Koda pauses on her way out to evacuate D Wing as Allen answers, “Ma’am, I’m sorry. As far as we can tell, the droids have killed all the boys they found and kept only the girls past puberty. Were your children with you when you were taken?”
The woman is close to hyperventilating, and Koda kneels down in front of her with the Colonel, capturing her wrist to check her pulse. “Yes! Christ, why is so hard to make you understand!” She chokes for a moment, gasping for breath. “They took my kids with me! Why haven’t you found them? Where are they, damn you?” Her voice rises to a shriek. “Where are they?”
One of the other prisoners comes to sit beside her, putting her arms around the now- weeping woman. “It’s true, Colonel. Deb’s kids were with her when we were caught at the K-Mart. I haven’t seen them since that first day, though.”
“Deb?” Koda asks softly. “We’ll look for your children. We won’t leave, I promise, until we’ve found them or know for sure they’re not here. Can you tell us how old they are? Boys? Girls?”
“Two boys,” the second woman answers. “They were about four, five.”
“Right,” The Colonel rises, motioning to two of her troops who are foraging behind the serving counter. “O’Donnell! Markovic!” she shouts. “Start searching the place for kids. Not the cells, we’ll get all of those—try the garages and offices and tool sheds! Move it out! On the double!”
Koda returns to her task of evaluating the women as they exit the cells. On Wing D, they find a woman together with her young daughter, thirteen at most. The woman’s clothes have obviously not seen the inside of a washing machine in days, perhaps more, but they are intact—no rips, no bloodstains, and her arms and face are equally unmarked. Unlike the others, they seem almost diffident, with none of the lava-hot undercurrent of anger Koda has sensed running thick and murderous below the bravado of the rest of the prisoners. Fear and bewilderment, yes, but no hatred. “I’m Millie Buxton,” the woman introduces herself hesitantly . “My husband is here, too. Have you found him, yet?”
“They never touched you, did they,” a dark-haired woman sneers in passing, before Koda can answer. “Bitch! ‘Droid lover!”
Andrews blocks the speaker as she moves to spit at the other woman and hustles her along the hallway. Koda says slowly, “No, we haven’t. Was he an employee?”
“A prisoner. Erin and I were visiting when—when—it happened.”
“And you haven’t been harmed?”
“No. Not—I know what she meant, you see. I’ve heard when—“ Millie glances back at her daughter—“things happened to the other women. But they left us alone. I don’t know why. I’m just glad because—because of Erin, you see.”
Koda does not see, not quite, but an idea has begun to form. “We’ll find your husband if he’s here, Ms. Buxton.” And to Andrews, more quietly, as the woman falls into step with the rest, “That last wing’s been pretty near silent. All along.”
Andrews nods. “Gotcha. We’ll pick up a couple more guys before we go over there. That’s where we dropped down, isn’t it?”
“That’s where I saw what I’m pretty sure was a man, one time when I lifted up a tile to see where we were. We’d better go cell by cell, there, not spring them all at once.”
“Better see how the Colonel wants to handle them. I’m all for leaving them to starve, but she may have other ideas.”
In the end, there are four. Three are much like their counterparts from Mandan, foul-mouthed and full of bluster. The fourth, though, will not answer them when his cell is opened, remaining curled tightly on top of the blanket with his knees drawn up to his chest. Only the rise and fall of his ribs shows that he is still alive.
”All right,” says Andrews after the prisoner has ignored him three times. “Let’s haul him out.”
“Wait a minute.” Koda walks silently up to the bunk where the man remains unresponsive. “Mr. Buxton?”
Nothing.
“Mr Buxton?” she tries again. “Millie and Erin are worried about you. They’re safe. Whatever deal you made, the droids kept it that far.”
A sound that is not quite a sob, not quite a groan comes from the huddled form on the cot. “Just leave me, please. Or shoot me. Just don’t tell them—please, I don’t want them to know— Tell them I’m dead, please?”
Andrews reaches forward and hauls the man into a sitting position. Unkempt hair falls over a forehead pale with lack of sun and eyes that water with the dim light enters through the half-open door. “Look here, Buxton. You just might get your wish. I don’t know what the Colonel’s going to want to do with you—maybe shoot you on spot, maybe not. If I were you, I’d still want to see my wife and kid one last time. And I sure as hell know they want to see you.”
“Mr. Buxton. Millie and Erin will find out exactly what you’ve done from the other women.” Koda takes a deep breath and forces her voice to remain neutral. “Now, I don’t know whether they’ll forgive you; God knows the rest of these women won’t, and shouldn’t. But it should count for something that you bought your family’s lives. Whatever happens, you can take that with you.”
In the end, he comes with them, still half-unwillingly, his head down. Allen meets them just outside the entrance to the cafeteria and rakes the four men over with fury in her dark eyes. “Just like the other jail. Hold them in that office over there for now.” She points to a small cubicle with a desk and computer and what seem to be endless piles of invoices. “Hanson, if one of these motherfuckers turns a hair wrong, shoot him.”
Buxton raises his head and holds her withering gaze for a moment. “Ma’am, they tell me my wife and daughter are here. Whatever goes down, I’d like to know they’re safe.”
“Hostages for his performance,” Koda says quietly.
“I see.” There is what may be a minuscule softening in Allen’s expression. “We’re taking them back to Base. They’ll have a trial. Andrews, Rivers, come with me. Hanson, you sit on ’em, and sit on ’em tight. They go out on the last chopper where these women won’t have to see their lousy faces.”
“Ma’am.”
Koda and Andrews follow the Colonel back into the cafeteria. From overhead comes the steady whup-whup-whup of approaching helicopters, the noise intensifying until it becomes an unholy clatter as the great blades beat the air. From the doorway, Koda can see their noselights growing larger and larger, finally sweeping the snow before her as the pilots check for obstructions before easing in to a landing. There are at least a dozen; most are Black Hawk and Apache gunships; one is a carrier. The lead bird is another Black Hawk, a red cross painted prominently on its side. The rotor wash kicks up little eddies of snow, sending it spraying outward as the great, grasshopper-like hulks settle, wobbling, into the snow. Just as the high-pitched whine of the engines becomes an almost physical pain, it stops.
“Load up,” yells Allen, and with that the former prisoners are running for the helicopters, clambering in with the help of their crews and the rescue unit. Two corpsmen from the Medevac fetch Larke from the kitchen, Martinez trotting alongside the litter. They load the remains of Johnson and Reese, too, decently wrapped in blankets for their last journey. The captive droid goes with the living prisoners, trussed and hauled along by the manacles that bind him hand and foot.
When all the rest are loaded, Allen hops aboard the Medvac chopper, Koda inches behind her. “Get us in the air, Rivers,” she shouts as the engines once again begin tow whine. “And give me the mike.”