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Shax grinned. Her pyramid slit itself almost in half to grin that wide. The Yith floated out the Great Old Door and flicked her smoldering tome behind her. It landed in a puddle of Cthulhu’s dreamsick spittle.

And the whole place went up behind her like the Big fhtagn Bang.

Unto the utter end of time and existence, it was the dankest thing I will ever see.

BE ME: MOLOCH! Eldritch as they come, antique as a goddamned china set, maximum yellow fellow! Only five thousand years old, practically fresh-baked, belly full of san and gas and mushroom chemtrails, tentacles a smoking hot mess, fur the opposite of goat. Gawping on the sidewalk at the big ultraviolet hellcloud of Cthulhu’s fancy fucking house burning at the bottom of the sea.

For a minute, I gotta tell you, it felt fucking eldritch, my eeries. I could smell barbecuing god and it smelled like the future. A real future. Our future, a future Young and not Elder.

Then the shriek started.

It gibbered up from the cellar and out of the chimney and then everywhere at once. And the shriek had a color. It had a weight. It had shape inside the smoke and flame. The shriek shattered into shards flying up into the sea, out into the city, slicing through reality like sewing scissors. Shax and Shit and Zu and me fell to our knees, assorted mitts over our hear-holes, ready to babble for forgiveness, mercy clemency, all those fulgy words.

Then it stopped. Cool black water flowed down through the transdimensional doily separating us from the sea, down and through and over the Great Old House, drowning out the fire, the smoke, the shriek, everything, everything, smoothing it back the way it was, like nothing ever went down in there, like fire never even got itself invented in the vicinity.

In his house at R’lyeh, dead Cthulhu rolled over on his giant flabby cosmic belly. The last of the flames turned his infinitely-chambered lardheart as orange as a rotting pumpkin, as gold as the world we’ll never inherit, as soft and corrupt as the first moldering peach of original sin. In his dreaming, the Old One spluttered, groaned, cried out for some mundforsaken mother I cannot believe ever truly existed, and went back to sleep.

But the shards, my eeries, the shards of that antediluvian shriek were still going, shredding through the dimensional dome of our sky, bobbing up into the galleon-clotted mundsea like insane islands. Me and my brood didn’t know it was gonna happen. Believe me that if you believe anything. Everything that happened after that moment, topside and bottom, well, iä, iä, it’s our fault, sure, whatever, but all we ever meant to do was forget how garbage R’lyeh really is for one fhtagn night. Everybody deserves that, don’t they? Once in awhile?

I mean, maybe, just maybe, all that time, Cthulhu was waiting for us.

Two of the black ship-blobs tottered squamous up there in the far reaches of the mundworld. Tottered, gibbered, fell. Plummeted down through the fathoms of the fathoms toward R’lyeh, toward us, me and my Shax and my sister and my scabby sweetheart brother, delinquents junking up the gated community. As the wrecks rocketed toward the plane of me and mine in a champagne apocalypse of ultradeep bubbles, I gawped the names on the sides of the kruggy hulls. Just before they crashed our interdimensional undersea party for good, I got their names graffitied on my venomy heart.

The Alert and the Emma.

What fucking dun names, honestly. Mundflesh’s got no sense of style. Shax hid her face in my shoulder. Shit flared her crystal hood so no one would recognize her and shamble-slithered off down an alley ’cause she wasn’t gonna take on a speck of shame no matter what. Pazuzu stood fast, though. He squeezed my hand.

“What are you gonna say,” Shax whispered, “when our spawn asks where you were the night the humans landed?”

We watched the ships fall down to us like black, uncertain rain.

Oh, well. There goes the neighborhood.

