“She was trying to connect with something real; we used to talk about it all the time. It was our big thing. That’s what made her get involved with bloody Rochelle. It was a case of ‘there but for the grace of God.’ Cuckoo thought that’s what she’d have been, if she hadn’t been beautiful; if the Bristows hadn’t taken her in as a little plaything for Yvette.”
“Tell me about this stalker.”
“Mental case. He thought they were married or something. He was given a restraining order and compulsory psychiatric treatment.”
“Any idea where he is now?”
“I think he was deported back to Liverpool,” said Somé. “But the police checked him out; they told me he was in a secure ward up there the night she died.”
“Do you know the Bestiguis?”
“Only what Lula told me, that he was sleazy and she’s a walking waxwork. I don’t need to know her. I know her type. Rich girls spending their ugly husbands’ money. They come to my shows. They want to be my friend. Gimme an honest hooker any day.”
“Freddie Bestigui was at the same country-house weekend as Lula, a week before she died.”
“Yeah, I heard. He had a hard-on for her,” said Somé dismissively. “She knew it, as well; it wasn’t exactly a unique experience in her life, you know. He never got further than trying to get in the same lift, though, from what she told me.”
“You never spoke to her after their weekend at Dickie Carbury’s, did you?”
“No. Did he do something then? You don’t suspect Bestigui, do you?”
Somé sat up in his seat, staring.
“Fuck…Freddie Bestigui? Well, he’s a shit, I know that. This little girl I know…well, friend of a friend…she was working for his production company, and he tried to fucking rape her. No, I am not exaggerating,” said Somé. “Literally. Rape. Got her a bit drunk after work and had her on the floor; some assistant had forgotten his mobile and came back for it, and walked in on them. Bestigui paid them both off. Everyone was telling her to press charges, but she took the money and ran. They say he used to discipline his second wife in some pretty fucking kinky ways; that’s why she walked away with three mill; she threatened him with the press. But Cuckoo would never have let Freddie Bestigui into her flat at two in the morning. Like I say, she wasn’t a stupid girl.”
“What do you know about Derrick Wilson?”
“Who’s he?”
“The security guard who was on duty the night she died.”
“Nothing.”
“He’s a big guy, with a Jamaican accent.”
“This might shock you, but not all the black people in London know each other.”
“I wondered whether you’d ever spoken to him, or heard Lula talk about him.”
“No, we had more interesting things to talk about than the security guard.”
“Does the same apply to her driver, Kieran Kolovas-Jones?”
“Oh, I know who Kolovas-Jones is,” said Somé, with a slight smirk. “Striking little poses whenever he thought I might be looking out of the window. He’s about five fucking feet too short to model.”
“Did Lula ever talk about him?”
“No, why would she?” asked Somé restlessly. “He was her driver.”
“He’s told me they were quite close. He mentioned that she’d given him a jacket you designed. Worth nine hundred quid.”
“Big fucking deal,” said Somé, with easy contempt. “My proper stuff goes for upwards of three grand a coat. I slap the logo on shell suits and they sell like crazy, so it’d be silly not to.”
“Yeah, I was going to ask you about that,” said Strike. “Your—ready-to-wear line, is it?”
Somé looked amused.
“That’s right. That’s the stuff that isn’t made-to-measure, see? You buy it straight off the rack.”
“Right. How widely is that stuff sold?”
“It’s everywhere. When were you last in a clothes shop?” asked Somé, his wicked bulging eyes roving over Strike’s dark blue jacket. “What is that, anyway, your demob suit?”
“When you say ‘everywhere’…”
“Smart department stores, boutiques, online,” rattled off Somé. “Why?”
“One of two men caught on CCTV running away from Lula’s area that night was wearing a jacket with your logo on it.”
Somé twitched his head very slightly, a gesture of repudiation and irritation.
“Him and a million other people.”
“Didn’t you see—?”
“I didn’t look at any of that shit,” said Somé fiercely. “All the—all the coverage. I didn’t want to read about it, I didn’t want to think about it. I told them to keep it away from me,” he said, gesturing towards the stairs and his staff. “All I knew was that she was dead and Duffield was behaving like someone with something to hide. That’s all I knew. That was enough.”
“OK. Still on the subject of clothes, in the last picture of Lula, the one where she was walking into the building, she seemed to be wearing a dress and a coat…”
“Yeah, she was wearing Maribelle and Faye,” said Somé. “The dress was called Maribelle—”
“Yeah, got it,” said Strike. “But when she died, she was wearing something different.”
This seemed to surprise Somé.
“Was she?”
“Yeah. In the police pictures of the body—”
But Somé threw up his arm in an involuntary gesture of refutation, of self-protection, then got to his feet, breathing hard, and walked to the photograph wall, where Lula stared out of several pictures, smiling, wistful or serene. When the designer turned to face Strike again, the strange bulging eyes were wet.
“Fucking hell,” he said, in a low voice. “Don’t talk about her like that. ‘The body.’ Fucking hell. You’re a cold-blooded bastard, aren’t you? No fucking wonder old Jonny’s not keen on you.”
“I wasn’t trying to upset you,” said Strike calmly. “I only want to know whether you can think of any reason she’d have changed her clothes when she got home. When she fell, she was wearing trousers and a sequined top.”
“How the fuck should I know why she changed?” asked Somé, wildly. “Maybe she was cold. Maybe she was—This is fucking ridiculous. How could I know that?”
“I’m only asking,” said Strike. “I read somewhere that you’d told the press she died in one of your dresses.”
“That wasn’t me, I never announced it. Some tabloid bitch rang the office and asked for the name of that dress. One of the seamstresses told her, and they called her my spokesman. Making out I’d tried to get publicity out of it, the cunts. Fucking hell.”
“D’you think you could put me in touch with Ciara Porter and Bryony Radford?”
Somé seemed off-balance, confused.
“What? Yeah…”
But he had begun to cry in earnest; not like Bristow, with wild gulps and sobs, but silently, with tears sliding down his smooth dark cheeks and on to his T-shirt. He swallowed and closed his eyes, turned his back on Strike, rested his forehead against the wall and trembled.
Strike waited in silence until Somé had wiped his face several times and turned again towards him. He made no mention of his tears, but walked back to his chair, sat down and lit a cigarette. After two or three deep drags, he said in a practical and unemotional voice:
“If she changed her clothes, it was because she was expecting someone. Cuckoo always dressed the part. She must’ve been waiting for someone.”
“Well that’s what I thought,” said Strike. “But I’m no expert on women and their clothes.”
“No,” said Somé, with a ghost of his malicious smile, “you don’t look it. You want to speak to Ciara and Bryony?”
“It’d help.”
“They’re both doing a shoot for me on Wednesday: 1 Arlington Terrace in Islington. If you come along fivish, they’d be free to talk to you.”