“What will we do?” Sylvia asked, sitting on the high bed in the early afternoon, with the shutters drawn and the village, as far as one could tell, sleeping quietly below. She was holding herself in.
“We must get that boat,” Alec told her. They kept their voices low so as not to alarm the child. “There won't be another one till the end of the week.”
She nodded. Alec would talk to the manager about a taxi.
She held on. She dared not think, or close her eyes even for a moment, though she was very tired. If she did it would start all over again. She would see the sailor standing white under the flagpole; then he would cover his belly with his hands and begin to fall. Carefully repacking their cases, laying out shirts and sweaters on the high bed, she never allowed herself to evaluate the day's events by what she had seen. She clung instead to Alec's view, who had seen nothing; and to the manager's, who insisted that except for a change in the administration two hundred miles away things were just as they had always been. The child, understanding that it was serious, played one of his solemn games.
When she caught him looking at her once he turned away and rolled his Dinky car over the worn carpet. “Hrummm, hrummm,” he went. But quietly. He was being good.
Suddenly there was a burst of gunfire.
She rushed to the window, and pushing the child back thrust her face up close to the slats; but only a corner of the village was visible from here. The view was filled with the sea, which remained utterly calm. When the second burst came, rather longer than the first, she still couldn't tell whether it came from the village or the Naval College or from the hills.
Each time, the rapid clatter was like an iron shutter coming down. It would be so quick.
She turned away to the centre of the room, and almost immediately the door opened and Alec rushed in. He was flushed, and oddly, boyishly exhilarated. He had his typewriter under his arm.
“I'm all right,” he said when he saw her face. “There's no firing in the village. It's back in the hills. I went to get my stuff.”
There was something in him, some reckless pleasure in his own daring, that scared her. She looked at the blue Olivetti, the folder of notes, and felt for a moment like slapping him, as that woman on the quay had slapped her schoolboy son — she was so angry, so affronted by whatever it was he had been up to out there, which had nothing to do with his typewriter and papers and had put them all at risk.
“Don't be upset,” he told her sheepishly. “It was nothing. There was no danger.” But his own state of excitement denied it. The danger was in him.
The taxi,an old grey Mercedes, did not arrive till nearly eight. Loaded at last with their luggage it bumped its way into the village.
The scene there was of utter confusion. The bus from the Club, which should have left an hour before, was halted at the side of the road and was being searched. Suitcases were strewn about all over the pavements, some of them open and spilling their contents, others, it seemed, broken or slashed. One of the Club guests had been badly beaten. He was wandering up the middle of the road with blood on his face and a pair of bent spectacles dangling from his ear, plaintively complaining. A woman with grey hair was screaming and being pushed about by two other women and a man — other tourists.
“Oh my God,” Alec said, but Sylvia said nothing. When a boy with a machine-gun appeared they got out quietly and stood at the side of the car, trying not to see what was going on further up the road, as if their situation was entirely different. Their suitcases were opened, their passports examined.
The two gunmen seemed undangerous. One of them laid his hand affectionately on the child's head. Sylvia tried not to scream.
At last they were told to get back into the car, given their passports, smiled at and sent on their way. The pretence of normality was terrifying. They turned away from the village and up the dusty track that Alec had walked each evening to the palace. Thistles poked up in the moonlight, all silver barbs. Dust smoked among sharp stones. Sylvia sank back into the depths of the car and closed her eyes. It was almost over. For the first time in hours she felt her body relax in a sigh.
It was perhaps that same sense of relaxation and relief, an assurance that they had passed the last obstacle, that made Alec reckless again.
“Stop a minute,” he told the driver.
They had come to the top of the ridge. The palace, on its high terrace, lay sixty or seventy metres away across a shallow gully.
“What is it?” Sylvia shouted, springing suddenly awake. The car had turned, gone on a little, and stopped.
“No, nothing,” he said. “I just wanted a last look.”
“Alec—" she began as their headlamps flooded the valley. But before she could say more the lights cut, the driver backed, turned, swung sharply on to the road and they were roaring away at a terrible speed into moonless dark.
The few seconds of sudden illumination had been just enough to leave suspended back there — over the hastily covered bodies, with dust already stripping from them to reveal a cheek, a foot, the line of a rising knee — her long, unuttered cry.
She gasped and took the breath back into her. Jason, half-turned in the seat, was peering out of the back window. She dared not look at Alec.
The car took them fast round bend after bend of the high cliff road, bringing sickening views of the sea tumbling white a hundred feet below in a series of abrupt turns that took all the driver's attention and flung them about so violently in the back of the car that she and Jason had to cling to one another to stay upright. At last, still dizzy with flight, they sank down rapidly to sea level. The driver threw open the door of the car, tumbled out their luggage, and was gone before Alec had even produced the money to pay.
“Alec—" she began.
“No,” he said, "not now. Later.”
There was no harbour, just a narrow stretch of shingle and a concrete mole. The crowd they found themselves among was packed in so close under the cliff that there was barely room to move. A stiff breeze was blowing and the breakers sent spray over their heads, each wave, as it broke on the concrete slipway, accompanied by a great cry from the crowd, a salty breath. They were drenched, cold, miserable. More taxis arrived. Then the bus. At last, after what seemed hours, a light appeared far out in the blackness and the ship came in, so high out of the water that it bounced on the raging surface like a cork.
“We're almost there,” Alec said, "we're almost there,” repeating the phrase from time to time as if there were some sort of magic in it.
The ship stood so high out of the water that they had to go in through a tunnel in the stern that was meant for motor vehicles. They jammed into the cavernous darkness, driven from behind by the pressure of a hundred bodies with their individual weight of panic, pushed in hard against suitcases, wooden crates, hastily tied brown parcels, wire baskets filled with demented animals that squealed and stank. Coming suddenly from the cold outside into the closed space, whose sides resounded with the din of voices and strange animal cries, was like going deep into a nightmare from which Sylvia felt she would never drag herself alive. The huge chamber steamed. She couldn't breathe. And all through it she was in terror of losing her grip on the child's hand, while in another part of her mind she kept telling herself I should release him. I should let him go. Why drag him into this?
At last it was over. They were huddled together in a narrow place on the open deck, packed in among others; still cold, and wetter than ever now as the ship plunged and shuddered and the fine spray flew over them, but safely away. The island sank in the weltering dark.