I had to run away, it would be quite easy. At the turning to the left onto the Karlsbrücke I could jump to the right into the Karlsgasse. It was winding, there were dark doorways, and taverns still open; I didn't need to despair.
As we stepped from under the arch at the end of the quay onto the Kreuzherrenplatz, I ran into that street with my arms raised. But in front of a small door in the Seminarkirche I fell, for there was a step which I had not expected. It made a little noise, the next street lamp was sufficiently far away, I lay in the dark.
From a tavern opposite came a fat woman with a lantern to see what had happened in the street. The piano within continued playing, but fainter, with only one hand, because the pianist had turned toward the door which, until now ajar, had been opened wide by a man in a high-buttoned coat. He spat and then hugged the woman so hard she was obliged to raise the lantern in order to protect it.
"Nothing's happened!" he shouted into the room, whereupon they both turned, went inside, and the door was closed.
When I tried to get up I fell down again. "Sheer ice," I said, and felt a pain in my knee. Yet I was glad that the people in the tavern hadn't seen me and that I could go on lying here peacefully until dawn.
My acquaintance had apparently walked on as far as the bridge without having noticed my disappearance, for it was some time before he joined me. I saw no signs of surprise as he bent down over me — lowering little more than his neck, exactly like a hyena — and stroked me with a soft hand. He passed it up and down my cheekbone and then laid his palm on my forehead. "You've hurt yourself, eh? Well, it's icy and one must be careful — didn't you tell me so yourself? Does your head ache? No? Oh, the knee. H'm. That's bad."
But it didn't occur to him to help me up. I supported my head with my right hand, my elbow on a cobblestone, and said: "Here we are together again." And as my fear was beginning to return, I pressed both hands against his shinbone in order to push him away. "Do go away," I said.
He had his hands in his pockets and looked up the empty street, then at the Seminarkirche, then up at the sky. At last, at the sound of a carriage in one of the nearby streets, he remembered me: "Why don't you say something, my friend? Do you feel sick? Why don't you get up? Shall I look for a cab? If you like, I'll get you some wine from the tavern. In any case, you mustn't lie here in the cold. Besides, we wanted to go up the Laurenziberg."
"Of course," said I, and got up on my own, but with great pain. I began to sway, and had to look severely at the statue of Karl IV to be sure of my position. However, even this would not have helped me had I not remembered that I was loved by a girl with a black velvet ribbon around her neck, if not passionately, at least faithfully. And it really was kind of the moon to shine on me, too, and out of modesty I was about to place myself under the arch of the tower bridge when it occurred to me that the moon, of course, shone on everything. So I happily spread out my arms in order fully to enjoy the moon. And by making swimming movements with my weary arms it was easy for me to advance without pain or difficulty. To think that I had never tried this before! My head lay in the cool air and it was my right knee that flew best; I praised it by patting it. And I remembered that once upon a time I didn't altogether like an acquaintance, who was probably still walking below me, and the only thing that pleased me about the whole business was that my memory was good enough to remember even a thing like that. But I couldn't afford to do much thinking, for I had to go on swimming to prevent myself from sinking too low. However, to avoid being told later that anyone could swim on the pavement and that it wasn't worth mentioning, I raised myself above the railing by increasing my speed and swam in circles around the statue of every saint I encountered. At the fifth — I was holding myself just above the footpath by imperceptible flappings — my acquaintance gripped my hand. There I stood once more on the pavement and felt a pain in my knee.
"I've always admired," said my acquaintance, clutching me with one hand and pointing with the other at the statue of St. Ludmila, "I've always admired the hands of this angel here to the left. Just see how delicate they are! Real angel's hands! Have you ever seen anything like them? You haven't, but I have, for this evening I kissed hands —"
But for me there was now a third possibility of perishing. I didn't have to let myself be stabbed, I didn't have to run away, I could simply throw myself into the air. Let him go up his Laurenziberg, I won't interfere with him, not even by running away will I interfere with him.
And now I shouted: "Out with your stories! I no longer want to hear scraps. Tell me everything, from beginning to end. I won't listen to less, I warn you. But I'm burning to hear the whole thing." When he looked at me I stopped shouting so loud. "And you can count on my discretion! Tell me everything that's on your mind. You've never had so discreet a listener as I."
And rather low, close to his ear, I said: "And you don't need to be afraid of me, that's quite unnecessary."
I heard him laugh.
"Yes, yes," I said. "I believe that. I don't doubt it," and so saying I pinched him in the calves — where they were exposed. But he didn't feel it. Whereupon I said to myself: "Why walk with this man? You don't love him, nor do you hate him, because all he cares about is a girl and it's not even certain that she wears a white dress. So to you this man is indifferent — I repeat: indifferent. But he is also harmless, as has been proved. So walk on with him up the Laurenziberg, for you are already on your way, it's a beautiful night, but let him do the talking and enjoy yourself after your fashion, for this is the very best way (say it in a whisper) to protect yourself."
II
DIVERSIONS or PROOF THAT
IT'S IMPOSSIBLE TO LIVE
i A RIDE
And now — with a flourish, as though it were not the first time — I leapt onto the shoulders of my acquaintance, and by digging my fists into his back I urged him into a trot. But since he stumped forward rather reluctantly and sometimes even stopped, I kicked him in the belly several times with my boots, to make him more lively. It worked and we came fast enough into the interior of a vast but as yet unfinished landscape.
The road on which I was riding was stony and rose considerably, but just this I liked and I let it become still stonier and steeper. As soon as my acquaintance stumbled I pulled him up by the collar and the moment he sighed I boxed his head. In doing so I felt how healthy this ride in the good air was for me, and in order to make him wilder I let a strong wind blow against us in long gusts.
Now I even began to exaggerate my jumping movements on my acquaintance's broad shoulders, and gripping his neck tight with both hands I bent my head far back and contemplated the many and various clouds which, weaker than I, sailed clumsily with the wind. I laughed and trembled with courage. My coat spread out and gave me strength. I pressed my hands hard together and in doing so happened to make my acquaintance choke. Only when the sky became gradually hidden by the branches of the trees, which I let grow along the road, did I come to myself.
"I don't know," I cried without a sound, "I really don't know. If nobody comes, then nobody comes. I have done nobody any harm, nobody has done me any harm, but nobody will help me. A pack of nobodies. But it isn't quite like that. It's just that nobody helps me, otherwise a pack of nobodies would be nice, I would rather like (what do you think?) to go on an excursion with a pack of nobodies. Into the mountains, of course, where else? Just look at these nobodies pushing each other, all these arms stretched across or hooked into one another, these feet separated by tiny steps! Everyone in frock coats, needless to say. We walk along so happily, a fine wind is whistling through the gaps made by us and our limbs. In the mountains our throats become free. It's a wonder we don't break into song."