When he finally heard the train pulling in Mitch began working his way closer to the edge of the platform so he’d have a shot at getting on. Boxing out was a standard aspect of belowground life in New York. Nothing unusual about this. Until, without warning, Mitch suddenly felt it-the ultimate New York nightmare.
He felt someone trying to shove him onto the tracks right in front of the onrushing train.
It all happened so fast that Mitch had no chance to react. No chance to resist. No chance whatsoever. One second he was fine. The next second he was teetering helplessly there on the edge of the raised platform, fighting desperately to hold on to his balance, to his life-as the tracks yawned before him and the four-hundred-ton train bore down on him, someone’s full weight pressing violently, murderously against him. Brakes screeched. A lady screamed.
Two things saved Mitch’s life. One was his unadulterated love of high-caloric sweets, which made him just an exceptionally hard man to knock off of his feet. The other was the immense construction worker standing next to him, who grabbed him by the scruff of the neck and yanked him back at the last possible second as the train shot past him.
“Damn, you got to be more careful, man,” he scolded Mitch. He was Jamaican by the lilt of his accent. “Take your time. That’s how accidents be happening.”
“That was no accident-somebody pushed me!” Mitch cried out, his eyes flicking wildly around at the passengers surrounding him. “Who? Did you see who?”
“Didn’t see nobody, man,” Mitch’s savior replied gruffly. The other passengers offered him nothing more than blank stares. They were like zombies. The un-dead. “You lost your balance. Too big a hurry.”
Now Mitch saw it-a blur of green streaking up the stairs back up to the station. Someone wearing an olive-colored trenchcoat with an upturned collar and a baseball cap with its visor pulled low. Someone he was not able to recognize. He could not even tell if it was a man or a woman.
“Hey!” Mitch shouted at his would-be killer. “Hey, stop!”
The figure sped up. Mitch went after it. Fighting his way through the crowd. Dashing up the stairs in breathless pursuit. He caught sight of his attacker sprinting down a narrow, dimly lit corridor. He broke into a mad sprint of his own across the underground station, running into people and over people, leaving grumbles and curses and spilled purses in his wake. Trying to keep up with that distant figure in green, gasping for breath, his loaded day pack growing heavier and heavier on his shoulders. And he was keeping up. Until, that is, he ran smack into a phalanx of slow-moving Japanese tourists in shorts and sandals who were walking, what, twelve abreast? There were small children and elderly grandmothers among them. And, for a brief moment, he could not get around them. That brief moment was all it took for the figure in green to shoot through the turnstiles and up the steps and out into Times Square. Gone.
Mitch did go tearing up the steps onto Forty-second Street, his chest heaving, but it was no use. Whoever it was, they had disappeared.
But who was it? And why had they tried to kill him?
He didn’t know. He didn’t know anything. Except that he was lucky to be alive.
Shaken, he opted for a cab ride home.
Mitch hadn’t been to his apartment in over two weeks. It was stuffy and smelled musty. He turned on the air conditioners in the living room and bedroom. Checked his phone messages. Sorted through his mail. Thought long and hard about calling the police to tell them what had happened. Decided not to. Thought about calling Lieutenant Mitry to tell her what had happened. Decided not to do that either. He opened the fridge and threw out whatever had gone to blue in his absence, which was most everything. Made himself some scrambled eggs and stale toast. Sat at the dining table and ate, realizing to his surprise that this apartment didn’t feel like home anymore. His little cottage out on Big Sister felt more like home. Mitch had not expected this to happen. Most of his world was here, after all. His books, his tapes, his memories. Then again, he reflected, this had been their home. The carriage house was his. Maybe that explained it. Still, for Mitch this was a disconcerting feeling. He had never known a time in his entire life when he didn’t consider the city to be home.
Sitting there, he wondered how Clemmie was doing.
His afternoon screening was in the 666 Fifth Avenue building, near Rockefeller Center and St. Patrick’s Cathedral. Mitch forced himself to take the subway there, even though he didn’t much feel like it. He stood well away from the tracks while he was waiting for the train to come. And he kept glancing around the platform to see if anyone was showing too much interest in him. Or furtively looking away. No one was. No one did. He was not being followed. Or at least he didn’t think he was.
But he still felt exceedingly jumpy.
He also felt as if he were the only person on Fifth Avenue who had any actual business to conduct there. This was a phenomenon Mitch was still having trouble accepting. Fifth Avenue had undergone a remarkable transformation in the past few years. He almost never came upon businessmen with briefcases anymore. He came upon very few New Yorkers, period. Just tourists, the majority of them foreign, wearing cameras and sensible shoes. The shops along the avenue reflected this. The fine B. Dalton’s bookstore in the ground floor at 666 was now a store devoted to the sale of NBA merchandise. And the fabled Scribner’s bookstore across the street was now a Benetton.
The screening room was up on the ninth floor. It was small-two dozen plush seats for two dozen plush critics. Mitch knew all of the people who were slouched there, pale and round-shouldered. They were his compadres from New York’s other daily papers, from the local TV stations, from Time and Newsweek, from the network news and entertainment outlets. They were his fellow fungi, that rare breed of folks whose passion for the movies actually equaled his own. All of them had an opinion about Mitch. Some of them looked up to him. Some of them envied him. A few of the older, second-tier reviewers downright hated him for having attained so lofty a berth at such a tender age. It had taken Mitch a while to get used to this, but he had. He exchanged cordial greetings with one and all. Caught up on the latest news-what was hot, what was not. And then the lights dimmed and Mitch took a seat by himself with his press kit, feeling that same stirring of excited anticipation he always felt when he was about to see a brand-new film for the very first time.
This one, its studio’s major $160 million Fourth of July weekend release, was all about evil aliens inhabiting the body of the president and first lady. Fortunately for mankind, first daughter Heather noticed the difference. And knew how to operate a ray gun. It was painfully awful, Mitch felt. He was not alone in this. Several very distinguished New York film critics started talking back to the screen. One even stormed out in the middle. Mitch would never do either of those things. Movies were his religion. Every film, no matter how awful, was sacred. And every theater was a temple.
But he did find himself drifting away, his thoughts straying toward how contrived and false Hollywood’s big-budget thrills seemed compared to what real life had had to offer him lately. How devoid of genuine personal consequences such films were. How mindless and predictable and safe. Real life? Real life was not predictable and it was not safe. And there were no stunt doubles or feel-good Spielbergian moments to soften its blows. Real life was Maisie rotting away before his eyes. Real life was the sound of that shovel colliding with Niles Seymour’s leg.