He could learn little about Mr. Bradley. It was said that the man had made a fortune in real estate, in the Florida boom. His present company seemed to command unlimited funds, and the names of many wealthy backers were mentioned as shareholders. Roark never met them. The four gentlemen of the Board did not appear again, except on short visits to the construction site, where they exhibited little interest. Mr. Bradley was in full charge of everything — but beyond a close watch over the budget he seemed to like nothing better than to leave Roark in full charge.
In the eighteen months that followed, Roark had no time to wonder about Mr. Bradley. Roark was building his greatest assignment.
For the last year he lived at the construction site, in a shanty hastily thrown together on a bare hillside, a wooden enclosure with a bed, a stove and a large table. His old draftsmen came to work for him again, some abandoning better jobs in the city, to live in shacks and tents, to work in naked plank barracks that served as architect's office. There was so much to build that none of them thought of wasting structural effort on their own shelters. They did not realize, until much later, that they had lacked comforts; and then they did not believe it — because the year at Monadnock Valley remained in their minds as the strange time when the earth stopped turning and they lived through twelve months of spring. They did not think of the snow, the frozen clots of earth, wind whistling through the cracks of planking, thin blankets over army cots, stiff fingers stretched over coal stoves in the morning, before a pencil could be held steadily. They remembered only the feeling which is the meaning of spring — one's answer to the first blades of grass, the first buds on tree branches, the first blue of the sky — the singing answer, not to grass, trees and sky, but to the great sense of beginning, of triumphant progression, of certainty in an achievement that nothing will stop. Not from leaves and flowers, but from wooden scaffoldings, from steam shovels, from blocks of stone and sheets of glass rising out of the earth they received the sense of youth, motion, purpose, fulfillment.
They were an army and it was a crusade. But none of them thought of it in these words, except Steven Mallory. Steven Mallory did the fountains and all the sculpture work of Monadnock Valley. But he came to live at the site long before he was needed. Battle, thought Steven Mallory, is a vicious concept. There is no glory in war, and no beauty in crusades of men. But this was a battle, this was an army and a war — and the highest experience in the life of every man who took part in it. Why? Where was the root of the difference and the law to explain it? He did not speak of it to anyone. But he saw the same feeling in Mike's face, when Mike arrived with the gang of electricians. Mike said nothing, but he winked at Mallory in cheerful understanding. "I told you not to worry," Mike said to him once, without preamble, "at the trial that was. He can't lose, quarries or no quarries, trials or no trials. They can't beat him, Steve, they just can't, not the whole goddamn world."
But they had really forgotten the world, thought Mallory. This was a new earth, their own. The hills rose to the sky around them, as a wall of protection. And they had another protection — the architect who walked among them, down the snow or the grass of the hillsides, over the boulders and the piled planks, to the drafting tables, to the derricks, to the tops of rising walls — the man who had made this possible — the thought in the mind of that man — and not the content of that thought, nor the result, not the vision that had created Monadnock Valley, nor the will that had made it real — but the method of his thought, the rule of its function — the method and rule which were not like those of the world beyond the hills. That stood on guard over the valley and over the crusaders within it.
And then he saw Mr. Bradley come to visit the site, to smile blandly and depart again. Then Mallory felt anger without reason — and fear. "Howard," Mallory said one night, when they sat together at a fire of dry branches on the hillside over the camp, "it's the Stoddard Temple again."
"Yes," said Roark. "I think so. But I can't figure out in just what way or what they're after."
He rolled over on his stomach and looked down at the panes of glass scattered through the darkness below; they caught reflections from somewhere and looked like phosphorescent, self-generated springs of light rising out of the ground. He said:
"It doesn't matter, Steve, does it? Not what they do about it nor who comes to live here. Only that we've made it. Would you have missed this, no matter what price they make you pay for it afterward?"
"No," said Mallory.
Roark had wanted to rent one of the houses for himself and spend the summer there, the first summer of Monadnock Valley's existence. But before the resort was open, he received a wire from New York.
"I told you I would, didn't I? It took five years to get rid of my friends and brothers, but the Aquitania is now mine — and yours. Come to finish it. Kent Lansing."
So he went back to New York — to see the rubble and cement dust cleared away from the hulk of the Unfinished Symphony, to see derricks swing girders high over Central Park, to see the gaps of windows filled, the broad decks spread over the roofs of the city, the Aquitania Hotel completed, glowing at night in the Park's skyline.
He had been very busy in the last two years. Monadnock Valley had not been his only commission. From different states, from unexpected parts of the country, calls had come for him: private homes, small office buildings, modest shops. He had built them — snatching a few hours of sleep on trains and planes that carried him from Monadnock Valley to distant small towns. The story of every commission he received was the same: "I was in New York and I liked the Enright House." "I saw the Cord Building." "I saw a picture of that temple they tore down." It was as if an underground stream flowed through the country and broke out in sudden springs that shot to the surface at random, in unpredictable places. They were small, inexpensive jobs — but he was kept working.
That summer, with Monadnock Valley completed, he had no time to worry about its future fate. But Steven Mallory worried about it. "Why don't they advertise it, Howard? Why the sudden silence? Have you noticed? There was so much talk about their grand project, so many little items in print — before they started. There was less and less while we were doing it. And now? Mr. Bradley and company have gone deaf-mute. Now, when you'd expect them to stage a press agent's orgy. Why?"
"I wouldn't know," said Roark. "I'm an architect, not a rental agent. Why should you worry? We've done our job, let them do theirs in their own way."
"It's a damn queer way. Did you see their ads — the few they've let dribble out? They say all the things you told them, about rest, peace and privacy — but how they say it! Do you know what those ads amount to in effect? 'Come to Monadnock Valley and be bored to death.' It sounds — it actually sounds as if they were trying to keep people away."
"I don't read ads, Steve."
But within a month of its opening every house in Monadnock Valley was rented. The people who came were a strange mixture: society men and women who could have afforded more fashionable resorts, young writers and unknown artists, engineers and newspapermen and factory workers. Suddenly, spontaneously, people were talking about Monadnock Valley. There was a need for that kind of a resort, a need no one had tried to satisfy. The place became news, but it was private news; the papers had not discovered it. Mr. Bradley had no press agents; Mr. Bradley and his company had vanished from public life. One magazine, unsolicited, printed four pages of photographs of Monadnock Valley, and sent a man to interview Howard Roark. By the end of summer the houses were leased in advance for the following year. In October, early one morning, the door of Roark's reception room flew open and Steven Mallory rushed in, making straight for Roark's office. The secretary tried to stop him; Roark was working and no interruptions were allowed. But Mallory shoved her aside and tore into the office, slamming the door behind. She noticed that he held a newspaper in his hand.