And now here she was, in Paradise again, sitting on a park bench with her ballerina neck inclined towards him as they talked, on and on, as if intent on making up for all the wordless scenes in Leonard’s films. When he asked to see what she had been drawing it was only with reluctance that she handed him the pad. Inside were sketches. Of people caught in passing. Rendered in just a few strokes, except for their clothes, which were more carefully drawn, or suggested by a detail here and there, as if she were trying to capture the essence of a person through what they were wearing. Or as if a belt, the cut of a jacket, the pattern of a shirt, could say all there was to be said. ‘I’m going to apply to the College of Art and Design,’ she said. ‘I’m practising.’ And Jonas thought: I don’t practise enough. I’m not practising anything at all. I’m going to be one of those Norwegians who simply squanders their abundant talent. ‘It’s kind of strange,’ she said with a shy smile. ‘I got the urge to work in fashion, with fabric, after Mr Dehli told us about māyā. Do you remember? Do you remember Mr Dehli?’ He remembered Mr Dehli. Who could forget Mr Dehli? She was wearing a long, cotton summer frock which she had made herself, the fabric had a pattern of alternating open and closed tulips. Even though she was sitting down he could tell how unusual it was, how it accentuated — not her figure, but her personality, her innate elegance. It was as if she had succeeded in transferring the lines of her irresistible neck to the garment. Jonas had always counted himself among those men who believe a woman is infinitely more interesting clothed than unclothed, and he had noticed right away, from a hundred metres off, how sexy, how attractive she looked, in that dress.
They sat for hours on that bench in the heat of the day, until she suggested that they go back to her place, she was living in the city now. He did not know whether it was something to do with the red lenses of her sunglasses, but he felt that she was eyeing him differently, with more interest than before.
They strolled slowly across the grass in the lovely light under the great, green treetops. He found himself admiring her slender, leggy figure, the grace with which she moved, accentuated by the fact that she was barefoot. She had done a bit of modelling work in Paris, but most of the time she had studied, learned, visited people in the fashion business. He had been right about the frock. Even without a low-cut neckline, without long slits up the sides, it made her look sexy, even more attractive. There was something about the way the fabric fell over her form. The tulips, the pattern of the fabric prompted him to wonder again about his future, whether he was going to open up or close in. Some people never opened up. She strode barefoot across the grass towards Kunstnernes Hus and her scooter. She had kept the red Vespa. Pernille’s style might not have been altogether in accord with the dawning feminist movement, but in her own way she was as much of a rebel as anyone.
On the way up to Majorstuen they stopped at a café and stayed there so long that by the time they got to her place it was late in the evening. There was no one else home. She got them something to drink. They talked, played music: the Mamas and the Papas, the Lovin’ Spoonful. She showed him her new sewing machine, some heavily embroidered fabrics and a portfolio of drawings in which she had copied patterns from paintings by Gustav Klimt. None of this could have told him, though, that ten years later she would be Norway’s answer to Laura Ashley, designing both clothes and furnishings in a romantic, floral style which was, nonetheless, surprisingly modern, urban. At that particular moment, though, he was just a bit puzzled by the searching looks she was giving him; so he asked, more to distract her really, whether they might not have some supper. ‘Wait right here,’ she said, put on Jefferson Airplane and left the room. A good fifteen minutes later she reappeared carrying a small case. ‘We’re going out,’ was all she said, and gave him another funny look.
‘Isn’t it a bit late for this,’ he yelled, when he was seated once more on the pillion of the red scooter with his nose buried in her hair and her neck. ‘It’s summer,’ she yelled back. ‘It’s never too late in the summer,’ she said as she parked the Vespa outside Kunstnernes Hus and handed him the case. The sky was still light. The air tropically warm. The Oslo night smelled of lilac. She was still barefoot. He took off his shoes too, left them under the scooter seat. They strolled across the warm tarmac. She took his hand. Why had they never gone out together in junior high? She did not lead him through the Palace Gardens, headed instead down Parkveien towards Drammensveien. The air was so heavily scented it was like being in some foreign city. Opposite the prime minister’s official residence she stopped and glanced round about. ‘Give me a hand,’ she said and proceeded to climb over the fence into the Queen’s Gardens. The park was closed at night. ‘This is against the law, we’ll get caught,’ he said. She turned and gave him a long, hard look, as if trying to get inside his head, discover what could have possessed him to make such a stupid remark. Again he was thrown into confusion. ‘Only if someone sees us,’ she said. ‘And why should anyone see us?’ He shot a glance at the Palace, jokingly muttered something about offences against the Crown as he helped her over, making sure that her dress did not snag on the lance-tipped railings of the cast-iron fence. He passed the case to her before hopping over himself. I’ve finally made it into the Queen’s Chambers, he thought. They stole between the trunks of tall hardwood trees, over grass that felt cool and soft under their feet. Here and there they caught the yellow glimmer of creeping buttercups. She made a beeline for a pond with a fountain splashing in it rather forlornly and pointlessly. Or for them alone. She led the way to the end nearest the Palace, bundled up her skirts and waded into the water, across the narrow channel. He followed, feeling the little round pebbles on the bottom. There was an island in the middle of the pond. An island overgrown with trees and dense vegetation, grass as high as a meadow, a miniature jungle, a place in which to play the guerrilla. They settled themselves under the dominant weeping ash. Its branches hung all the way to the ground, hiding them like a parasol from the guardsmen on sentry duty outside the Palace and down by the stables. Jonas was reminded of the deliciously prickly hidey-holes of his childhood. She spread a travelling rug out on the grass. ‘Welcome to the Garden of Eden,’ she whispered.
She arranged the contents of the case on the rug: cured ham and melon, a highly seasoned pâté, slices of tomato over which she had sprinkled freshly chopped basil. ‘Dig in then,’ she said, pouring white wine into two simple kitchen tumblers. ‘You said you were hungry, didn’t you?’ She handed him bread and a bowl of black olives. He ate, drank, noticed that she helped herself to some soft, white cheese and a stick of celery. Never, not even in the Red Room, in Leonard’s basement, had food tasted so good. So erotic. He lay there enveloped in the scent of earth and growing things, surrounded by lilies and Solomon’s seal, munching honeydew melon, and watched as this girl draped in a fabric decorated with open and closed tulips poured a few drops of Tabasco sauce onto a piece of chicken, as if to demonstrate her singularity, her audacious taste. Her boldness in general. Directly across from them, on the top of a small hill they could make out a gazebo. The Palace rose up behind large, flowering shrubs; they might have been in another country, another time, at the Versailles of the Sun King. He felt — he groped for the word — reckless. As if, merely by lying there, enjoying all of this, he was defying the run-of-the-mill. Committing an act of sabotage even.