«We will go,» she said to Pantalaimon. «Let 'em try to stop us. We will!»
Nine
The Spies
Over the next few days, Lyra concocted a dozen plans and dismissed them impatiently; for they all boiled down to stowing away, and how could you stow away on a narrowboat? To be sure, the real voyage would involve a proper ship, and she knew enough stories to expect all kinds of hiding places on a full-sized vesseclass="underline" the lifeboats, the hold, the bilges, whatever they were; but she'd have to get to the ship first, and leaving the fens meant traveling the gyptian way.
And even if she got to the coast on her own, she might stow away on the wrong ship. It would be a fine thing to hide in a lifeboat and wake up on the way to High Brazil.
Meanwhile, all around her the tantalizing work of assembling the expedition was going on day and night. She hung around Adam Stefanski, watching as he made his choice of the volunteers for the fighting force. She pestered Roger van Poppel with suggestions about the stores they needed to take: Had he remembered snow goggles? Did he know the best place to get arctic maps?
The man she most wanted to help was Benjamin de Ruyter, the spy. But he had slipped away in the early hours of the morning after the second roping, and naturally no one could say where he'd gone or when he'd return. So in default, Lyra attached herself to Farder Coram.
«I think it'd be best if I helped you, Farder Coram,» she said, «because I probably know more about the Gobblers than anyone else, being as I was nearly one of them. Probably you'll need me to help you understand Mr. de Ruyter's messages.»
He took pity on the fierce, desperate little girl and didn't send her away. Instead he talked to her, and listened to her memories of Oxford and of Mrs. Coulter, and watched as she read the alethiometer.
«Where's that book with all the symbols in?» she asked him one day.
«In Heidelberg,» he said.
«And is there just the one?»
«There may be others, but that's the one I've seen.»
«I bet there's one in Bodley's Library in Oxford,» she said.
She could hardly take her eyes off Farder Coram's daemon, who was the most beautiful daemon she'd ever seen. When Pantalaimon was a cat, he was lean and ragged and harsh, but Sophonax, for that was her name, was golden-eyed and elegant beyond measure, fully twice as large as a real cat and richly furred. When the sunlight touched her, it lit up more shades of tawny-brown-leaf-hazel-corn-gold-autumn-mahogany than Lyra could name. She longed to touch that fur, to rub her cheeks against it, but of course she never did; for it was the grossest breach of etiquette imaginable to touch another person's daemon. Daemons might touch each other, of course, or fight; but the prohibition against human-daemon contact went so deep that even in battle no warrior would touch an enemy's daemon. It was utterly forbidden. Lyra couldn't remember having to be told that: she just knew it, as instinctively as she felt that nausea was bad and comfort good. So although she admired the fur of Sophonax and even speculated on what it might feel like, she never made the slightest move to touch her, and never would.
Sophonax was as sleek and healthy and beautiful as Farder Coram was ravaged and weak. He might have been ill, or he might have suffered a crippling blow, but the result was that
he could not walk without leaning on two sticks, and he trembled constantly like an aspen leaf. His mind was sharp and clear and powerful, though, and soon Lyra came to love him for his knowledge and for the firm way he directed her.
«What's that hourglass mean, Farder Coram?» she asked, over the alethiometer, one sunny morning in his boat. «It keeps coming back to that.»
«There's often a clue there if you look more close. What's that little old thing on top of it?»
She screwed up her eyes and peered.
«That's a skull!»
«So what d'you think that might mean?»
«Death…Is that death?»
«That's right. So in the hourglass range of meanings you get death. In fact, after time, which is the first one, death is the second one.»
«D'you know what I noticed, Farder Coram? The needle stops there on the second go-round! On the first round it kind of twitches, and on the second it stops. Is that saying it's the second meaning, then?»
«Probably. What are you asking it, Lyra?»
«I'm a thinking—» she stopped, surprised to find that she'd actually been asking a question without realizing it. «I just put three pictures together because…! was thinking about Mr. de Ruyter, see….And I put together the serpent and the crucible and the beehive, to ask how he's a getting on with his spying, and—»
«Why them three symbols?»
«Because I thought the serpent was cunning, like a spy ought to be, and the crucible could mean like knowledge, what you kind of distill, and the beehive was hard work, like bees are always working hard; so out of the hard work and the cunning comes the knowledge, see, and that's the spy's job; and I pointed to them and I thought the question in my mind, and the needle stopped at death….D'you think that could be really working, Farder Coram?»
«It's working all right, Lyra. What we don't know is whether we're reading it right. That's a subtle art. I wonder if—»
Before he could finish his sentence, there was an urgent knock at the door, and a young gyptian man came in.
«Beg pardon, Farder Coram, there's Jacob Huismans just come back, and he's sore wounded.»
«He was with Benjamin de Ruyter,» said Farder Coram. «What's happened?»
«He won't speak,» said the young man. «You better come, Farder Coram, 'cause he won't last long, he's a bleeding inside.»
Farder Coram and Lyra exchanged a look of alarm and wonderment, but only for a second, and then Farder Coram was hobbling out on his sticks as fast as he could manage, with his daemon padding ahead of him. Lyra came too, hopping with impatience.
The young man led them to a boat tied up at the sugar-beet jetty, where a woman in a red flannel apron held open the door for them. Seeing her suspicious glance at Lyra, Farder Coram said, «It's important the girl hears what Jacob's got to say, mistress.»
So the woman let them in and stood back, with her squirrel daemon perched silent on the wooden clock. On a bunk under a patchwork coverlet lay a man whose white face was damp with sweat and whose eyes were glazed.
«I've sent for the physician, Farder Coram,» said the woman shakily. «Please don't agitate him. He's in an agony of pain. He come in off Peter Hawker's boat just a few minutes ago.»
«Where's Peter now?»
«He's a tying up. It was him said I had to send for you.»
«Quite right. Now, Jacob, can ye hear me?»
Jacob's eyes rolled to look at Farder Coram sitting on the opposite bunk, a foot or two away.
«Hello, Farder Coram,» he murmured.
Lyra looked at his daemon. She was a ferret, and she lay very still beside his head, curled up but not asleep, for her eyes were open and glazed like his.
«What happened?» said Farder Coram.
«Benjamin's dead,» came the answer. «He's dead, and Gerard's captured.»
His voice was hoarse and his breath was shallow. When he stopped speaking, his daemon uncurled painfully and licked his cheek, and taking strength from that he went on:
«We was breaking into the Ministry of Theology, because Benjamin had heard from one of the Gobblers we caught that the headquarters was there, that's where all the orders was coming from….»
He stopped again.
«You captured some Gobblers?» said Farder Coram.
Jacob nodded, and cast his eyes at his daemon. It was unusual for daemons to speak to humans other than their own, but it happened sometimes, and she spoke now.