"Go on," the lawyer said, "give it back. He's got to keep it for a while and see if she calls for it."
"Shouldn't I turn it in to the Lost and Found Department?" asked the cab driver, reaching for the handkerchief and putting it in his pocket.
"No," said Perry Mason, "not right away. Keep it for a while. I have an idea the same woman will probably show up and demand the handkerchief. When she does, ask her for her name and address, see? Tell her that you've got to make a report to the company, because you said over the telephone you had the handkerchief to surrender, and you'd have to find out the woman's name and address, or something like that. See?"
"Okay, I see," said the cab driver. "Anything else?"
"I think that's all," Mason told him. "We can reach you if we need you."
"You taking down everything I say?" asked the driver, looking over at the notebook in front of Della Street.
"Taking down the questions and answers," Perry Mason assured him casually. "So that I can show my client I've been on the job. It makes a difference, you know."
"Sure," said the cab driver, "we've all got to live. How about the meter?"
"One of the boys will go down with you and pay off the meter," Perry Mason said. "Be sure you take good care of that handkerchief, and be sure you get the name and address of the woman who claims it."
"Sure," said the cab driver, "that's a cinch."
He left the room and, at a nod from Paul Drake, the two detectives went with him.
Perry Mason turned to Della Street.
"What perfume, Della?" he asked.
"It just happens," said Della Street, "that I can tell you the name of that perfume, and I can also tell you that the young woman who wore it isn't a working girl — not unless she worked in pictures. I've got a friend in the perfume department of one of the big stores, and she let me smell a sample, just the other day."
"All right," said Mason; "what is it?"
"It's Vol de Nuit," said Della Street.
Perry Mason got to his feet, started pacing the office, head thrust forward, thumbs hooked in the arm holes of his vest. Abruptly he whirled on Della Street.
"All right," he said, "get this friend of yours, and get a bottle of that perfume. Never mind what it costs. Bust into the store if you have to. Get that just as soon as you can, and then come back to the office and wait until you hear from me."
'You got something in mind, Perry?" asked Paul Drake.
Mason nodded wordlessly.
"I don't want to say anything," said Drake, choosing his words carefully, and speaking with that characteristic drawl which gave the impression of a man to whom all forms of excitement had become a matter of routine, "but it seems to me that you're skating on thin ice. I'd like to know more what the sirens were doing, screaming out toward that Foley residence, before you got mixed into this thing too deep."
Mason studied Drake steadily for several seconds, and then said, "Were you going to tell me how to practice law?"
"I might tell you," said Paul Drake, "how to keep out of jail. I don't know law, but I know thin ice when I see it."
"A lawyer," said Perry Mason slowly, "who wouldn't skate on thin ice for a client ain't worth a damn."
"Suppose you break through?" Drake asked.
"Listen," Mason told him, "I know what I'm doing." He walked to the desk, took his forefinger and drew it along the blotter.
"There's the line of the law," he said. "I'm going to come so damn close to that line that I'm going to rub elbows with it, but I'm not going to go across it. That's why I want witnesses to everything I do."
"What are you going to do?" asked Drake.
"Plenty," said Perry Mason. "Get your hat; we're going to go places."
"Such as?" Drake wanted to know.
"The Breedmont Hotel," said Perry Mason.
Chapter 12
The seventh floor of the Breedmont Hotel was a wide vista of polished doors. The corridor was wide and spacious, well lit with a soft light that came from indirect lighting fixtures. The carpet in the corridor was deep and springy.
"What was the room number?" asked Perry Mason.
"764," Drake told him. "It's around the corner, here."
"Okay," the lawyer said.
"What do you want me to do?" Drake asked.
"Keep everything shut except your eyes and your ears, unless I give you a tip to cut in on the conversation," Mason said.
"I get you," Drake remarked. "Here's your door."
Perry Mason knocked on it.
For several seconds there was no sound from the interior of the room. Mason knocked again, and then there was the rustle of motion, the sound of a bolt clicking, and a highpitched feminine voice, speaking with nervous rapidity, said, "Who is it?" The door opened a bare crack.
"An attorney who wants to see you on a matter of importance," Perry Mason said in a low voice.
"I don't want to see any one," said the highpitched voice, and the door started to close.
Perry Mason's foot blocked the door, just before the latch clicked into position.
"Come on, Paul," he said, and put his shoulder to the door.
A woman gave a high, hysterical scream, struggled for a moment, and then the door abruptly yielded.
The two men walked into the hotel bedroom as a partially clad woman staggered off balance, stared at them in whitefaced panic, and abruptly snatched a silk kimono from the back of a chair.
"How dare you!" she blazed.
"Close the door, Paul," said Perry Mason.
The woman gathered the robe around her, walked determinedly to the telephone.
"I," she said, "am about to telephone to the police."
"Never mind about that," Perry Mason told her. "The police will be here soon enough."
"What are you talking about?"
"You know what I'm talking about," Perry Mason said. "You're about at the end of your rope — Mrs. Bessie Forbes."
At the name, the woman stood stiff and erect, staring at them with eyes that were dark with panic.
"Good God!" she said.
"Exactly," said Perry Mason. "Sit down now, and talk sense. We've got just a few minutes to talk, and I've got to tell you a lot. You've got to listen and cut out all this monkey business."
She dropped into a chair, and her excitement was such that the dressing gown fell open and remained unnoticed, disclosing the gleam of a bare shoulder, the luster of a sheer silk stocking.
Perry Mason stood with his feet planted apart, his shoulders squared, and snapped words at the woman, as though they had been missiles.
"I know all about you," he said. "There's no need to make any denial or go for any heroics or hysterics. You were the wife of Clinton Forbes. He left you in Santa Barbara and ran away with Paula Cartright. You tried to follow them. I don't know what your object was. I'm not asking you that, yet. Cartright located Clinton Forbes before you did. Forbes was living on Milpas Drive, under the name of Clinton Foley. Cartright got the house adjoining him, but didn't make his identity known. He was pretty well broken up. He was watching all the time, trying to find out whether Forbes was making his wife happy.
"I don't know just when you found out about it, or just how you found out about it, but it wasn't very long ago that you got wise to the whole situation.
"Now then, here's the funny thing. I'm a lawyer. You may have read of me. I've tried a few murder cases, and I expect to try some more. I specialize on criminal trial work on the big cases. My name's Perry Mason."
"You!" she said, in a tone of breathless interest. "You? You're Perry Mason?"
He nodded.
"Oh!" she breathed. "Oh, I'm so glad."
"Forget all that," he said, "and remember we've got an audience. I'm going to tell you a lot of stuff while I've got a witness here. You're going to listen and do nothing else. Do you get me?"