He followed them out to a dirt parking lot east of the petting zoo and watched them pile into a red ’65 Mustang with a primer-gray trunk lid. He got into his truck and followed them out to Crouch Avenue, and then left onto Grapevine Circle. They wound round Bulls Mouth Reservoir, water on their right, a bunch of trees and mustang grapevines and blackberry bushes on their left. By summertime half the houses around the reservoir would be loaded with jars of homemade preserves. They pulled the car into a driveway at 44 Grapevine Circle. Henry drove all the way around the reservoir, made a u-turn when he got to an intersection, and went back. He parked across the street and a few houses down. He had to wait for hours, till her mom and dad left without her, and later still, till the teenage boy watching her finally made her go to bed. He sat and waited, urinating into three beer cans while he did so, setting the warm beer cans just outside his truck on the asphalt, and watching the house. He hummed to himself. He nodded once at someone walking by. Once the little girl was in her bedroom Henry got out of his truck and walked the perimeter of the house. He peeked into her window and watched her change for bed. Little Sarah. He waited till she was asleep before cutting the screen away with a box cutter. He didn’t want to scare her before he was near enough to keep her silent.
It was worth it. Beatrice’s face was as joyful as he’d imagined it would be when he presented their new Sarah. It simply lit up like sunshine.
Henry hits a red light at the corner of Crockett and Hackberry and brings the truck to a stop. He finishes his beer, tilting the bottom of the can to the sky, tosses it to the floor where it falls among the other dead soldiers, and pulls a fresh one from its ring. To his right he can see one of Pastor Warden’s dachshunds digging in a flower garden in front of the Skating Palace, head down, dirt flying up from between its legs and arcing through the air before it falls to the sidewalk. He wonders when-if-someone is going to see how scratched up his truck has gotten and make the connection between that and Warden’s fence. There is probably green paint residue on the chain-link fence as well.
The light turns green and Henry’s gas-foot gets heavy.
He pulls his truck into the lot on the east side of the small college campus, parks in front of the two-storey building where all classes are held, and kills the engine. The first floor won’t clear out till ten, but until then he and Mike will be plenty busy with the second floor, which is not used for classes after four o’clock.
He finishes his second beer, grabs the three that remain, as well as his lunch, and steps from the vehicle.
When he walks into the janitor’s closet Mike is already slipping into a blue work shirt. Mike’s a permanent fixture, been here three years now, but not technically a full-time employee of the college. If he works more than a hundred and eighty days he becomes eligible for benefits, so Henry has to lay him off for a month every six so that his work cycle will start anew. He hates to do it, but he can never seem to get approval for a full-time hire.
He walks through the door and smiles. ‘Hey, Mike. Sorry I’m late.’
‘That mean you let me do classrooms tonight?’
‘I’m not that sorry.’
‘But Doug always accuses me of stealing chips from the rack.’
‘Then don’t steal chips from the rack.’
‘I make six bucks an hour, Henry.’
Henry shrugs: what are you gonna do? Then he changes into his blue work shirt. He grabs his cart and pulls it away from the wall and checks to make sure it’s properly stocked: cleaning fluids full up, plenty of trash bags, rubber gloves, paper towels, a couple fluorescent tubes in case he stumbles on any that have gone out. Once he’s sure everything is in order he rolls his cart out of there and into the hall.
From now till two o’clock in the morning his job is to get classrooms ready for tomorrow. He likes his work. There’s nothing to it but to do the same thing again and again. It’s relaxing. You find your rhythm and let the night pass you by.
He walks to the cafeteria, which is closed-it closes from four to six-unlocks the door, and walks to the chip rack. He snags a bag of Doritos and heads out, locking the door behind him. Doug will notice, of course, but it doesn’t matter. Henry can just blame Mike.
Ian pulls his car to the curb in front of the house he once called his own. It is nothing special as far as houses go, a brick building fronted by a lawn and a tree with branches like broken fingers, but once upon a time it belonged to him. Now another man sleeps beside his wife and watches baseball on his television and eats food prepared in his kitchen off his plates with silverware he and Deb got as a wedding present from his mom, two years before the lung cancer got her. Bill Finch doesn’t even know there’s a history there; as far as he’s concerned all these things came into existence the moment he got the key to the front door.
After Maggie was kidnapped he spent a long time living in a strange fog, and when Debbie finally asked him to leave the conversation was short. In his mind he supposes he was already gone. He didn’t even look away from the television commercial telling him he needed to switch toilet paper brands.
‘I want you to move out.’
A pause. Then: ‘Okay.’
‘That’s it?’
He nodded.
‘You’re not gonna get mad? You’re not gonna fight me over this?’
He shook his head. ‘No.’
‘Do you wanna know why?’
‘No.’
‘I’m sleeping with Bill Finch.’
‘I know.’
Debbie stood there for a long time. He didn’t look at her, but he could sense her in his periphery. After a while she simply said, ‘Fine,’ and walked away.
The next night he slept on Diego and Cordelia’s couch.
And a week after that he put the extra TV, some books and book cases, a couch from the garage, Maggie’s bed, and his clothes into a truck he rented from Paulson’s U-Haul and drove to his new apartment. He could have afforded a house, but did not see the point. Houses were for people with families and expanding futures. He was no longer one of those people. His future was shrinking.
The first few weeks were strange and sleepless. Not because he missed Deb-he did not exactly miss her-but because he was used to having someone sleeping beside him. Soon enough, though, he got comfortable with the absence. His body learned to spread out across the full width of the bed. He stopped sitting up at night to call Debbie’s name. He stopped believing she was merely in the next room.
Ian knocks on the front door and waits.
He scratches the top of his head where the blond hair is thinnest, then arms the sweat off his forehead. It’s still hellish out.
Debbie pulls open the front door from inside. She’s wearing beige shorts and her white work T-shirt with PINK’S SALON written in cursive across the right breast. She manages the place for Vicki Dodd-who’s the only reason the Dodd family has any money left at all, her brother Carney being useless-and must have just got home. When she sees Ian she frowns. It’s brief, and the frown is immediately followed by a polite smile, but the frown was true and the smile is false. Ian understands this. As far as Debbie is concerned he can be nothing more than a walking reminder of the biggest loss she’s ever suffered. He just looks too much like the daughter she has spent the last seven years trying to forget. She’s tried to bury her again and again. He’s from a part of her life she no longer wants to think about.
‘Ian.’
‘Deb.’
‘What is it?’
‘Have you heard from Bill or Sheriff Sizemore?’
‘No.’
‘Mind if I come in?’
‘Did something happen? Is Bill okay?’
‘Bill’s fine. I thought he might have called you.’