Aren't you proud of making me cry? Aren't you? Ah, don't talk to me—don't talk to me, I tell you! I don't wish to hear a word you've got to say. I hate you. And you shan't have the money, that's flat."
"I don't want it," said Billy. "I've been trying to tell you for the last, half-hour I don't want it. In God's name, why can't you talk like a sensible woman, Peggy?" I am afraid that Mr. Woods, too, was beginning to lose his temper.
"That's right—swear at me! It only needed that. You do want the money, and when you say you don't you're lying—lying—lying, do you understand? You all want my money. Oh, dear, dear!" Margaret wailed, and her great voice was shaken to its depths and its sobbing was the long, hopeless sobbing of a violin, as she flung back her tear-stained face, and clenched her little hands tight at her sides; "why can't you let me alone? You're all after my money—you, and Mr. Kennaston, and Mr. Jukesbury, and all of you! Why can't you let me alone? Ever since I've had it you've hunted me as if I'd been a wild beast. God help me, I haven't had a moment's peace, a moment's rest, a, moment's quiet, since Uncle Fred died. They all want my money—everybody wants my money! Oh, Billy, Billy, why can't they let me alone?"
"Peggy——" said he.
But she interrupted him. "Don't talk to me, Billy Woods! Don't you dare talk to me. I told you I didn't wish to hear a word you had to say, didn't I? Yes, you all want my money. And you shan't have it.
It's mine. Uncle Fred left it to me. It's mine, I tell you. I've got the greatest thing in the world—money! And I'll keep it. Ah, I hate you all—every one of you—but I'll make you cringe to me. I'll make you all cringe, do you hear, because I've got the money you're ready to sell your paltry souls for! Oh, I'll make you cringe most of all, Billy Woods! I'm rich, do you hear?—rich—rich! Wouldn't you be glad to marry the rich Margaret Hugonin, Billy? Ah, haven't you schemed hard for that? You'd be glad to do it, wouldn't you? You'd give your dirty little soul for that, wouldn't you, Billy? Ah, what a cur you are! Well, some day perhaps I'll buy you just as I would any other cur. Wouldn't you be glad if I did, Billy? Beg for it, Billy! Beg, sir! Beg!" And Margaret flung back her head again, and laughed shrilly, and held up her hand before him as one holds a lump of sugar before a pug-dog.
In Selwoode I can fancy how the Eagle screamed his triumph.
But Billy's face was ashen.
"Before God!" he said, between his teeth, "loving you as I do, I wouldn't marry you now for all the wealth in the world! The money has ruined you—ruined you, Peggy."
For a little she stared at him. By and bye, "I dare say it has," she said, in a strangely sober tone. "I've been scolding like a fishwife. I beg your pardon, Mr. Woods—not for what I've said, because I meant every word of it, but I beg your pardon for saying it. Don't come with me, please."
Blindly she turned from him. Her shoulders had the droop of an old woman's. Margaret was wearied now, weary with the weariness of death.
For a while Mr. Woods stared after the tired little figure that trudged straight onward in the sunlight, stumbling as she went. Then a pleached walk swallowed her, and Mr. Woods groaned.
"Oh, Peggy, Peggy!" he said, in bottomless compassion; "oh, my poor little Peggy! How changed you are!"
Afterward Mr. Woods sank down upon the bench and buried his face in his hands. He sat there for a long time. I don't believe he thought of anything very clearly. His mind was a turgid chaos of misery; and about him the birds shrilled and quavered and carolled till the air was vibrant with their trilling. One might have thought they choired in honour of the Eagle's triumph, in mockery of poor Billy.
Then Mr. Woods raised his head with a queer, alert look. Surely he had heard a voice—the dearest of all voices.
"Billy!" it wailed; "oh, Billy, Billy!"
XXV
For at the height of this particularly mischancy posture of affairs the meddlesome Fates had elected to dispatch Cock-eye Flinks to serve as our deus ex machina. And just as in the comedy the police turn up in the nick of time to fetch Tartuffe to prison, or in the tragedy Friar John manages to be detained on his journey to Mantua and thus bring about that lamentable business in the tomb of the Capulets, so Mr. Flinks now happens inopportunely to arrive upon our lesser stage.
Faithfully to narrate how Cock-eye Flinks chanced to be at Selwoode were a task of magnitude. That gentleman travelled very quietly; and for the most part, he journeyed incognito under a variety of aliases suggested partly by a fertile imagination and in part by prudential motives. For his notions of proprietary rights were deplorably vague, and his acquaintance with the police, in consequence, extensive. And finally, that he was now at Selwoode was not in the least his fault, but all the doing of an N. and O. brakesman, who had in uncultured argument, reinforced by a coupling-pin, persuaded Mr. Flinks to disembark from the northern freight on the night previous.
Mr. Flinks, then, sat leaning against a tree in the gardens of Selwoode, some thirty feet from the wall that stands between Selwoode and Gridlington, and nursed his pride and foot, both injured in that high debate of last evening, and with a jackknife rounded off the top of a substantial staff designed to alleviate his present lameness.
Meanwhile, he tempered his solitude with music, whistling melodiously the air of a song that pertained to the sacredness of home and of a white-haired mother.
Subsequently to Cock-eye Flinks (as the playbill has it), enter a vision in violet ruffles.
Wide-eyed, she came upon him in her misery, steadily trudging toward an unknown goal. I think he startled her a bit. Indeed, it must be admitted that Mr. Flinks, while a man of undoubted talent in his particular line of business, was, like many of your great geniuses, in outward aspect unprepossessing and misleading; for whereas he looked like a very shiftless and very dirty tramp, he was as a matter of fact as vile a rascal as ever pawned a swinish soul for whiskey.
"What are you doing here?" said Margaret, sharply. "Don't you know this is private property?"
To his feet rose Cock-eye Flinks. "Lady," said he, with humbleness, "you wouldn't be hard on a poor workingman, would you? It ain't my fault I'm here, lady—at least, it ain't rightly my fault. I just climbed over the wall to rest a minute—just a minute, lady, in the shade of these beautiful trees. I ain't a-hurting nobody by that, lady, I hope."
"Well, you had no business to do it," Miss Hugonin pointed out, "and you can just climb right back." Then she regarded him more intently, and her face softened somewhat. "What's the matter with your foot?" she demanded.
"Brakesman," said Mr. Flinks, briefly. "Threw me off a train. He struck me cruel hard, he did, and me a poor workingman trying to make my way to New York, lady, where my poor old mother's dying, lady, and me out of a job. Ah, it's a hard, hard world, lady—and me her only son—and he struck me cruel, cruel hard, he did, but I forgive him for it, lady. Ah, lady, you're so beautiful I know you're got a kind, good heart, lady. Can't you do something for a poor workingman, lady, with a poor dying mother—and a poor, sick wife," Mr. Flinks added as a dolorous afterthought; and drew nearer to her and held out one hand appealingly.