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“Run along, little girl,” said the fat father.

His little girl’s radiant glance at the alert visitor imparted her thorough comprehension of all the old man’s absurdities, which had reached their climax in her dismissal. Her parting look, falling from Corliss’s face to the waste-basket at his feet, just touched the rose in his hand as she passed through the door.

CHAPTER TWO

Cora paused in the hall at a point about twenty feet from the door, a girlish stratagem frequently of surprising advantage to the practitioner; but the two men had begun to speak of the weather. Suffering a momentary disappointment, she went on, stepping silently, and passed through a door at the end of the hall into a large and barren looking dining-room, stiffly and skimpily furnished, but well-lighted, owing to the fact that one end of it had been transformed into a narrow “conservatory,” a glass alcove now tenanted by two dried palms and a number of vacant jars and earthen crocks.

Here her sister sat by an open window, repairing masculine underwear; and a handsome, shabby, dirty boy of about thirteen sprawled on the floor of the “conservatory” unloosing upon its innocent, cracked, old black and white tiles a ghastly family of snakes, owls, and visaged crescent moons, in orange, green, and other loathsome chalks. As Cora entered from the hall, a woman of fifty came in at a door opposite, and, a dust-cloth retained under her left arm, an unsheathed weapon ready for emergency, leaned sociably against the door-casing and continued to polish a tablespoon with a bit of powdered chamois-skin. She was tall and slightly bent; and, like the flat, old, silver spoon in her hand, seemed to have been worn thin by use; yet it was plain that the three young people in the room “got their looks” from her. Her eyes, if tired, were tolerant and fond; and her voice held its youth and something of the music of Cora’s.

“What is he like?” She addressed the daughter by the window.

“Why don’t you ask Coralie?” suggested the sprawling artist, relaxing his hideous labour. He pronounced his sister’s name with intense bitterness. He called it “Cora-LEE,” with an implication far from subtle that his sister had at some time thus Gallicized herself, presumably for masculine favour; and he was pleased to receive tribute to his satire in a flash of dislike from her lovely eyes.

“I ask Laura because it was Laura who went to the door, “Mrs. Madison answered. “I do not ask Cora because Cora hasn’t seen him. Do I satisfy you, Hedrick?”

“`Cora hasn’t seen him!’” the boy hooted mockingly. “She hasn’t? She was peeking out of the library shutters when he came up the front walk, and she wouldn’t let me go to the door; she told Laura to go, but first she took the library waste-basket and laid one o’ them roses–-“

“THOSE roses,” said Cora sharply. “He WILL hang around the neighbours’ stables. I think you ought to do something about it, mother.”

“THEM roses!” repeated Hedrick fiercely. “One o’ them roses Dick Lindley sent her this morning. Laid it in the waste-basket and sneaked it into the reception room for an excuse to go galloping in and–-“

“`Galloping’?” said Mrs. Madison gravely.

“It was a pretty bum excuse,” continued the unaffected youth, “but you bet your life you’ll never beat our Cora-LEE when there’s a person in pants on the premises! It’s sickening.” He rose, and performed something like a toe-dance, a supposed imitation of his sister’s mincing approach to the visitor. “Oh, dear, I am such a little sweety! Here I am all alone just reeking with Browning-and-Tennyson and thinking to myself about such lovely things, and walking around looking for my nice, pretty rose. Where can it be? Oh heavens, Mister, are YOU here? Oh my, I never, never thought that there was a MAN here! How you frighten me! See what a shy little thing I am? You DO SEE, DON’T you, old sweeticums? Ta, ta, here’s papa. Remember me by that rose, ‘cause it’s just like me. Me and it’s twins, you see, cutie-sugar!” The diabolical boy then concluded with a reversion to the severity of his own manner: “If she was MY daughter I’d whip her!”

His indignation was left in the air, for the three ladies had instinctively united against him, treacherously including his private feud in the sex-war of the ages: Cora jumped lightly upon the table and sat whistling and polishing the nails of one hand upon the palm of another; Laura continued to sew without looking up, and Mrs. Madison, conquering a tendency to laugh, preserved a serene countenance and said ruminatively:

“They were all rather queer, the Corlisses.”

Hedrick stared incredulously, baffled; but men must expect these things, and this was no doubt a helpful item in his education.

“I wonder if he wants to sell the house, said Mrs. Madison.

“I wish he would. Anything that would make father get out of it!” Cora exclaimed. “I hope Mr. Corliss will burn it if he doesn’t sell it.”

“He might want to live here himself.”

“He!” Cora emitted a derisive outcry.

Her mother gave her a quick, odd look, in which there was a real alarm. “What is he like, Cora?”

“Awfully foreign and distinguished!”

This brought Hedrick to confront her with a leap as of some wild animal under a lash. He landed close to her; his face awful.

“Princely, I should call him,” said Cora, her enthusiasm undaunted. “Distinctly princely!”

“Princely,” moaned Hedrick. “Pe-rin-sley!”

“Hedrick!” Mrs. Madison reproved him automatically. “In what way is he `foreign,’ Cora?”

“Oh, every way.” Cora let her glance rest dreamily upon the goaded boy. “He has a splendid head set upon a magnificent torso–-“

“TORSO!” Hedrick whispered hoarsely.

“Tall, a glorious figure—like a young guardsman’s.” Madness was gathering in her brother’s eyes; and observing it with quiet pleasure, she added: “One sees immediately he has the grand manner, the bel air.”

Hedrick exploded. “`BEL AIR’!” he screamed, and began to jump up and down, tossing his arms frantically, and gasping with emotion. “Oh, bel air! Oh, blah! `Henry Esmond!’ Been readin’ `Henry Esmond!’ Oh, you be-yoo-tiful Cora-Beatrix-a-LEE! Magganifisent torso! GullO-rious figgi-your! Bel air! Oh, slush! Oh, luv-a-ly slush!” He cast himself convulsively upon the floor, full length. “Luv-a-ly, LUV-a-ly slush!”

“He is thirty, I should say,” continued Cora, thoughtfully. “Yes—about thirty. A strong, keen face, rather tanned. He’s between fair and dark–-“

Hedrick raised himself to the attitude of the “Dying Gaul.” “And with `hair slightly silvered at the temples!’ AIN’T his hair slightly silvered at the temples?” he cried imploringly. “Oh, sister, in pity’s name let his hair be slightly silvered at the temples? Only three grains of corn, your Grace; my children are starving!”

He collapsed again, laid his face upon his extended arms, and writhed.

“He has rather wonderful eyes,” said Cora. “They seem to look right through you.”

“Slush, slush, luv-a-ly slush,” came in muffled tones from the floor.

“And he wears his clothes so well—so differently! You feel at once that he’s not a person, but a personage.”

Hedrick sat up, his eyes closed, his features contorted as with agony, and chanted, impromptu:

“Slush, slush, luv-a-ly, slush!

Le’ss all go a-swimmin’ in a dollar’s worth o’ mush.

Slush in the morning, slush at night,

If I don’t get my slush I’m bound to get tight!”

“Hedrick!” said his mother.

“Altogether I should say that Mr. Valentine Corliss looks as if he lived up to his name,” Cora went on tranquilly. “Valentine Corliss of Corliss Street—I think I rather like the sound of that name.” She let her beautiful voice linger upon it, caressingly. “Valentine Corliss.”

Hedrick opened his eyes, allowed his countenance to resume its ordinary proportions, and spoke another name slowly and with honeyed thoughtfulness: