She had given him what he needed on the truck — Chevrolet pick-up, 1971, white with maroon primer-paint on the rust-spots and a gun-rack in the cab, Maine license number 96529Q. He'd put it out on the radio to his officers in the field (only three of them, with Clut testifying up in Auburn) and told Mrs Gamache he would get back to her just as soon as he had something. He hadn't been particularly worried. Gamache liked his beer, especially on his league bowling night, but he wasn't completely foolish. If he'd had too much to feel safe driving, he would have slept on the couch in one of his bowling buddies' living rooms.
There was one question, though. If Homer had decided to stay at the home of a teammate, why hadn't he called his wife and told her so? Didn't he know she'd worry? Well, it was late, and maybe he didn't want to disturb her. That was one possibility. A better one, Pangborn thought, was that he had called and she had been fast asleep in bed, a closed door between her and the one telephone in the house. And you had to add in the probability that she was snoring like a JimmyPete doing seventy on the turnpike.
Pangborn had said goodbye to the distraught woman and hung up, thinking her husband would show by eleven o'clock this morning at the latest, shamefaced and more than a little hung-over. Ellen would give the old rip the sandpaper side of her tongue when he did. Pangborn would thus make it a point to commend Homer — quietly — for having the sense not to drive the thirty miles between South Paris and Castle Rock while under the influence.
About an hour after Ellen Gamache's call, it occurred to him that something wasn't right about his first analysis of the situation. If Gamache had slept over at a bowling buddy's house, it seemed to Alan that it must have been the first time he ever did so. Otherwise, his wife would have thought of it herself and at least waited awhile before calling the sheriff's office. And then it struck Alan that Homer Gamache was a little bit old to be changing his ways. If he had slept over someplace last night, he should have done it before, but his wife's call suggested he hadn't. If he had gotten shitfaced at the lanes before and then driven home that way, he probably would have done it again last night . . . but hadn't.
So the old dog learned a new trick after all, he thought. It happens. Or maybe he just drank more than usual. Hell, he might even have drunk about the same amount as always and gotten drunker than usual. They say it does catch up with a person.
He had tried to forget Homer Gamache, at least for the time being. He had yea paperwork on his desk, and sitting there, rolling a pencil back and forth and thinking about that old geezer out someplace in his pick-up truck, that old geezer with white hair buzzed flat in a crewcut and a mechanical arm on account of he'd lost the real one at a place called Pusan in an undeclared war which had happened when most of the current crop of Viet Nam vets were still shitting yellow in their didies . . . well, none of that was moving the paper on his desk, and it wasn't finding Gamache, either.
All the same, he had been walking over to Sheila Brigham's little cubbyhole, meaning to ask her to raise Norris Ridgewick so he could find out if Norris had found anything out, when Norris himself had called in. What Norris had to report deepened Alan's trickle of unease to a cold and steady stream. It ran through his guts and made him feel lightly numb.
He scoffed at those people who talked about telepathy and precognition on the call-in radio programs, scoffed in the way people do when hint and hunch have become so much a part of their lives that they barely recognize them when they are using them. But if asked what he believed about Homer Gamache at that moment, Alan would have replied: When Norris called in . . . well, that's when I started knowing the old man was hurt bad or dead. Probably choice number two.
3
Norris had happened to stop at the Arsenault place on Route 35 about a mile south of Homeland Cemetery. He hadn't even been thinking about Homer Gamache, although the Arsenault farm and Homer's place were less than three miles apart, and if Homer had taken the logical route home from South Paris the night before, he would have passed the Arsenaults'. It didn't seem likely to Norris that any of the Arsenaults would have seen Homer the night before, because if they had, Homer would have arrived home safe and sound ten minutes or so later.
Norris had only stopped at the Arsenault farm because they kept the best roadside produce stand in the three towns. He was one of those rare bachelors who like to cook, and he had developed a terrific hankering for fresh sugarpeas. He had wanted to find out when the Arsenaults would have some for sale. As an afterthought, he'd asked Dolly Arsenault if she had happened to see Homer Gamache's truck the night before.
'Now you know,' Mrs Arsenault had said, 'it's funny you should mention that, because I did. Late last night. No . . . now that I think about it, it was early this morning, because Johnny Carson was still on, but getting toward the end. I was going to have another bowl of ice cream and watch a little of that David Letterman show and then go to bed. I don't sleep so well these days, and that man on the other side of the road put my nerves up.'
'What man was that, Mrs Arsenault?' Norris asked, suddenly interested.
'I don't know — just some man. I didn't like his looks. Couldn't even hardly see him and I 4idn't like his looks, how's that? Sounds bad, I know, but that juniper Hill mental asylum isn't all that far away, and when you see a man alone on a country road at almost one in the morning, it's enough to make anyone nervous, even if he is wearing a suit.'
'What kind of suit was he wear — ?' Norris began, but it was useless. Mrs Arsenault was a fine old country talker, and she simply rolled over Norris Ridgewick with a kind of relentless grandiosity. He decided to wait her out and glean what he could along the way. He took his notebook out of his pocket.
'In a way,' she went on, the suit almost made me more nervous. It didn't seem right for a man to be wearing a suit at that hour, if you see what I mean. Probably you don't, probably you think I'm just a silly old woman, and probably I am just a silly old woman, but for a minute or two before Homer come along, I had an idea that man was maybe going to come to the house, and I got up to make sure the door was locked. He looked over this way, you know, I saw him do that. I imagine he looked because he could probably see the window was still lighted even though it was late. Probably could see me, too, because the curtains are only sheers. I couldn't really see his face — no moon out last night and I don't believe they'll ever get streetlights out this far, let alone cable TV, like they have in town — but I could see him turn his head. Then he did start to cross the road — at least I think that was what he was doing, or was thinking about doing, if you see what I mean — and I thought he would come and knock on the door and say his car was broke down and could he use the phone, and I was wondering what I should say if he did that, or even if I should answer the door. I suppose I am a silly old woman, because I got thinking about that Alfred Hitchcock Presents show where there was a crazyman who could just about charm the birdies down from the trees, only he'd used an axe to chop somebody all up, you know, and put the pieces in the trunk of his car, and they only caught him because one of his taillights was out, or something like that — but the other side of it was — '