiting for him to sink into anaesthetized oblivion.
And now the bearded Englishman reappears, dressed in his white coat, smoking a cigar, armed with half a dozen test tubes; he reaches in, with a little butterfly net, pulls it out and expertly traps an engorged mosquito in a test tube, covering the opening with a handkerchief-wrapped thumb. He holds up the test tube and shows it to the others and they clap; they are excited, full of encouragement.
The Englishman draws mightily on his cigar and puffs into the test tube; the insect dies, the tiny buzzing creature that is carrying his blood inside it. The doctor holds it up and shows it to the others, they reach for it eagerly; they want to see it for themselves; this extrusion of his flesh, and in their eagerness the test tube slips from their fingers, falls to the floor, shatters, filling the room with a thin tinkle of breaking glass.
Murugan sat suddenly upright, the sweat pouring off his face, not sure whether he was still dreaming or awake. The net was buzzing with mosquitoes; he could see them dancing like motes, in the finger of light that bisected his bed. His whole body was aflame, covered with bites. He had been scratching himself furiously in his sleep; he could see blood on his fingernails, and on the sheets.
He climbed out of the bed and walked around the room, scratching hard. The air was heavy with the smell of his own sweat. He opened the door and stepped out on to the balcony.
The street below was empty now, but the generator was still running in the building down the street. The archway at the entrance to the wedding seemed brighter than ever, flooding the street with light. Relays of workers were running back and forth through the entrance, loading their bamboo handcarts with stacks of folding chairs and tables.
Suddenly, with a squeal of rubber, a taxi came shooting around the Rawdon Street corner and stopped at the gates of the old mansion at number three. A woman in a sari stepped out. She was too far away for Murugan to get a look at her face, but the light from the wedding arch was just strong enough to give him a glimpse of a streak of white, running through her hair. Taking a key out of her purse, she unlocked the gates and went in.
Murugan waited a minute to see if she would come out again and then went back into the bedroom. He was getting into bed when he heard the click of a closing door somewhere near at hand. Getting out of bed, he stuck his head into the corridor. The flat was dark and still. He fetched a torch and made his way across the drawing room to Mrs Aratounian's bedroom. Lowering himself on one knee, beside the closed door, he put his ear to the crack. He heard a soft, rhythmic sound inside: like gentle snoring – or possibly a fan. It was hard to be sure.
Murugan hesitated, wondering whether he ought to make sure that Mrs Aratounian was all right. He decided against and tiptoed quickly back to his bedroom. Just as he was about to step through the door he felt a sharp stabbing pain in his right foot.
Swearing softly, he stooped to investigate. There was a small gash in his heel. He had cut it on a sharp object, something that was lying on the floor, glinting in the halflight.
He picked it up and looked at it. It was an inch-long shard of thin glass, probably from some kind of tube.
Chapter 23
IT WAS PAST ONE when Sonali decided to go looking for Romen: she couldn't keep still and sleep was out of the question.
Fortunately, at exactly the right moment, one of her neighbours came home from a party, in a taxi. Snatching up her handbag, Sonali ran down and jumped in, without really giving any thought to where she would go. On an impulse, recalling Romen's overheard conversation at the gates of the Wicket Club, she told the taxi driver to go to Robinson Street.
She couldn't think of what Romen might be doing there at this time of the night. Yet somehow, when the taxi stopped at the gates of the old house she had an inexplicable feeling that Romen was inside. Fortunately he'd left behind a set of keys at her flat a few days ago: she'd put it in her handbag and forgotten to give it back.
She managed to find the key to the gate, but once she was in she wasn't sure of what to do next. She made her way down the gravel path, to the portico, and looked in through the door. It was very dark inside; she couldn't see very far. Cupping her hands, she shouted: 'Romen, are you there?'
She wasn't surprised when there was no answer: a generator was making a terrific noise next door. She could hardly hear her voice herself.
She always carried a small torch in her handbag, for power cuts. She took it out and shone the light into the vast hallway ahead. The beam circled slowly through the darkness, picking out randomly scattered piles of mattresses, charpoys and battered cooking utensils.
Romen had brought Sonali to the house once, a few months before,' to show off his new acquisition. The hallway was full of people then, cooking, eating, sleeping, feeding their children. The entire construction gang was living in the gutted shell of the house. They were from Nepal and there were about thirty of them altogether, not including the old women who had been brought along to look after the children. They cooked their meals in a paved courtyard at the back and slept in the hallways and under the portico, spreading out their mattresses and charpoys wherever they could. They were all related, Romen had told her, sons, grandsons, daughters-in-law, sons' wives, mothers, aunts: a whole village on the move.
She looked around once again, peering into the uneasy shadows that skimmed over the murky gloom of the hallway. Their belongings were all there, just as she remembered, but none of them seemed to be anywhere in sight.
Crossing the threshold, she took a few tentative steps into the hall. Then she caught a whiff of an odd smell and came to a sudden halt. It smelled like smoke at first, and she had a moment of panic, wondering whether there was a fire somewhere within. She sniffed the air again, and was startled to catch the distinctive odour of incense, the sweet, acrid smell of burning camphor. It was sweeping into the hall in clouds, from somewhere at the back.
She took a few more steps into the darkness, and now her ears, growing accustomed to the mechanical roar next door, picked up another sound: a hollow, rhythmic noise just distinguishable from the throbbing of the generator – a sound of drumming, familiar from pujas and festival days, when drums pounded in worship all over the city.
The sound grew louder as Sonali approached the grand ceremonial staircase that lay at the back of the hall. Suddenly the curved banisters were in front of her, their ragged, splintered rails wreathed in smoke. Shining the torch upwards she saw that smoke was pouring into the stairwell from above. It hung thick around her, diffusing the beam of the torch into a milk-white glow.