Not a total cure, you understand, but a help. Tell me, Mr. Delaney, you are making progress in the investigation?"
"Some," he said cautiously.
"As Doctor Ellerbee probably told you, we're still working on the alibis. I haven't yet thanked you for getting her to cooperate."
Samuelson held up a hand.
"I was happy to assist. And do you think any of the patients she named might have been capable of the murder?"
"Too early to tell. We've eliminated two of them. But there's one, a woman, who claims an alibi that doesn't seem to hold up – "
"Oh? Did Diane give you any background on her?"
"Suffers from depression. And she has attempted suicide several times.
Once since we started questioning her."
"Well…" the psychiatrist said doubtfully, "she may be the one you seek, but I find it hard to believe. I can't recall a case when a suicidal type turned to homicide. I am not saying it could not happen, you understand, but the potential suicide and the potential murderer have little in common. Still, human behavior is endlessly different, so do not let my comments influence your investigation."
"Oh, they won't," Delaney said cheerfully.
"We'll keep plugging."
The women came in, and the men rose. They talked for a while, and then, catching Monica's look, Delaney suggested it might be time for them to depart, not knowing what traffic would be like on Saturday night. The hostess protested-but not too strongly.
They thanked Dr. Ellerbee for her hospitality, the wonderful food, and complimented her again on her beautiful home.
"Do plan to come back," she urged them.
"In the spring or summer when the trees are out and the garden is planted. I think you'll like it."
"I know we shall," Monica said. She and Rebecca embraced their hostess and they were on their way.
On the drive back to Manhattan, Delaney said, "Do you suppose Samuelson is staying for the weekend?"
"You dirty old man," Monica said.
"What if he does?"
"She's got three servants," Abner Boone said.
"The Polack couple and him."
"Oh, you picked up on that, did you?" Delaney said.
"You're right.
"Julie, mix the drinks. Julie, get the coffee." He hops. "
"I think he's in love with her," Rebecca said.
"Well, why not?" Monica said.
"A widow and a widower.
With so much in common. I think it's nice they have each other."
"He's too old for her," the Sergeant said.
"You think so?" Delaney said.
"I think she's older than all of us. Good Lord, that's a grand home!"
"A little too beautiful," Rebecca said.
"Like a stage set.
Did you notice how she kept emptying the ashtrays?"
"If it's full ashtrays you want," Delaney said, "how about stopping at our place for a nightcap?"
Detective Ross Konigsbacher had to admit he was enjoying the best duty in fourteen years with the Department. This faggot he was assigned to, L. Vincent Symington, was turning out to be not such a bad guy after all.
He seemed to have all the money in the world, and wasn't shy about spreading it around. He picked up all the tabs for dinners and drinks, and insisted on taking cabs wherever they went-even if it was only a five-block trip. He was a manic tipper, and he had already started buying gifts for the Kraut.
It began with a bottle of Frangelico that Vince wanted him to taste.
Then Ross got an identification bracelet of heavy silver links, a cashmere pullover, a Countess Mara tie, a lizard skin belt, a foulard ascot. Every time they met, Symington had a present for him.
Ross had been invited to Vincent's apartment twice, and thought it the greatest pad he had ever seen. On one of those visits, Symington had prepared dinner for them-filet mignon that had to be the best steak Konigsbacher ever tasted.
Meanwhile, the Kraut was submitting bullshit reports to Sergeant Boone, wanting this assignment to go on forever.
But Boone couldn't be scammed that easily, and recently he had been pressuring Konigsbacher to show some results: Either confirm Symington's alibi or reject it. So, sighing, Ross did some work.
The first time he went into Stallions, he bellied up to the bar, ordered a beer, and looked around. Symington had been right: He had never seen so much black leather in his life. All the weirdos were trying to look like members of motorcycle gangs. Their costumes creaked when they moved, and they even had zippers on their cuffs.
"Nick been around?" he asked the hennaed bartender casually.
"Nick who, darling? I know three Nicks." :"The kid who wants to be an actor."
"Ohid, him. He's in and out of here all the time."
"I'm casting for a commercial and might have a bit for him. If you see him, tell him, will you?"
"How can he get in touch with you, sweet?"
"My name is Ross," Konigsbacher said.
"I'll be around. The bartender nodded. No last names, no addresses, no phone numbers.
The Kraut spent more time at Stallions than he did at boine. He slowly sipped beers in the late afternoons and early evenings before his dinner dates with Symington. He began to like the place. You could get high just by breathing deeply, and if the Kraut wanted to set a record for drug busts, he could have made a career out of this one joint.
It took him five days. He was sitting at a small corner table, working on a brew, when a kid came over from the bar and lounged in front of him. He had a 1950 duck's-ass haircut with enough grease to lubricate the QE2. He was wearing tight stone-washed jeans, a T-shirt with the sleeves cut off, and a wide leather bracelet with steel studs.
"You Ross?" he asked lazily, eyes half-closed, doing an early Marlon Brando.
"Yeah," the Kraut said, touching a knuckle to his blond mustache.
"You Nick?"
"I could be. Sidney pointed you out. Something about a commercial bit."
"Pull up a chair. Want a beer? Or would you prefer a banana brandy?"
"A Then the kid's eyes opened wide.
"How'd you know what I drink?"
"A fegela told me. You know what a fegela is? A little bird. Now sit down."
Nick hesitated a moment, then pulled up a chair.
"You don't look like a film producer to me," he said.
"I'm not," Konigsbacher said.
"I'm a cop." Then, when Nick started to rise, the Kraut clamped onto his wrist and pulled him down again.
"Be nice," he said.
"You're carrying a switchblade on your hip. It shows. I could run you in on a concealed weapons charge. It probably wouldn't stick, but it would be a pain in the ass for you and maybe a night in the slammer where the boogies will ream you. Is that what you want?"
The kid had moxie; he didn't cave.
"Let's see your ID," he said coldly.
Konigsbacher showed it to him, down low, so no one else in the bar would notice.
"Okay," Nick said, "so you're a cop. What do you want?"
Symington was also right about the accent; it came out "waddya wan'?"
"Just the answers to a few questions. Won't take long. Do you remember a Friday night early in November? There was a hell of a rainstorm. You were in here that night."
"You asking me or telling me?"
"I'm asking. A rainy Friday night early in November. A guy came in, sat with you, bought you a few banana brandies.
This was about nine, ten o'clock. Around there."
"Yeah? What'd he look like?"
Konigsbacher described L. Vincent Symington: balding, flabby face, little eyes. A guy running to suet, probably wearing a bracelet of chunky gold links.
"What's he done?" Nick asked.
"Do you remember a guy like that?" Ross asked patiently.
"I don't know," the kid said, shrugging.
"I meet a lot of guys." The Kraut leaned forward, smiling.