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“There ain’t no virgins, and there ain’t no clean stories,” he’d tried to explain to Lucy. “There’s just angles on the same-ass stories. Scoops come from being in the right place at the right time, and that’s all just dumb luck. Why don’t you just come up with a good angle on Phoenix and be happy?”

But Lucy Monroe wanted a nice clean virgin story that didn’t have no grubby fingerprints on it from other journos. Something she could put her name on. Some way to make her mark, make those big news companies notice her. Something to grow her brand and all that. Not just the day-to-day grind of narco kills and starving immigrants from Texas, something special. Something new.

So when the tip came in, Timo thought what the hell, maybe this was something she’d like. Maybe even a chance to blow up together. Lucy could do the words, he’d bring the pics, and they’d scoop all the big name journos who drank martinis at the Hilton 6 and complained about what a refugee shit hole Phoenix had become.

The Ford scraped over more ruts. Dust already coated the rear window of Timo’s car, a thick beige paste. Parallel to the service road, the waters of the Central Arizona Project flowed, serene and blue and steady. A man-made canal that stretched three hundred miles across the desert to bring water to Phoenix from the Colorado River. A feat of engineering, and cruelly tempting, given the ten-foot chain-link and barbed wire fences that escorted it on either side.

In this part of Phoenix, the Central Arizona Project formed the city’s northern border. On one side of the CAP canal, it was all modest stucco tract houses packed together like sardines stretching south. But on Timo’s side, it was desert, rising into tan and rust hill folds, dotted with mesquite and saguaro.

A few hardy subdivisions had built outposts north of the CAP’s moat-like boundary, but the canal seemed to form a barrier of some psychological significance, because for the most part, Phoenix stayed to the south of the concrete-lined canal, choosing to finally build itself into something denser than lazy sprawl. Phoenix on one side, the desert on the other, and the CAP flowing between them like a thin blue DMZ.

Just driving on the desert side of the CAP made Timo thirsty. Dry mouth, plain-ass desert, quartz rocks and sandstone nubs with a few creosote bushes holding onto the dust and waving in the blast furnace wind. Normally, Timo didn’t even bother to look at the desert. It barely changed. But here he was, looking for something new—

He rounded a curve and slowed, peering through his grimy windshield. “Well I’ll be goddamned…”

Up ahead, something was hanging from the CAP’s barrier fence. Dogs were jumping up to tug at it, milling and barking.

Timo squinted, trying to understand what he was seeing.

“Oh yeah. Hell yes!”

He hit the brakes. The car came grinding to a halt in a cloud of dust, but Timo was already climbing out and fumbling for his phone, pressing it to his ear, listening to it ring.

Come on, come on, come on.

Lucy picked up.

Timo couldn’t help grinning. “I got your story, girl. You’ll love it. It’s new.”

• • • •

The dogs bared their teeth at Timo’s approach, but Timo just laughed. He dug into his camera bag for his pistol.

“You want a piece of me?” he asked. “You want some of Timo, bitches?”

Turned out they didn’t. As soon he held up the pistol, the dogs scattered. Animals were smarter than people, that way. Pull a gun on some drunk California frat boy and you never knew if the sucker was still going to try and throw down. Dogs were way smarter than Californians. Timo could respect that, so he didn’t shoot them as they fled the scene.

One of the dogs, braver or more arrogant than the rest, paused to yank off a final trophy before loping away; the rest of the pack zeroed in on it, yipping and leaping, trying to steal its prize. Timo watched, wishing he’d pulled his camera instead of his gun. The shot was perfect. He sighed and stuffed the pistol into the back of his pants, dug out his camera, and turned to the subject at hand.

“Well hello, good-looking,” he murmured. “Ain’t you a sight?”

The man hung upside down from the chain link fence, bloated from the Phoenix heat. A bunch of empty milk jugs dangled off his body, swinging from a harness of shoelace ties. From the look of him, he’d been cooking out in the sun for at least a day or so.

The meat of one arm was completely desleeved, and the other arm… well, Timo had watched the dogs make off with the poor bastard’s hand. His face and neck and chest didn’t look much better. The dogs had been doing some jumping.

“Come on, vato. Gimme the story.” Timo stalked back and forth in front of the body, checking the angles, considering the shadows and light. “You want to get your hits up don’t you? Show Timo your good side, I make you famous. So help me out, why don’t you?”

He stepped back, thinking wide-frame: the strung-up body, the black nylon flowers woven into the chain link around it. The black guttered candles and cigarettes and mini liquor bottles scattered by the dogs’ frenzied feeding. The CAP flowing behind it all. Phoenix beyond that, sprawling all the way to the horizon.

“What’s your best side?” Timo asked. “Don’t be shy. I’ll do you right. Make you famous. Just let me get your angle.”

There.

Timo squatted and started shooting. Click-click-click-click—the artificial sound of digital photography and the Pavlovian rush of sweaty excitement as Timo got the feel.

Dead man.

Flowers.

Candles.

Water.

Timo kept snapping. He had it now. The flowers and the empty milk-jugs dangling off the dude. Timo was in the flow, bracketing exposures, shooting steady, recognizing the moment when his inner eye told him that he’d nailed the story. It was good. Really good.

As good as a Cat 6 plowing into Houston.

Click-click-click. Money-money-money-money.

“That’s right, buddy. Talk to your friend Timo.”

The man had a story to tell, and Timo had the eye to see it. Most people missed the story. But Timo always saw. He had the eye.

Maybe he’d buy a top-shelf tequila to celebrate his page view money. Some diapers for his sister Amparo’s baby. If the photos were good, maybe he’d grab a couple syndication licenses, too. Swap the shit-ass battery in the Ford. Get something with a bigger range dropped into it. Let him get around without always wondering if he was going to lose a charge.

Some of these could go to Xinhua, for sure. The Chinese news agencies loved seeing America ripping itself to shit. BBC might bite, too. Foreigners loved that story. Only thing that would sell better is if it had a couple guns: America, the Savage Land or some shit. That was money, there. Might be rent for a bigger place. A place where Amparo could bail when her boyfriend got his ass drunk and angry.

Timo kept snapping photos, changing angles, framing and exposure. Diving deeper into the dead man’s world. Capturing scuffed-up boots and plastic prayer beads. He hummed to himself as he worked, talking to his subject, coaxing the best out of the corpse.

“You don’t know it, but you’re damn lucky I came along,” Timo said. “If one of those citizen journalist pendejo lice got you first, they wouldn’t have treated you right. They’d shoot a couple shitty frames and upload them social. Maybe sell a Instagram pic to the blood rags… but they ain’t quality. Me? When I’m done, people won’t be able to dream without seeing you.”