He went on. On and on, talking to me as I sat there watching him and as Tulip slept in the other room, about death and destruction, which words, he said, were simply abstractions of all of these things and the final quieting of the heart, and that these things, these emphatic messengers, were endless, and that our representations of them had fueled rite and ritual since before our ancestors had stopped using their teeth to hold animal hide, and that, while many had sung of the great variety of life, of its rich and fulsome plenitude, if asked to stand and take his turn at the great song of being, he would sing of death and its agents, bright and dark, alone or in company, mock or real, on the earth or in the air or below the seas.
SIXTEEN
My dentist has a very nice office near Washington Square, and my dentist is very nice. I better say this in the past tense — obviously, my dentist is no longer my dentist. She did, or rather would do, my teeth. She had a lovely by-the-reclining-chair manner and lovely calming eyes and her hands were tiny with fingers that could fit easily into your mouth. Her articulations were extraordinarily sensitive; even with latex covering her fingertips she could feel slight roughnesses on rear molars or gauge the severity of abrasions aicting the gums. Also, she had a very relaxed payment plan, so relaxed that I was actually able to have a tremendous amount of work done without ever paying much for it. Every now and again, before I lost my apartment, I would receive a blue envelope with a request, from her office, for some money. Never all of the money, just some. I would ignore these requests, though not the envelopes — those I kept in an ever-growing pile in a little wooden box under a pile of miscellaneous domestic accumulation by the bedroom door. Carine did some sorting one day, found the box, and got suspicious. And proceeded to let me know it. With such eventual insistence that I eventually, in her presence, threw all the little blue envelopes away, then, still in her presence, carried out the trash and threw it into the can outside. This of course didn’t stop me, a little later, from retrieving them, from carrying them over to a bar, having a few Cape Cods, and going through them again. Or from following my dentist home once.
She walked very slowly, going in and out of small stores, acquiring an ever-increasing number of plastic bags. And there I went behind her, encountering an impressive array of stores and shops I had previously been unfamiliar with, some of which I visited the following day. They were establishments in which, I discovered, one could make quality purchases, if one was so inclined and had the wherewithal. I myself purchased, so to speak, a bottle of coriander-scented hand lotion, which, out of a general sense of guilt for indulging in pointless obsessive behavior, I took home for Carine. This offering, incidentally, did nothing to assuage my guilty feelings, not least because Carine reminded me that the hand lotion I had chosen was both the brand and scent she had wrinkled her elegant nose at when we had gone out shopping the previous week.
When we arrived at my dentist’s building, I watched her disappear through handsome smoked-glass double doors as I leaned — both nervous and contented — against a lamppost. There is a curious, unquantifiable pleasure to be had in following someone home to a skyscraper, even a relatively short one. It was difficult, pleasantly so, to correlate that building, which I could only have seen all of from a considerable distance, with my dentist, whose hands and surrounding body were so small. As I leaned against my lamppost, I imagined her inhabiting whole floors of the building, palatial spaces through which she would move languorously, accomplishing tiny, mysterious tasks, looking around her as she went with wonder, satisfaction, awe.
In retrospect, as I have lain here listening to Hank Williams or to Mr. Kindt or to Dr. Tulp, i.e., while my present bleeds all over my past, this image has changed for me. Or rather another image has presented itself and vies for my attention as I think of leaning against the lamppost, looking up at the face of her building. In this competing image, my dentist, far from inhabiting whole floors, lives in an apartment the size of a closet. She has mounted hooks on the walls and on them hang all of her possessions, including the contents of the plastic bags she has most lately brought home. She cannot quite stand up in this closet-sized apartment. She has to take deep breaths to get any good out of the stale air. She sits very still on a chair in the center of all the hooks and hanging objects. Every now and again her hand goes out and brings something back to put in her mouth. Sometimes it is just the hand itself. The hand goes out then enters her mouth. Eventually, she falls asleep.
Still, what it is about the dentist I wanted to relate does not primarily concern the blue envelopes or following her home or the claustrophobic variants thereon that my memory has lately been offering up. It’s this — once it wasn’t she who worked on me. It was an associate, some guy. Now, unlike hers, this associate’s hands were very large, and his fingers were sort of spatulate, and he wasn’t too convincing with the tools. And his own teeth, on top of that, weren’t, let’s say, so nifty. In fact, more than a few of said teeth were dark brown. I think you’ll agree that nobody wants that kind of dentist. And as a matter of fact I told him so. He asked me, as a counter, if I had read the Odyssey, and after looking at him with eyebrow raised for a minute I said that I had. He asked me which translation and I told him I couldn’t call it to mind.
Ah, he said.
What are you talking about? I said.
Nobody. You said Nobody wants that kind of dentist. I thought you were making a literary reference.
Well, I wasn’t.
We had a little more back-and-forth and then he said, suit yourself. But at this point we were still midtreatment and my tooth was killing me. So I let him pull it, which he didn’t do too tenderly, and I left.
That evening I saw my friend Fish, a character, at the bar, and he said, how are you? and I said shitty, and he said why? and I pointed at my mouth and said, dentist. A drink or two later Fish told me a story.
He said, I had a creepy dentist once. Kind of like yours, only his teeth weren’t brown, they were fake. Supposedly he had abused his teeth pretty badly in his youth and after he lost them he saw the light and became a dentist. Kind of an oral-fixation born-again thing. Anyway, my creepy dentist, after he had done some shit to me without any pain-suppressing substance having been applied, put a needle-tipped jackhammer in my mouth and told me this anecdote: Once he had a dream. In the dream an angel with excellent choppers informed him that if he only dug deep enough he would find the answer to all his questions inside one of his future client’s teeth.
I don’t like this story, Fish, I said.
Fine, said Fish.
And we talked about something else. Since this something else was pretty interesting, and because it bolsters my contention that Fish was a character, I will include it here. What we talked about was where Fish was currently living. Or squatting.
Fish was a big squatter. Until fairly recently, Fish, who had once held down a boring but remuneratively satisfactory job as a copy editor that allowed him to inhabit a dingy one-bedroom in Chinatown, had proudly lived in a squat on East Sixth. The owners of the building, unable to get the squatters to leave, had decided to tear the building down. Fish had been the last to leave. He had been, as they say, forcibly removed. But not before making a minor celebrity of himself in the squatter and friends-of-squatters communities by standing completely naked on the fire escape, sort of dancing around and singing what I heard from other sources was a pretty decent operatic tenor version first of “Imagine,” then of “Rhinestone Cowboy.”