The parties given by Professor and Mrs Skully were renowned neither for the entertainment they provided nor for their elegance. They were, unfortunately, difficult to avoid, the Professor being persistent in the face of repeated excuses – a persistence it was deemed unwise to strain.
Bidden for half past seven, his history students came on bicycles, a few in Kilroy’s Mini, Ruth Cusper on her motor-cycle, Bewley Joal on foot. Woodward, Whipp and Woolmer-Mills came cheerfully, being kindred spirits of the Professor’s and in no way dismayed by the immediate prospect. Others were apprehensive or cross, trying not to let it show as smilingly they entered the Skullys’ house in Rathgar.
‘How very nice!’ Mrs Skully murmured in a familiar manner in the hall. ‘How jolly good of you to come.’
The hall was not yet decorated for Christmas, but the Professor had found the remains of last year’s crackers and had stuck half a dozen behind the heavily framed scenes of Hanover that had been established in the hall since the early days of the Skullys’ marriage. The gaudy crêpe paper protruded above the pictures in splurges of green, red and yellow, and cheered up the hall to a small extent. The coloured scarves and overcoats of the history students, already accumulating on the hall-stand, did so more effectively.
In the Skullys’ sitting-room the Professor’s record-player, old and in some way special, was in its usual place: on a mahogany table in front of the french windows, which were now obscured by brown curtains. Four identical rugs, their colour approximately matching that of the curtains, were precisely arranged on darker brown linoleum. Crimson-seated dining-chairs lined brownish walls.
The Professor’s history students lent temporary character to this room, as their coats and scarves did to the hall. Kilroy was plump in a royal-blue suit. The O’Neill sisters’ cluster of followers, jostling even now for promises of favours, wore carefully pressed denim or tweed. The O’Neill sisters themselves exuded a raffish, cocktail-time air. They were twins, from Lurgan, both of them blonde and both favouring an excess of eye-shadow, with lipstick that wetly gleamed, the same shade of pink as the trouser-suits that nudgingly hugged the protuberances of their bodies. Not far from where they now held court, the rimless spectacles of Bewley Joal had a busy look in the room’s harsh light; the complexion of Yvonne Smith was displayed to disadvantage. So was the troublesome fair hair of Honor Hitchcock, who was engaged to a student known as the Reverend because of his declared intention one day to claim the title. Cosily in a corner she linked her arm with his, both of them seeming middle-aged before their time, inmates already of a draughty rectory in Co. Cork or Clare. ‘I’ll be the first,’ Ruth Cusper vowed, ‘to visit you in your parish. Wherever it is.’ Ruth Cusper was a statuesque English girl, not yet divested of her motor-cycling gear.
The colours worn by the girls, and the denim and tweed, and the royal blue of Kilroy, contrasted sharply with the uncared-for garb of Woodward, Whipp and Woolmer-Mills, all of whom were expected to take Firsts. Stained and frayed, these three hung together without speaking, Woodward very tall, giving the impression of an etiolated newt, Whipp small, his glasses repaired with Sellotape, Woolmer-Mills for ever launching himself back and forth on the balls of his feet.
In a pocket of Kilroy’s suit there was a miniature bottle of vodka, for only tea and what the Professor described as ‘cup’ were served in the course of the evening. Kilroy fingered it, smiling across the room at the Professor, endeavouring to give the impression that he was delighted to be present. He was a student who was fearful of academic failure, his terror being that he would not get a Third: he had set his sights on a Third, well aware that to have set them higher would not be wise. He brought his little bottles of vodka to the Professor’s parties as an act of bravado, a gesture designed to display jauntiness, to show that he could take a chance. But the chances he took with his vodka were not great.
Bewley Joal, who would end up with a respectable Second, was laying down the law to Yvonne Smith, who would be grateful to end up with anything at all. Her natural urge to chatter was stifled, for no one could get a word in when the clanking voice of Bewley Joal was in full flow. ‘Oh, it’s far more than just a solution, dear girl,’ he breezily pronounced, speaking of Moral Rearmament. Yvonne Smith nodded and agreed, trying to say that an aunt of hers thought most highly of Moral Rearmament, that she herself had always been meaning to look into it. But the voice of Bewley Joal cut all her sentences in half.
‘I thought we’d start,’ the Professor announced, having coughed and cleared his throat, ‘with the “Pathétique”.’ He fiddled with the record-player while everyone sat down, Ruth Cusper on the floor. He was a biggish man in a grey suit that faintly recalled the clothes of Woodward, Whipp and Woolmer-Mills. On a large head hair was still in plentiful supply even though the Professor was fifty-eight. The hair was grey also, bushing out around his head in a manner that suggested professorial vagueness rather than a gesture in the direction óf current fashion. His wife, who stood by his side while he placed a record on the turntable, wore a magenta skirt and twin-set, and a string of jade beads. In almost every way – including this lively choice of dress – she seemed naturally to complement her husband, to fill the gaps his personality couldn’t be bothered with. Her nervous manner was the opposite of his confident one. He gave his parties out of duty, and having done so found it hard to take an interest in any studeńts except those who had already proved themselves academically sound. Mrs Skully preferred to strike a lighter note. Now and again she made efforts to entice a few of the girls to join her on Saturday evenings, offering the suggestion that they might listen together to Saturday Night Theatre and afterwards sit around and discuss it. Because the Professor saw no point in television there was none in the Skullys’ house.
Tchaikovsky filled the sitting-room. The Professor sat down and then Mrs Skully did. The doorbell rang.
‘Ah, of course,’ Mrs Skully said.
‘Valerie Upcott,’ Valerie said. ‘Good evening, Mrs Skully.’
‘Come in, come in, dear. The “Pathétique’s” just started.’ She remarked in the hall on the green corduroy dress that was revealed when Valerie took off her coat. The green was of so dark a shade that it might almost have been black. It had large green buttons all down the front. ‘Oh, how really nice!’ Mrs Skully said.
The crackers that decorated the scenes of Hanover looked sinister, Valerie thought: Christmas was on the way, soon there’d be the coloured lights and imitation snow. She smiled at Mrs Skully. She wondered about saying that her magenta outfit was nice also, but decided against it. ‘We’ll slip in quietly,’ Mrs Skully said.
Valerie tried to forget the crackers as she entered the sitting-room and took her place on a chair, but in her mind the brash images remained. They did so while she acknowledged Kilroy’s winking smile and while she glanced towards the Professor in case he chose to greet her. But the Professor, his head bent over clasped hands, did not look up.
Among the history students Valerie was an unknown quantity. During the two years they’d all known one another she’d established herself as a person who was particularly quiet. She had a private look even when she smiled, when the thin features of her face were startled out of tranquillity, as if an electric light had suddenly been turned on. Kilroy still tried to take her out, Ruth Cusper was pally. But Valerie’s privacy, softened by her sudden smile, unfussily repelled these attentions.