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“A Diamond Guitar” copyright © 1950 and copyright renewed 1977

by Truman Capote

“House of Flowers” copyright © 1951 and copyright renewed 1979

by Truman Capote

“A Christmas Memory” copyright © 1956 and copyright renewed 1984

by Truman Capote

“Among the Paths to Eden” copyright © 1960 by Truman Capote, copyright

renewed 1988 by Alan U. Schwartz

“The Thanksgiving Visitor” copyright © 1967 by Truman Capote, copyright

renewed 1995 by Alan U. Schwartz

“Mojave” copyright © 1975 by Truman Capote, copyright renewed 2003

by Alan U. Schwartz

“One Christmas” copyright © 1982, 1983 by Truman Capote

BOOKS BY TRUMAN CAPOTE

Other Voices, Other Rooms

A Tree of Night

Local Color

The Grass Harp

The Muses Are Heard

Breakfast at Tiffany’s

Observations (with Richard Avedon)

Selected Writings

In Cold Blood

A Christmas Memory

The Thanksgiving Visitor

The Dogs Bark

Music for Chameleons

One Christmas

Three by Truman Capote

Answered Prayers: The Unfinished Novel

A Capote Reader

The Complete Stories of Truman Capote

Too Brief a Treat: The Letters of Truman Capote

ALSO BY TRUMAN CAPOTE

BREAKFAST AT TIFFANY’S

In this seductive, wistful masterpiece, Capote created a woman whose name entered American idiom and whose style is part of the literary landscape. Holly Golightly knows that nothing bad can ever happen at Tiffany’s; her poignancy, wit, and naïveté continue to charm. This volume also contains three of Capote’s best-known stories, “House of Flowers,” “A Diamond Guitar,” and “A Christmas Memory.”

THE COMPLETE STORIES OF TRUMAN CAPOTE

The Complete Stories brings together Capote’s life’s work in the form he called his “great love,” and confirms his status as a master of the the short story. This first-ever compendium features a never-before-published 1950 story, “The Bargain,” as well as an introduction by Reynolds Price. Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate.

THE GRASS HARP

Set on the outskirts of a small Southern town, this is the story of three endearing misfits—an orphaned boy and two whimsical old ladies—who take up residence in a tree house. As they pass sweet yet hazardous hours, The Grass Harp conveys all the pleasures and responsibilities of freedom, as well as the sacredness of love.

IN COLD BLOOD

On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held at close range. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy.

MUSIC FOR CHAMELEONS

In these gems of reportage, Truman Capote takes true stories and real people and renders them with the stylistic brio we expect from great fiction. Here we encounter an exquisitely preserved Creole aristocrat sipping absinthe in her Martinique salon; an enigmatic killer who sends his victims announcements of their forthcoming demise; and a proper Connecticut householder with a ruinous obsession for a twelve-year-old-girl he has never met.

OTHER VOICES, OTHER ROOMS

Capote’s first novel is a foray into the mind of a sensitive boy as he seeks out the grown-up enigmas of love and death in the ghostly landscape of the deep South. Joel Knox is summoned to meet the father who abandoned him at birth. But when he arrives, what he finds is a sullen stepmother, an uncle with the face and heart of a debauched child, and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.

TOO BRIEF A TREAT

The Letters of Truman Capote

Edited by Gerald Clarke

Spanning more than four decades, these letters are the closest thing we have to a Capote autobiography, showing us the uncannily self-possessed naïf who jumped headlong into the post–World War II New York literary scene; the more mature Capote of the 1950s; the Capote of the early 1960s, immersed in the research and writing of In Cold Blood; and Capote later in life, as things seemed to be unraveling. With cameos by a veritable who’s who of twentieth-century glitterati, Too Brief a Treat shines a spotlight on the life and times of an incomparable American writer.

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