“Buddy, you stole the wrong chicken.”
Nayima could not remember the last time she had felt so giddy. She carefully lowered her flashlight to the ground, keeping it trained on the trap. Then she raised her shotgun, aiming. She’d blow a hole in her trap this way, but she had caught the one she was looking for.
The cat mewed — not angry, beseeching. With a clear understanding of his situation.
“You started it, not me,” Nayima said. “Don’t sit there begging now.”
The cat’s trapped eyes glowed in her bright beam. Another plaintive mew.
“Shut up, you hear me? This is your fault.” But her resolve was flagging.
The cat raised his paw, shaking the cage door. How many times had she done the very same thing? How many locks had she tested, searching for freedom?
Could there really be a child?
Nayima sobbed. Her throat was already raw from crying. Never again, she had said. No more tears. No more.
Nayima went to the trap’s door and flipped up the latch. The cat hissed at her and raced away like a jaguar, melting into the dark. She hoped he would run for miles, never looking back.
Is my little girl with those zookeepers without even a name?
“But it’s all lies,” she whispered at the window, as she stroked Tango in her lap. “Isn’t it?”
Dawn came and went with the roosters’ crowing. Nayima did not move to collect the morning eggs, or to eat any of the beef she and the cats had left, or to empty her bulging bladder. She watched the sky light up her empty pathway, her open gate.
Why hadn’t she closed the gate?
Based on the sun high above, it was nearly noon when Nayima finally stood up.
The metallic glint far down the roadway looked imaginary at first. To be sure, Nayima wiped away dust on her window pane with her shirt, although the spots outside still clouded it. The gleam seemed to vanish, but then it was back, this time with bright cobalt blue lights that looked out of place against the browns and grays of the road. Two sets of blue lights danced in regimented patterns, back and forth.
Nayima’s breath fogged her window as she leaned closer, so she wiped it again.
Hoverbikes!
Two large hoverbikes were speeding toward her house, one on each side of the road at a matching pace, blue lights snaking across their underbellies. At least it wasn’t an army, unless more were coming. Marshals’ hoverbikes were only big enough for two, at most.
“You damn fool, Raul,” she whispered again, but she already had forgiven him too.
Nayima was too exhausted to pick up her shotgun. She had failed the test with her cat thief, so what made her think she could fight marshals? Let them take what they wanted. As long as she had Tango and Buster, she could start again. She always did.
As the hoverbikes flew past her gate, Nayima counted one front rider on each bike in the marshals’ uniform: black jackets with orange armbands. The second rider on the lead bike was only Raul — his face was hidden behind the black helmet, but she knew his red hickory shirt. His father had worn one just like it, Raul had told her until she wanted to scream.
“Nayima!” Raul called. He flung his helmet to the ground.
The hoverbike Raul was riding hadn’t quite slowed to a stop, floating six inches above the ground, so Raul stumbled when he leaped off in a hurry. The marshal grabbed his arm to help hold him steady while the bike bobbed obediently in place.
“Querida, it’s me,” Raul said. “Don’t worry about the marshals. Please open the door.”
Nayima stared as both marshals took off their helmets, almost in unison, and rested them in the crooks of their arms. One was a young man, one a woman, neither older than twenty-five. The man was fair-haired and ruddy. The woman’s skin was nearly as dark as her own, her hair also trimmed to fuzz. Had she seen this man during an earlier classroom visit? He looked familiar, and he was smiling. They both were. She had never seen a marshal smile.
The marshals wore no protective suits. No masks. They did not hide their faces or draw weapons. Even ten yards away, through a dirty window, Nayima saw their eyes.
Nayima jumped when Raul banged on her door. “Nayima, ella está aqui!”
“I don’t see her.” Nayima tried to shout, but her throat nearly strangled her breath.
Raul motioned to the woman marshal, and she dismounted her hoverbike. For the first time, Nayima saw her bike’s passenger — not standing, but in a backward facing seat. A child stirred as the woman unstrapped her.
It couldn’t be. Couldn’t be. Nayima closed her eyes. Had they drugged her meat? Was it a hallucination?
“Do you see, Nayima?” Raul said. “Ven afuera conmigo. Please come.”
Raul left her porch to run back to the hoverbike. Freed from her straps, a child reached out for a hand for Raul’s help from the seat. Raul made a game of it, lifting the child up high. Curly spirals of dark hair nestled her shoulders. For an instant, the child was silhouetted in the sunlight, larger than life in Raul’s sturdy upward grasp.
The girl giggled loudly enough for Nayima to hear her through the window pane. Raul was a good father. Nayima could see it already.
“Now you’re going to meet your mamí,” Raul said.
Nayima hid behind her faded draperies as Raul took the girl’s hand and walked to the porch with her. When she heard the twin footsteps on her wooden planks, Nayima’s world swayed. She ventured a peek and saw the girl’s inquisitive face turned toward the window — dear Jesus, this angel had Gram’s nose and plump, cheerful cheeks. Raul’s lips. Buried treasure was etched in her delicate features.
Jesus. Jesus. Thank you, Dear Lord.
Nayima opened her door.
Tananarive Due is the Cosby Chair in the Humanities at Spelman College. She also teaches in the creative writing MFA program at Antioch University Los Angeles. The American Book Award winner and NAACP Image Award recipient has authored and/or co-authored twelve novels and a civil rights memoir. In 2013, she received a Lifetime Achievement Award in the Fine Arts from the Congressional Black Caucus Foundation. In 2010, she was inducted into the Medill School of Journalism’s Hall of Achievement at Northwestern University. She has also taught at the Geneva Writers Conference, the Clarion Science Fiction & Fantasy Writers’ Workshop, and Voices of Our Nations Art Foundation (VONA). Due’s supernatural thriller The Living Blood won a 2002 American Book Award. Her novella “Ghost Summer,” published in the 2008 anthology The Ancestors, received the 2008 Kindred Award from the Carl Brandon Society, and her short fiction has appeared in best-of-the-year anthologies of science fiction and fantasy. Due is a leading voice in black speculative fiction.
IN THE VALLEY OF THE SHADOW OF THE PROMISED LAND
Robin Wasserman
“So it was, and so it is written:
And fire rained from the sky, and Abraham died, and all his brethren, and all that generation of the world were burned away.”
Isaac had really thought writing the bible would be easier.
“And Isaac saved the children of Abraham and led them to the promised land.
And Isaac took Julia and Ellen for his wives and begat Joseph and Thomas.
And Joseph begat Simon who begat Noah and Reuben and Thomas begat Paul and Israel and Luke. And the children of Abraham were fruitful, and increased abundantly, and multiplied, and the land was bountiful, and the LORD was pleased and gave them his favor, and the children of Abraham filled the land.”