“How rustic?” Lori asked.
Mom paused. I could see her debating how to phrase her answer. “It doesn’t have indoor plumbing,” she said. Dad was still looking for a car to replace the Olds — our budget was in the high two figures — so that weekend we all hiked over for our first look at the new place. We walked down the valley through the center of town and around a mountainside, past the small, tidy brick houses put up after the mines were unionized. We crossed a creek that fed into the Tug River and started up a barely paved one-lane road called Little Hobart Street. It climbed through several switchbacks and, for a stretch, rose at an angle so steep you had to walk on your toes; if you tried walking flatfooted, you stretched your calves till they hurt.
The houses up here were shabbier than the brick houses lower down in the valley. They were made of wood, with lopsided porches, sagging roofs, rusted-out gutters, and balding tar paper or asphalt shingles slowly but surely parting from the underwall. In almost every yard, a mutt or two was chained to a tree or to a clothesline post, and they barked furiously as we walked by. Like most houses in Welch, these were heated by coal. The more prosperous families had coal sheds; the poorer ones left their coal in a pile out front. The porches were every bit as furnished as the insides of most houses, with rust-stained refrigerators, folding card tables, hook rugs, couches or car seats for serious porch-sitting, and maybe a battered armoire with a hole cut in the side so the cat would have a cozy place to sleep.
We followed the road almost to the end, where Dad pointed up at our new house.
“Well, kids, welcome to Ninety-three Little Hobart Street!” Mom said. “Welcome to home sweet home.”
We all stared. The house was a dinky thing perched high up off the road on a hillside so steep that only the back of the house rested on the ground. The front, including a drooping porch, jutted precariously into the air, supported by tall, spindly cinder-block pillars. It had been painted white a long time ago, but the paint, where it hadn’t peeled off altogether, had turned a dismal gray.
“It’s good we raised you young ‘uns to be tough,” Dad said. “Because this is not a house for the faint of heart.”
Dad led us up the lower steps, which were made of rocks slapped together with cement. Because of settling and erosion and downright slipshod construction, they tilted dangerously toward the street. Where the stone steps ended, a rickety set of stairs made from two-by-fours — more like a ladder than a staircase — took you up to the front porch.
Inside were three rooms, each about ten feet by ten feet, facing onto the front porch. The house had no bathroom, but underneath it, behind one of the cinder-block pillars, was a closet-sized room with a toilet on a cement floor. The toilet wasn’t hooked up to any sewer or septic system. It just sat atop a hole about six feet deep. There was no running water indoors. A water spigot rose a few inches above the ground near the toilet, so you could get a bucket and tote water upstairs. While the house was wired for electricity, Dad confessed that we could not at the moment afford to have it turned on.
On the upside, Dad said, the house had cost only a thousand dollars, and the owner had waived the down payment. We were supposed to pay him fifty dollars a month. If we could make the payments on time, we’d own the place outright in under two years.
“Hard to believe that one day this will all be ours,” said Lori. She was developing what Mom called a bit of a sarcastic streak.
“Count your blessings,” Mom said. “There are people in Ethiopia who would kill for a place like this.” She pointed out that the house did have some attractive features. For example, in the living room was a cast-iron potbellied coal stove for heating and cooking. It was big and handsome, with heavy bear-claw feet, and she was certain it was valuable, if you took it to a place where people appreciated antiques. But since the house had no chimney, the stovepipe vented out a back window. Someone had replaced the glass in the upper part of the window with plywood, and wrapped tinfoil around the opening to keep the coal smoke from leaking into the room. The tinfoil had not done its job too well, and the ceiling was black with soot. Someone — probably the same someone — had also made the mistake of trying to clean the ceiling in a few spots, but had ended up only smudging and smearing the soot, creating whitish patches that made you realize how black the rest of the ceiling was.
“The house itself isn’t much,” Dad apologized. “but we won’t be living in it long.” The important thing, the reason he and Mom had decided to acquire this particular piece of property, was that it came with plenty of land to build our new house. He planned to get to work on it right away. He intended to follow the blueprints for the Glass Castle, but he had to do some serious reconfiguring and increase the size of the solar cells to take into account that since we were on the north face of the mountain, and enclosed by hills on both sides, we’d hardly ever get any sun. We moved in that afternoon. Not that there was much to move. Dad borrowed a pickup from the appliance store where Uncle Stanley worked, and brought back a sofa bed that a friend of Grandpa’s was throwing out. Dad also scavenged a couple of tables and chairs, and he built some makeshift closets — which were actually kind of nifty — by hanging lengths of pipe from the ceiling with wires.
Mom and Dad took over the room with the stove, and it became a combined living room, master bedroom, art studio, and writer’s study. We put the sofa bed there, though once we opened it, it never went back to being a sofa. Dad built shelves all along the upper walls to store Mom’s art supplies. She set up her easel under the stovepipe, right next to the back window, because she said it got natural sunlight — which it did, relatively speaking. She put her typewriters under another window, with shelves for her manuscripts and works in progress, and she immediately started thumbtacking index cards with story ideas to the walls.
We kids all slept in the middle room. At first we shared one big bed that had been left by the previous owner, but Dad decided we were getting a tad old for that. We were also too big to sleep in cardboard boxes, and there wasn’t enough room on the floor for them, anyway, so we helped Dad build two sets of bunk beds. We made the frames with two-by-fours; then we drilled holes in the sides and threaded ropes through. For mattresses, we laid cardboard over the ropes. When we finished, our bunk beds looked sort of plain, so we spray-painted the sides with ornate red and black curlicues. Dad came home with a discarded four-drawer dresser, one drawer for each of us. He also built each of us a wooden box with sliding doors for personal stuff. We nailed them on the wall above our beds, and that was where I kept my geode.
The third room at 93 Little Hobart Street, the kitchen, was in a category all its own. It had an electric stove, but the wiring was not exactly up to code, with faulty connectors, exposed lines, and buzzing switches. “Helen Keller must have wired this damn house,” Dad declared. He decided it was too convoluted to bother fixing.
We called the kitchen the loose-juice room, because on the rare occasions that we had paid the electricity bill and had power, we’d get a wicked electric shock if we touched any damp or metallic surface in the room. The first time I got zapped, it knocked my breath out and left me twitching on the floor. We quickly learned that whenever we ventured into the kitchen, we needed to wrap our hands in the driest socks or rags we could find. If we got a shock, we’d announce it to everyone else, sort of like giving a weather report. “Big jolt from touching the stove today,” we’d say. “Wear extra rags.”
One corner of the kitchen ceiling leaked like a sieve. Every time it rained, the plasterboard ceiling would get all swollen and heavy, with water streaming steadily from the center of the bulge. During one particularly fierce rainstorm that spring, the ceiling grew so fat it burst, and water and plasterboard came crashing down onto the floor. Dad never repaired it. We kids tried patching the roof on our own with tar paper, tinfoil, wood, and Elmer’s glue, but no matter what we did, the water found its way through. Eventually we gave up. So every time it rained outside, it rained in the kitchen, too. At first Mom tried to make living at 93 Little Hobart Street seem like an adventure. The woman who had lived there before us left behind an old-fashioned sewing machine that you operated with a foot treadle. Mom said it would come in handy because we could make our own clothes even when the electricity was turned off. She also claimed you didn’t need patterns to sew, you could get creative and wing it. Shortly after we moved in, Mom, Lori, and I measured one another and tried to make our own dresses.