If only there was some light in this goddamn place, but the rubber grommet around the lid makes a perfect seal. “I feel like I’m in a clam,” Koo mutters. If he still smoked, he’d have his old Zippo lighter with his profile-logo, and he could give himself some illumination with that. “Yeah, and if I was in Turkestan I wouldn’t be in this Christmas package here at all.”
His fingertips are working out the details of the latch; a metal piece shaped like a crook’d finger, chunked from below tight against two metal bars about an inch apart. What’s at the other end of the metal finger? A circular thing, some countersunk screw heads—Ow! Something sharp. This must be the lock mechanism, where the key is put in from outside. How does it work on the inside? Pushing at the metal finger doesn’t do any good. The circular thing won’t turn. In fact, none of the parts seem prepared to move.
While the car continues to jounce along Koo tugs and pokes, his fingers losing their sensitivity from hitting too hard too often against unyielding metal. And that sharp thing—What is that? The lip of something, he can’t quite figure it out—Goddamn it, the thing moves! It’s a lever or something, the only part of the whole gizmo that moves, and the only way to make it move is to push directly against the sharp cutting lip with the ball of the thumb—no, with the flat part of the thumbnail—and there’s no way to tell while he’s cutting himself to pieces here if he’s even doing any good, pushing this sharp lever bit by bit to the right. It won’t stay where he pushes it, but springs right back every time he lets go. Okay; goodbye, thumbnail. Gritting his teeth, pressing with the heel of his other hand against the ball of his braced thumb, Koo puuuuuuuusssssshhhhhheeeesss.
Snap!
Light, daylight, the trunklid lifts an inch, two inches—
It stops. Koo, now squinting against the unexpected daylight, sees the metal finger hooked against just one of the two metal bars. So that’s the way it works. He can see it now, a safety mechanism, it locks at one level and then at another level, it—
The car hits a bump. The lid snaps down. Darkness.
“Oh, shit!” The fucker’s locked itself again!
Koo pauses to regroup, his cut thumb in his mouth, sucking thoughtfully. The car stops briefly, then starts again. Jounce jounce.
Okay. It opened once, it’ll open again. This time, Koo can hold it up in the safety-lock position by wedging his knees against the lid, giving him light to examine the lock more closely. Then, the next time the car comes to a stop, he’ll spring the second lock and get the hell out of here.
Jesus, is it possible? Home again, I’m going home again. I’ll call Jill, she can spend the whole night. I don’t care if I get it up or not. Just to see a friendly face, sleep nestled on a soft tit, wake up safe and happy in a bed full of warm and willing woman. Oh, boy. Oh, boy.
Gingerly, he reaches out to the lock again, presses, moves the sharp-edged lever to the right, farther, farther, farther...
Snap. Light, the slit widening, narrowing, widening, the car jouncing on rough pavement, Koo pushing up with his knees, in a desperate hurry because the slit is closing again, the lid is slamming down, it whacks his right kneecap, he pushes up, digs his heel in against the bottom of the trunk—and the lid stays up.
Now. Just stop, fellas. Just a brief little halt for a traffic light or a pedestrian crossing or a red stop sign or any damn thing you want. Just pause, and old Koo will be out of this trunk like Venus out of the sea, like toothpaste out of the tube, like the human cannonball—
Slowing. The car is slowing. “Ohhhhhh, Jesus,” Koo whispers. “Oh, I’m scared.”
Nothing to be afraid of. When the car stops, he’ll be up and out, into the nearest house or store depending on neighborhood, or maybe into the next car back. Something like that. The point is, he has a known face, people will recognize him, they’ll know him and help him. All Koo has to do is get out of the car fast, and everything will be all right.
“Feet, don’t fail me now.” Oh, shit, what if he’s too scared to move? What if his legs give out?
Well, it won’t happen, that’s all.
Slowing, slowing. Will you stop?
Yes. The car stops.
“Oh, boy. Oh, boy.” Teeth chattering, gibbering words without knowing it, Koo claws at the lock, forces himself to lower his knees so the lid descends, descends, just enough so he can shove that metal finger back. Snap, it flips away, the trunk lid yawns upward and Koo, eyes staring, mouth strained wide open, lunges up onto his elbows, kicks his feet over the rim of the trunk, shoves himself up, slips, falls back, shoves up again, lunges, gasps, groans, grabs the rear bumper and pulls himself out of the trunk; losing his balance, toppling forward onto blacktop.
Up. Up. Koo rises, staring around for houses, cars, people, rescue, civilization, assistance, succor, aid, help—
Nothing. Where in holy hell is this?
It’s a fucking desert. Scrubland on all sides, no houses, no traffic, just this intersection with the stop sign. And the other sign: Mulholland Drive.
Oh, no. Mulholland Drive, that’s the road running east and west along the ridge line of the hills, with Los Angeles to the south and the Valley to the north. Some parts of Mulholland, particularly the eastern end near Hollywood, are as built up as any residential section anywhere, but much of the Drive is virtually unpopulated and parts of it are still dirt, not even paved.
What a fucking asshole way to build a major city, with a deserted mountaintop desert right smack in the middle of it! Peter and his pals, to be absolutely safe, have been taking back roads toward where their destination is, and that’s why there’s been so much jouncing. And here they come, boiling out of the car, all four doors flaring open. They have seen the trunk lid in the rearview mirror.
Terrified, Koo looks around in all directions. The road they’ve just come up angles away steeply downhill through pines and shrubbery back toward the Valley. To left and right Mulholland Drive meanders along the ridge-line; way to hell and gone that way, east, he can see a couple of houses, but he’d never get that far. He can’t outrun these people.
Hide; it’s the only chance. While the gang is still clambering out of the car, Koo makes his dash, across the road and out over dusty tan earth, low shrubbery, stunted low trees, then a steep stony slope, his feet scrabbling for purchase, dust rising, half the goddamn San Fernando Valley visible out there far below, and nobody to help. Voices shout behind him, he clutches at the rough trunks and branches of stunted pine trees, not quite falling, tottering, careening and blundering down the hill, directly into a tangled mass of prickly shrubs, knee-high, waist-high, covered with thorns, all too thick to force his way through, so that he wades at an angle to the left, stumbles into a tiny rain-formed gully making a deep narrow wedge-shaped cut into the shrubbery, drops to hands and knees, crawls down the gully under the thorny branches, deeper into the brush, finally turning, gasping, staring, peering out past branches and leaves and thorns, his mouth dry with dust and fear, the dust-stained sweat pouring down his face as he stops, and waits, and listens:
“He came this way!”
“He’s hiding someplace! In the bushes!”
“He can’t get far! He can’t get away!”
“Circle to the left!”