For a minute or two it had been possible to hear shouting abovedecks, which aboard ship was a wholly usual thing; more so when longboats were coming in from the Channel bearing news. Eliza had paid no attention to it. Now, though, they heard a thunking splash. A man, or something as big as a man, going overboard.
“Madame, I beg your leave to investigate-” began Ascot.
“Go, go!” said Eliza in English; which startled Ascot so much that he reverted to it as he opened the cabin door.
“I can’t imagine what this is all about-what on earth-”
Eliza followed him out the hatch into a dark and somewhat cluttered space sheltered beneath the poop deck. But in a few strides they had emerged onto the open upperdeck of Meteore. From here they enjoyed a clear view forward, which meant, out of the harbor and into the waters of the Channel. As Ascot had mentioned, many longboats were coming in. Too many, to Eliza’s suspicious eye; for how many were really needed, to carry a few bits of news? Bright patches shone out here and there in the fog on the Channeclass="underline" sunlight illuminating squares of canvas that had been strung up to catch the freshening breeze.
As Ascot had mentioned, one ship-a big one-was a good deal closer. It was not so much being towed by longboats as being washed into the harbor by the tide. It had somehow caught a sunbeam that had pierced a loop-hole in the fog. Or so Eliza thought when she first caught sight of it out the corner of her eye. When she looked at it full on, though, she realized it was making its own light. It was burning. It was, or had been, Soleil Royal.
Her attention was diverted by another thunk-splash, then another. It could no longer be denied that men were jumping off the ship.
Several of the sailors on the upperdeck were men she had never laid eyes on before. And to judge from the curious way they were gazing about, they were new to Meteore.
Just ahead of them a man vaulted over the upperdeck railing on to the ship. This was not supposed to happen. There was nothing out there-it was like a stranger jumping into a second-storey window.
“I say!” exclaimed Ascot, still stuck in English. “I do say!”
The newcomer turned to face Ascot. His answer was as follows: “Fucking whoreson Jacobite traitor!” He was raising one arm as he delivered this remark, and punctuated the sentence by turning Ascot’s head into a pink spout. The thing in his hand was a blunderbuss.
Eliza went back into the dark space beneath the poop deck and began pulling doors open. The doors led to cabins where Brigitte, Nicole, and a maidservant were lodged. “Into my cabin now, no questions!”
She got them all into the big cabin: four women in all. Brigitte was of a mind to heave furniture against the door. But that did not work as well here as it would have ashore, since the significant furniture was bolted down. Some trunks, a chair, and a mattress were all that they could shift for in the way of a barricade. Eliza urged them all to bend their efforts to this task, even though she knew it was absurd. A glance out the windows told her that Meteore was moving. The English had cut her anchor cable, made her fast to a longboat or two, and were towing her out into the Channel. Better for them to attend to barricade-making than to think too hard about what this portended.
A most unsettling noise radiated through the air all round, and made their breakfasts quiver in their stomachs. Eliza went to a window and saw one of Cherbourg’s shore-batteries obnubilated by powder-smoke. The artillerymen had opened fire; she guessed they were hoping to sink Soleil Royal before she drifted into the anchorage and set fire to other ships, or exploded. She explained as much to her companions. Fortunately none of them was swift enough to ask how long it might be before the same batteries opened up on Meteore.
They had been ignored, for a time, by those who had taken the ship-which made perfect sense once Eliza understood that their intention was to take the entire vessel. But now that Meteore was under way, albeit slowly, English marines had begun to pound desultorily on the door of the cabin. Hammers and prybars were mined from tool-lockers. Splinters began to fly out of the wall-rather than waste effort on the barricaded door, they were simply smashing their way through a bulkhead.
Such was the noise that Eliza might almost have overlooked the sudden arrival of the immense one-armed man in her cabin. Almost; for he entered through a window, swinging in on the end of a rope, and a chunk of glass hit her in the ear. And the maidservant must have seen him hurtling toward the glass, for she began screaming an instant before the implosion, and kept it up for a few moments after; long enough for the intruder to catch her about the waist by his one proper arm, pick her up, and throw her out of the ship. In the end, the scream was terminated only by her impact with the water. A few seconds later it resumed, sounding a bit gurgly. The large man had big pale blue eyes and seemed distracted; so much to take in, so many things to do. He looked around the cabin, making a quick count of the number of women who had not yet been thrown out (three). He turned and looked back at the ruined window. It was partly blocked by a skein of crazed glass, shredded wood, and caulking, which had complicated the defenestration of the maidservant. The man shrugged and one of his arms tripled in length. For it had been severed below the elbow and replaced with a three-part flail, segments made of some sort of dark, heavy-looking wood, bound and capped with iron, and joined one to the next by short segments of chain. He turned toward the window, judged the distance, and went into a curious shrugging and shivering movement that propagated down the length of the flail and sent its distal segment ripping through what was left of the window-frame like chainshot launched from a cannon. That and a few kicks sufficed to make a clean rectangular aperture through which he presently hurled a screaming Nicole.
Before he could pursue this wench-flinging project any further, he was distracted by the rude irruption into the cabin of a man’s arm. The English boarders had made a hole, and one of them was reaching in to see what he might grab. At the top of his list was the brass bolt holding the cabin door closed.
The ramshackle and skeletal arm of the flail rattled across the cabin, a strangely unfolding train of dire consequences, and struck the new intruder round about the elbow with a splintery sort of noise. The arm was withdrawn, leaving a dark cavity through which the one-armed man flung a dagger that had appeared in his hand from nowhere. “Shoot him!” someone screamed, from the other side of the bulkhead; but Brigitte had the presence of mind to topple Eliza’s mattress-which had been propped against the cabin door-so that it obscured the rift in the bulkhead. The men on the other side could reach through the hole and thrust it away, but it only flopped back again; which, if Eliza had had more time for reflection, she might have taken as some sort of lesson in how soft defenses could be more effective than hard ones.
Eliza had gone to the missing window. Below was a two-oared skiff. A line ran from it straight up to a grapple snared in the rigging of Meteore’s mizzen-mast, above; this was how the one-armed man had gotten aboard, though, being one-armed, it seemed he had had to make use of some ingenious block-and-tackle arrangement, much too complicated for Eliza to work out under these circumstances.
The two women who had been flung out earlier were bobbing like lilies on the water, for their skirts had inflated as they had dropped. Eventually they would become waterlogged and sink, but they had both got hold of the little boat’s gunwale and seemed fine for now. Which was the very least that Eliza looked for, from her personal staff. Indeed she made a mental note to ask this question of all prospective employees she interviewed in future: You are on your mistress’s jacht preparing for her petit levee when the vessel is taken by English marines and towed out to sea under fire from shore batteries. Barricaded in a cabin, waiting for a fate worse than death, you are picked up and hurled into the sea by a mysterious one-armed giant who has swung into a window on a rope. Do you (a) struggle bootlessly until you sink and drown, (b) scream until someone rescues you, or (c) dog-paddle to the nearest floating object and wait calmly for your mistress to resolve the difficulty?