Deep beneath their searching concern, a spark of joy lights the green eyes, and is gone. “Let me help.”
Together, then, they wrap Wa Uspewikakiyape’s body in the buffalo robe, tying it in place with long strips of braided sinew. Into one knot, Dakota ties a medicine hoop fashioned of a supple willow branch, with small patches of cloth—white, yellow, red and black—tied at the quarters and leather thongs running at right angles between them. Into another she fastens an eagle feather and two pinions from a redtail’s wing. “Because,” she explains, “he was a chief of his nation.”
When they are done, they wait quietly by the honored dead, their hands joined.
*
The knock sounds softly against the service door. “Tanksi?”
Dakota opens it to find Tacoma on the landing, Wanblee Wapka’s pickup backed up to the loading ramp. Her brother is in civilian clothes again, jeans and a deep blue ribbon shirt, his hair caught back at the nape of his neck. His gaze slips past her to Kirsten standing by the table, back again. “You’re ready?”
For answer she nods, and together the three of them carry the body of Wa Uspewikakiyape to the waiting vehicle. Though Tacoma still limps heavily, he has set aside his crutches. He moves awkwardly but surely as they sidestep across the landing and Koda carefully lowers herself, her hands never losing their hold on their chill burden, into the truck’s cargo space. A drum and beater occupy one corner, together with a long, narrow bundle Koda recognizes as her father’s canupah, his ceremonial pipe. A fringed bag, worked generations back in shell beads and porcupine quills, contains his herbs and other holy things. Kirsten and Tacoma follow her down, and they lay Wa Uspewikakiyapi on the spread deerhide that covers much of the truckbed. Bracing himself on the wheel housing, Tacoma folds down gradually until he is perched beside the drum, then lifts it to sit between his knees. Kirsten moves hesitantly as if to offer a hand, and he shakes his head almost imperceptibly. “Thanks. I got it.”
Koda steps over the side and lets herself down in a single drop; Kirsten follows via tailgate and bumper. Manny swings open the door to the back of the cab, and Kirsten climbs in, followed by Koda. Wanblee Wapka glances into the rearview mirror, checking his passengers. “Everybody settled?”
“Good to go, Leksi,” Manny answers, and Koda follows his gaze as he tracks from Tacoma in the cargo bed to her hand joined with Kirsten’s on the bench seat. His eyes go wide for a second, and he mimes thumping his head against the metal frame of the window to his left. “Everybody but me, right?”
“Not everybody,” Koda says.
The light moment passes as Wanblee Wapka pulls the truck out into the street, and from behind them begins the deep heart throb of the drum, beaten slowly. There is little traffic, vehicular or pedestrian, but here and there a uniformed soldier stops to stare at them as they pass. One or two, recognizing Kirsten’s profile where she sits by the right window, salute; yet another, whose high, broad cheekbones and copper skin bespeak her Cheyenne ancestry, removes her cap and bows her head. The guards at the gate snap to attention and pass them out with looks of puzzlement on their earnest faces, but make no demur. Once off the Base they turn toward the county road that leads into the foothills, the big truck taking the ruts with ease as they begin to climb toward the ancient streambed and its treeline, the place where Wa Uspewikakiyape had lived and died. For the most part they travel in silence, Koda lost in remembrance and a growing feeling of relief, anchored in time and place by the strong, small hand folded in her own.
Wanblee Wapka wrestles the truck up the slope of the rock outcropping that shelters the sealed den. Sliding to the ground, Dakota’s eyes run along the line of trees, the dry course of the ancient stream that once cut its way down through limestone to create the shallow drop from the narrow remnant of wooded meadow with its march of trees. Among them now stands a scaffolding made of strong, straight limbs and rope, its platform six feet above the grass. Boughs of pine and larch cover it, interspersed with the slender trumpets of scarlet madder, the blue stars of anemone. From each corner hangs a leather thong strung with white chalcedony and striped agate, porcupine quills and a falcon’s feathers. A circle of river pebbles makes a wheel about the scaffold, flat, larger stones set at the four quarters. This is a chief’s burial. “Washte,” says Koda. “Thank you, Ate.”
Manny and Wanblee Wapka lift down the body of Wa Uspewikakiyape and lay it by the scaffold. Tacoma sets the drum by the south upright and takes up his station before it. From his pouch, Wanblee Wapka takes several braids of herbs, sage and pine and sweetgrass, a smaller leather bundle that Koda knows contains pollen and another of cornmeal. Finally he unwraps his pipe. To Kirsten he says, “This is what we do for family when they go to walk the Blue Road. Everyone participates.”
Dakota watches as the meaning of his words sinks in, and Kirsten nods solemnly. Wanblee Wapka hands her the packet of cornmeal. “When the time comes, rub some of this on each of the posts of the scaffold. Then on Wa Uspewikakiyape’s wrappings. I’ll tell you when, okay?” She nods again, holding the folded leather as if it were the most precious thing in the world. In this light, her eyes are the wide clear green of the sea.
To Manny he gives a rattle made of turtle shell and antler. “Translate for her, will you?”
Finally he goes to stand beside Tacoma and the drum. “Everybody over here, please.”
As they form a tight circle about him, Dakota feels peace begin to well up inside her. Part of it, she knows, is the coming end of the wrongness she has felt ever since finding that Wa Uspewikakiyape’s body had not been left in dignity. Another part is the strong presence of her father, center of the compass of her world. Part is the warrior’s honor that surrounds Tacoma, body and spirit. Yet another is the energy her cousin Manny carries, the spirit of thunder that can break forth as the humor of a heyoka jester or as the death-dealing lightning.
And at the center of her heart is Kirsten, love returning again and again through the cycles of the sun and the turning earth.
Eyes closed, she hears the small sound of flint and pyrite struck together, smells the fragrance as the spark takes hold in a braid of sage. As Wanblee Wapka holds it out to her, Dakota waves the smoke toward her, washing it over her head and hands, over all her body. Awkwardly at first, then with more confidence, Kirsten follows her example; then Manny, Tacoma, Wanblee Wapka himself. He smudges the platform behind him, the drum, the buffalo hide that enfolds Wa Uspewikakiyape. As Tacoma once again begins the low, steady beat of the drum, punctuated by the rattle in Manny’s hands, Dakota carries a braid of sweetgrass around the circle, lifting it to the sky, lowering it to the earth at each of the four quarters, invoking Inyan the Creator, Wakan Tanka, Ina Maka. She feels Kirsten’s eyes on her as she paces the circuit, the calm touch of her thoughts.
When she returns to the center, Wanblee Wapka unwraps his pipe. It is a beautiful thing, made a hundred years ago and more. The bowl, carved of red stone in the shape of a buffalo, surmounts a length of hollow wood. Where it joins the stem, three eagle feathers hang by a leather thong strung with shell and turquoise. A spike just beyond it, to hold the pipe upright in the earth. Raising it to the east, Wanblee Wapka begins to pray:
“Ho! Wanblee Gleshka!Spotted Eagle, Spirit of the East,Hear us!Speak to us about giving thanks.Speak to us about wisdom.Speak to us about understanding.Speak to us of gratitudeFor the life of our brother,Wa Uspewikakiyape, who has goneTo walk the Spirit Road with you.We give you thanks for him.We thank you for the past,The present and the future.We thank you for all who are gathered here.”
He pauses, and Koda answers, “Han; washte.” Taking the offered pipe from his hand, she steps to the south quarter and raises it.