She could see the Hermitage, the former Winter Palace of the Tsars, in the distance, gloriously reflected on the tame waters of the Neva. In the car she remembered the flower that had become a parchment and which had been burning a hole in her bag. She opened her bag and took it out. It felt warm and it was getting warmer. And it was emitting a strange noise.
It was as if it was some location device that contained a chip, which had homed in on its target and was leading Elli there. It was getting warmer as they approached the Hermitage. It was as if it was showing her the way, its intensity increasing at breakneck speed which was unlike the speed they were supposed to be travelling in this city, notorious for its overpopulation of cars and all matter of fragrant modes of transport.
Their route along the river was, strangely, car-free and eerily soulless. The main gates swung open as if by magic the moment the car drew up to them. Such scarily efficient and troublesome journey was unheard of in this city. This kind of special treatment could only have been organised under the auspices of the country’s highest echelons of government. The director of the Hermitage, one of the world’s greatest museums, was a powerful man.
The museum was busy. At reception she announced her name and started to say that she had an appointment with the director when a man who had been walking briskly towards her, having recognised her, interrupted her.
‘Mrs Symitzis, good afternoon. I am Ivan. The director has sent me to take you to him. Please, follow me.’
They came outside the director’s office and Ivan gently knocked on the door. A strong deep voice came out clearly from the other side of the door.
‘Come in.’
The office was not a modest affair, as it was not an ordinary place of work, but befitting the director of one of the world’s greatest museums, with his choice of rooms in the former Winter Palace of the Tsars. The room’s impact on the visitor was such that it reminded one of the study of a Tsar or a grand room for public occasions rather than a simple office, with its high ceiling and huge windows and elaborate decoration covering almost every surface. Expensive furniture, objets d’art and paintings littered but did not suffocate the space.
The director who had already been standing, looking out of the windows, turned and walked around his large desk towards Elli. He took her hand and kissed it and then seeing Elli proceeding to greet him in the traditional Russian way of three alternative kisses on the cheeks followed her lead.
‘My dear Mrs Symitzis. I am Alexei Sumarov.’ Elli noticed that he did not offer for the use of his first name, so she decided to preserve the respectful formality of her host and do the same. ‘It is an honour and a great pleasure to have you here. Aggelos has told me a lot about you. But of course he did not need to. Your reputation precedes you. I have read and heard so much about you that I feel very excited to finally make your acquaintance in person. Please, have a sit.’ He indicated a pair of armchairs beside the cold fireplace. ‘Could we offer you some coffee or tea or something else perhaps?’
Elli noticed that he had been drinking coffee and that there was a second cup in the tray on the table between the armchairs. She thought it polite to join him in a gesture of accepting his local hospitality. Also she did not want to waste time. She wanted to broach the subject that brought her there as soon as possible.
‘Coffee would be lovely, thank you.’
He poured the coffee and asked whether she took milk or sugar. She declined both. ‘Just black, thank you.’
Once they had settled, or rather sunk, into the supremely comfortable armchairs with their cups, the director jumped straight into the reason she was there. He knew she was a busy woman and understood the urgency of the matter at hand.
‘Now, as I said to Aggelos, we have located the relics in question and I can show them to you. I understand that you wish to use DNA samples from them for comparison. I must say that they both seem very well preserved with hairs and flesh still on the bone. It is not normal procedure to handle them in this way and there is a horrifying amount of bureaucracy to deal with for permission to carry out what you propose to do. However, as it is within my discretionary power, I will personally give dispensation for you to proceed immediately. In fact, I have signed the permission and it is there on my desk.’
‘Thank you.’
‘Aggelos is a very good friend of mine and from what he and the abbot, Spyros, told me about you, I consider you a friend and would extend my help in the same way that I would treat Aggelos. Apologies if I may sound presumptuous. It is not my intention to claim such familiarity with you as I do not wish to in any way cause offence.’
‘My dear Mr Sumarov. On the contrary, I am honoured by your warm welcome and for seeing me at such short notice. I know that you are also a very busy man. As Aggelos must have mentioned to you, I am also interested in a certain book containing inventories and information on the construction of a huge project the location of which I am not aware. Have you located such a book?’
‘I have. And it actually contains plans, as well, and a lot of other details about that project. I have the relics and the book ready for you to take away.’
‘But how?’
‘I have signed them off as part of a temporary special exhibition of Byzantine artefacts in Limassol, Cyprus.’
Elli smiled. She decided that she liked this man already. She would not have hesitated to offer him a position in her organisation, if she knew that there was even a remote chance he might have accepted. ‘Mr Sumarov, you have gone beyond my expectations. This will make my work a lot easier and the result I seek quicker to obtain.’
‘I do not want to keep you any longer than is necessary. Please, come with me.’
Alexei Sumarov led Elli to a room a few metres away from his own. The curtains were drawn and the light was dim. Elli suspected that was so as to protect the items from direct light. The room was empty except for a table against one wall, far from the windows, with some items resting on it that seemed to be covered with velvet cloths. She assumed those would be the items she came here for.
The director went and stood by the table and she followed. She could feel the parchment becoming very warm inside her bag. The director noticed her bag glowing, which was made all the more pronounced in the dimness of the room.
‘Mrs Symitzis. Forgive me, but your bag seems to be glowing in a very peculiar way’ He thought there might have been something dangerous about to catch fire and explode but did not voice his imagination.
Elli looked at her bag and was stunned. She opened it and saw the parchment inside glowing. She took it out. The light emitted by the parchment was like holding a flame in her hand. It lit their faces in the same shadowy glow as would a fire in a dark place. It was awe inspiring and terrifying at the same time. They were both briefly lost for words.
Elli recovered first. ‘I cannot explain it, but it seems that something in this room is causing this item quite some excitement.’
She thought arousal was a more apt word, but she could not say it in such polite and formal company, such surrounds not appropriate to such honesty, not being devoid of the taboos of carrying one’s self with decorum. She unfurled the parchment and recognised the same Pallanian characters she had seen so many times lately. She traced her fingers on the page and felt the story.
It told of the imprisonment of an Emperor, his escape and death, his body carried to Cappadocia on a gruelling march being chased by Ruinands. It told of the arrival in Cappadocia, of the construction of a small chapel to take the sarcophagus and the body, of the entombment of the body with proper honours as befitting an Emperor, of the sealing of the tomb, of an attack by Ruinands, of the killing of the bearers of the body except one who survived.