HOLLIS LEFT STARBUCKS and flagged down a taxi. On the way to South Ferry, he studied his copy of The Way of the Sword. Sparrow’s book of meditations was divided into three parts: Preparation, Combat, and After the Battle. In chapter six, the Japanese Harlequin analyzed two facts that seemed contradictory. An experienced warrior always developed a strategy before an attack, and yet, in the confusion of the battle, the warrior usually did something different. Sparrow believed that plans were helpful, but their true power was that they calmed the spirit and prepared it for fighting. Toward the end of the chapter Sparrow wrote: Plan to jump left although you’ll probably go right.
Hollis felt conspicuous on the ferryboat ride out to one of the most guarded locations in America-the Statue of Liberty. The boat was filled with school groups, elderly tourists, and families on vacation. He was a solitary black male carrying a backpack. When the boat reached Ellis Island, Hollis tried to lose himself in the crowd that was herded toward a large temporary structure that had been erected at the base of the statue.
He stood in line for about twenty minutes. When he reached the front he was told to enter a walk-in machine that reminded him of an enormous CAT scan. A mechanical voice told him to stand on two green shoeprints, and then he felt a sudden blast of air. He was in a sniffer-a machine that could sense the chemical emissions that came from explosives and ammunition.
When a green light flicked on, he was directed to a large room filled with lockers. No backpacks were allowed near the statue, so everything had to be stored in a wire basket. When Hollis placed a dollar into the payment slot, a mechanical voice demanded that he place his right thumb on a scanner. A sign above the lockers read YOUR FINGERPRINT IS YOUR KEY. USE YOUR FINGERPRINT TO OPEN YOUR LOCKER UPON RETURNING.
Concealed within the knapsack was a mold of Gabriel’s right hand. A few weeks earlier, Maya had melted modeling plastic in a cooking pot, and Gabriel had dipped his hand into the brown goop. The mold was a bio dupe-a physical reproduction of biometric information-and it could be used as a decoy to distract the Tabula. Hollis concealed the fake hand in his jacket sleeve, and then pressed the rubbery thumb against the scanner window. In less than a second, Gabriel’s print was transformed into a packet of digital information and transmitted to the computers of the Vast Machine.
“This way for Liberty. This way for Liberty,” a guard chanted in a bored voice. Hollis left his knapsack in the locker and followed the other citizens as they entered the stone base of the enormous statue. Everyone but Hollis looked happy. They were in the Land of the Free.
HOLLIS RETURNED TO his hotel late in the afternoon and was able to sleep for a few hours. When he opened his eyes, he was looking at a strip of four black-and-white photographs that he and Vicki had created in a “pose yourself” booth. An enormous cockroach approached this private altar and started waving its antennae, but Hollis flicked the insect onto the floor.
He picked up the photographs, held the strip beneath the lamplight, and studied the last image. Vicki had turned to look at him and her face showed both love and understanding. She truly knew him-knew the violence and selfishness that had claimed his past-but accepted him anyway. Her love made Hollis want to march out and slay monsters; he would do anything to justify her faith.
Around eight o’clock in the evening, he got dressed and took a cab downtown to the meatpacking district-a twenty-block patch of industrial buildings west of Greenwich Village. Mask, the dance club, occupied what had formerly been a chicken processing plant on West Thirteenth Street. It had been operating for three years, a fairly long time in this peculiar world.
The large central room was divided into two parts. Most of the building was occupied by an open space for dancing, two bars, and a cocktail area. Toward the end of the room, a staircase led upward to a separate VIP area that overlooked the main dance floor. Only the pretty people-those with beauty or money-were allowed upstairs. The ground floor was for the bridge-and-tunnel crowd, customers who had either driven a car or taken a crowded train to get to Manhattan. The men who owned the club were obsessed with the ratio between these two groups. Although the bridge-and-tunnels made Mask a profitable business, they were drawn to the club by the actors and models who drank for free upstairs.
Without flashing lights and thumping dance music, Mask felt like it could easily be converted back into a factory for plucking dead chickens. Hollis went into the tiny employees’ locker room and changed into a black T-shirt and sports jacket. A hand-lettered sign over the mirror announced that any employee selling drugs to customers would be fired immediately. Hollis had already discovered that management didn’t mind employees selling drugs to one another-usually various uppers that kept the security staff alert until the end of the evening.
Hollis slipped on a radio headset that connected him to the other bouncers. He returned to the main room and walked upstairs. The employees at Mask saw the club as an elaborate device to squeeze money out of the customers. One of the most lucrative jobs was guarding the VIP area, and a man named Boodah currently held this post. Boodah had an African-American father and a Chinese mother. His nickname came from his enormous stomach, which appeared to protect him from all the craziness in New York.
The bouncer was arranging the chairs and cocktail tables inside his kingdom when Hollis came upstairs. “What’s up?” Boodah asked. “You look tired.”
“I’m all right.”
“Remember. If anyone wants to go through the rope, they gotta come to me.”
“No problem. I know the rules.”
Boodah guarded the main entrance to the VIP area while Hollis stood at an exit on the opposite side. This exit was only used by pretty people who wanted to go to the downstairs bathroom or if they decided to rub shoulders with the sweaty crowd on the dance floor. Hollis’s job was to keep everyone else out. Being a bouncer was about saying no all night long-unless you got paid to say yes.
HOLLIS HAD PERFORMED his job like an obedient drone, but he felt that something different might happen tonight. A walkway protected by a railing ran from the VIP area to the private room. Inside the room were leather couches, cocktail tables, and an intercom to order from the bar. A mirrored window overlooked the dance floor below. Tonight the private room was going to be occupied by some hustlers from Brooklyn who liked to use drugs at nightclubs. If the Tabula came to the room looking for Gabriel, they were going to get an unpleasant surprise.
Hollis leaned against the railing, stretching his leg muscles. He returned to his post when Ricky Tolson, the club’s assistant manager, climbed the back staircase. Ricky was one of the owners’ distant relatives. He made sure there was toilet paper in the bathroom and spent most of his time trying to pick up drunken women.
“How you doing, my brother?” Ricky asked. Hollis was too low in the club hierarchy to have a name.
I’m not your brother, Hollis thought. But he smiled pleasantly. “The private room is booked, right? I heard that Mario and his friends were coming tonight.”
Ricky looked annoyed. “No, they called up and canceled. But there will be someone else. There always is…”
A half hour later, the club deejay began the evening with a Sufi religious chant, and then gradually brought in the thumping beat of house music. The bridge-and-tunnel crowd arrived first and grabbed the few tables near the bar. From his vantage point above the dance floor, Hollis watched young women wearing short skirts and cheap shoes run to the bathroom to check makeup and tease hair. Their male counterparts strutted around and waved twenty-dollar bills like little flags at the bartender.