The Limitless Perspective of Master Peek, or,

the Luminescence

of Debauchery

WHEN MY FATHER, a glassblower of some modest fame, lay gasping on his deathbed, he offered, between bloody wheezings, a choice of inheritance to his three children: a chest of Greek pearls, a hectare of French land, and an iron punty. Impute no virtue to my performance in this little scene! I, being the youngest, chose last, which is to say I did not choose at all. The elder of us, my brother Prospero, seized the chest straightaway, having love in his heart for nothing but jewels and gold, the earth’s least interesting movements of the bowel which so excite, in turn, the innards of man. Pomposo, next of my blood, took up the deed of land, for he always fancied himself a lord, even in our childhood games, wherein he sold me in marriage to the fish in the lake, the grove of poplar trees, the sturdy stone wall, our father’s kiln and pools of molten glass, even the sun and the moon and the constellation of Taurus. The iron punty was left to me, my father’s only daughter, who could least wield it to any profit, being a girl and therefore no fit beast for commerce. All things settled to two-thirds satisfaction, our father bolted upright in his bed, cried out: Go I hence to God! then promptly fell back, perished, and proceeded directly to Hell.

The old man had hardly begun his long cuddle with the wormy ground before Prospero be-shipped himself with a galleon and sailed for the Dutch East Indies in search of a blacker, more fragrant pearl to spice his breakfast and his greed whilst Pomposo wifed himself a butter-haired miller’s daughter, planting his seed in both France and her with a quickness. And thus was I left, Perpetua alone and loudly complaining, in the quiet dark of my father’s glassworks, with no one willing to buy from my delicate and feminine hand, no matter how fine the goblet on the end of that long iron punty.

The solution seemed to me obvious. Henceforward, quite simply, I should never be a girl again. This marvelous transformation would require neither a witch’s spell nor an alchemist’s potion. From birth I possessed certain talents that would come to circumscribe my destiny, though I cursed them mightily until their use came clear: a deep and commanding voice, a masterful height, and a virile hirsuteness, owing to a certain unmentionable rootstock of our ancient family. Served as a refreshingly exotic accompaniment to these, some few of us are also born with one eye as good as any wrought by God, and one withered, hardened to little more than a misshapen pearl notched within a smooth and featureless socket, an affliction which, even if all else could be made fair between us, my brothers did not inherit, so curse them forever, say I. No surprise that no one wanted to marry the glassblower’s giant hairy one-eyed daughter! Yet now my defects would bring to me, not a husband, but the world entire. I had only to cut my hair with my father’s shears, bind my breasts with my mother’s bridal veil, clothe myself in my brothers’ coats and hose, blow a glass bubble into a false eye, and think nothing more of Perpetua forever. My womandectomy caused me neither trouble nor grief—I whole-heartedly recommend it to everyone! But, since such a heroic act of theatre could hardly be accomplished in the place of my birth, I also traded two windows for a cart and an elderly but good-humored plough-horse, packed up tools and bread and slabs of unworked glass, and departed that time and place forever. London, after all, does not care one whit who you were. Or who you are. Or who you will become. Frankly, she barely cares for herself, and certainly cannot be bothered with your tawdry backstage changes of costume and comedies of mistaken identity.

That was long ago. So long that to say the numbers aloud would be an act of pure nihilism. Oh, but I am old, good sir, old as ale and twice as bitter, though I do not look it and never shall, so far as I can tell. I was old when you were weaned, squalling and farting, and I shall be old when your grandchildren annoy you with their hideous fashions and worse manners. Kings and queens and armadas and plagues have come and gone in my sight, ridiculous wars flowered and pruned, my brothers died, the scales balanced at last, for having not the malformed and singular eye, neither did they have the longevity that is our better inheritance, fashions swung from opulence to piousness and back to the ornate flamboyance that is their favored resting state once more. And thus come I, Master Cornelius Peek, Glassmaker to the Rich and Redolent, only slightly dented, to the age which was the mate to my soul as glove to glove or slipper to slipper. Such an age exists for every man, but only a lucky few chance to be born alongside theirs. For myself, no more perfect era can ever grace the hourglass than the one that began in the Year of Our Lord 1660, in the festering scrotum of London, at the commencement of the long and groaning orgy of Charles II’s pretty, witty reign.