He burst into laughter again, but to Erast Petrovich these playful jokes about the exalted and fateful power that had bound him and O-Yumi together seemed like unforgivable blasphemy.
‘I will ask you never to speak about this l-lady and my relationship with her in that tone again…’ he began furiously, in a hissing whisper.
‘You’re in love!’ Tsurumaki interrupted with a laugh. ‘Head over heels! Oh, you unfortunate victim of jojutsu!’
It is quite impossible to be seriously angry with a man who abandons himself to such good-natured merriment.
‘What has jujitsu got to do with it?’ Erast Petrovich asked in amazement, thinking that Tsurumaki meant the Japanese fighting art that he was studying with his valet.
‘Not JUjitsu, but jOjutsu! The art of amorous passion. An art of which top-flight courtesans have complete mastery.’ The bon vivant’s gaze turned thoughtful. ‘I too was once snared in the nets of a mistress of jojutsu. Not for long, only a month and a half. Her love cost me thirty thousand yen – all that I had in those days. Afterwards I had to start my business all over again, but I don’t regret it – it is one of the best memories of my life!’
‘You’re mistaken, my dear fellow,’ said Fandorin, smiling condescendingly. ‘Your jojutsu has nothing to do with it. I have not paid for love.’
‘It is not always paid for with money,’ said the Don, scratching his beard and raising his thick eyebrows in surprise. ‘O-Yumi not using jojutsu? That would be strange. Let’s check. Of course, I don’t know all the subtle points of this intricate art, but I remember a few things that I experienced for myself. The initial stage is called “soyokadzeh”. How can I translate that, now… “The breath of wind” – that’s pretty close. The goal is to attract the attention of the chosen target. To do this the mistress of the art gives the man a chance to show himself in the best possible light. It’s a well-known fact that a man loves those who he believes should admire him more than anyone else. If a man prides himself on his perspicacity, the courtesan will arrange things so that he appears before her in all his intellectual brilliance. If he is brave, she will give him a chance to show that he is a genuine hero. Fake bandits can be hired, so that the target can defend a beautiful stranger against them. Or he might suddenly see a beautiful woman fall into the water from a capsized boat. The most audacious courtesans will even risk being maimed by conspiring with a riksha or a coach driver. Imagine a carriage that has run out of control, and a delightful woman sitting in it, screaming pitifully. How can you possibly not go dashing to assist her? At the first stage of jojutsu it is very important, firstly, for the target to feel that he is a protector and, secondly, for him to be inspired with lust for the huntress, not merely compassion. To achieve that she is certain to expose, as if by accident, the most seductive part of her body: a shoulder, a foot, a breast, it varies from one individual to another.’
At first Fandorin listened to this story with a scornful smile. Then, when he heard the words about a carriage running out of control, he shuddered. But he immediately told himself: No, no, it’s impossible, it’s just coincidence. But what about the torn dress, and the alabaster shoulder with the scarlet scratch? a satanic little voice whispered.
Nonsense, the titular counsellor thought with a shake of his head. It really was absurd.
‘And what does the second stage consist of?’ he enquired ironically.
Tsurumaki took a bite out of a large, luscious red apple and continued with his mouth full.
‘It’s called “Two on an Island”. A very subtle moment. The point is to maintain distance, while demonstrating that there is some special kind of connection between the courtesan and the target – they are bound together by the invisible threads of fate. For this purpose all means are good: the mistress of the art sets spies on the target, gathers information about him, and then many of the ladies also have a good command of ninso – that’s like your physiognomics, only far, far more subtle.’
The vice-consul turned cold, but the jolly narrator crunched on his apple and implacably drove needle after needle into his poor suffering heart.
‘I think they call the third stage “The Scent of a Peach”. The target has to be allowed to inhale the seductive aroma of the fruit, but the fruit is still hanging high up on the branch and no one knows whose hands it will fall into. This is to show that the creature provoking his desire is a living, passionate woman, not some incorporeal angel, and she will have to be fought for. At this stage a rival is certain to appear, and a serious one at that.’
How she rode past the consulate with Bullcox, leaning her head on his shoulder! Erast Petrovich recalled. And she didn’t even glance in my direction, although I was sitting right there in the window…
Oh no, no, no!
The Don squinted up at the moon.
‘How does it continue now? Ah yes, but of course! The “Typhoon” stage. Immediately after the despair (“alas and alack, she will never be mine!”), the courtesan arranges a lover’s tryst, completely without any warning. Absolutely breathtaking, employing all the secret arts of the bedroom, but not too long. The target must get the real taste of pleasure, but not be sated. After that comes the “Ayatsuri” stage. Separation resulting from insuperable difficulties of some kind. Ayatsuri is the way a puppet master controls a puppet in the theatre. Have you ever been to a bunraku performance? You must go, you have nothing like it in Europe. Our puppets are just like real people, and…’
‘Stop!’ Fandorin cried out, feeling that he could not take any more. ‘For God’s sake, stop t-talking!’
Crushed, Erast Petrovich brushed a drop of icy sweat off his forehead and forced himself to speak.
‘I see now that you are right… And I… I am grateful to you. If not for you I really would have lost my reason completely… In fact, I have already… But no more, I will not be a puppet in her hands any longer!’
‘Ah, you are wrong there,’ Tsurumaki said disapprovingly. ‘You still have the very best stage to come: “The Bow String”. In your case the title is doubly piquant,’ he said with a smile. ‘“Bow” in Japanese is yumi.’
‘I know,’ Fandorin said with a nod, looking off to one side. A plan was gradually taking shape in the demoralised vice-consul’s head.
‘This is the stage of total happiness, when both soul and body attain the very summit of bliss and reverberate with delight, like a taut bowstring. In order to highlight the sweetness even more, the mistress of the art adds just a little bitterness – you will certainly never know…’
‘I tell you what,’ Erast Petrovich interrupted, staring sombrely into the eyes of the man who had saved him from insanity, but broken his heart. ‘That’s enough about jojutsu. I’m not interested in that. Give me your key, I’ll take it from you for one day. And give… give her the other key, from the gate in the garden. Tell her that I shall be waiting for her in the pavilion, starting from midnight. But not a word about this conversation of ours. Do you promise?’
‘You won’t kill her, will you?’ the Don asked cautiously. ‘I mean, it doesn’t really matter to me, but I wouldn’t like it to be on my estate… And then Algernon would resent it. And he’s not the kind of man I’d like to quarrel with…’
‘I won’t do her any harm. On m-my word of honour.’
It took Fandorin an agonisingly long time to walk to the gates. Every step cost him an effort.
‘Ah, jojutsu?’ he whispered. ‘So they call it jojutsu, do they?’