Koda nods. The weight of the helmet carries her head forward; is not uncomfortable, exactly, but it is uncomfortably reminiscent of a morning after.
“Good. That’s the ejection button. Don’t go anywhere near it unless I tell you to or you know for sure I’m dead or unconscious. Your chute should open automatically in that case, but if it doesn’t”—she reaches for a cord attached to the seat and drapes it over Koda’s shoulder”—“here’s your manual.”
Koda grins up at her. “The things normal flight attendants don’t tell you.”
Maggie snorts, an entire dissertation on commercial aviation in a single sound. She points to a couple toggles by the screens. “There’s your camera switch; I’ll tell you when to turn it on. That’s the zoom—you’ve probably heard that these babies can pick up the dimples on a golf ball. This one can pick up a flea sitting in the dimple of a golf ball. Anything interesting you see on either of these screens—moving blip on the radar, moving anything on the video—you pass it up to me with this. Capiche?”
“Got,” Koda answers.
“Good.” Maggie switches on her mike, gives her a pat on the shoulder and, with grace born of long practice, swings along the fuselage and up into her own seat in front. After a moment or two, Koda’s mike crackles. “You all right back there?”
“Fine.”
“Okay. Let’s take her up.”
As Maggie starts the engines, the Tomcat shudders and begins to vibrate, sending a tingle of excitement through Koda’s nerves. She has flown before and loves it, but has never before felt this sense of intimacy with the craft. Following the hand signals of the traffic director, the plane begins its taxi onto the runway, turning stately onto the long stretch of pavement, making for the northern end. Maggie’s voice comes through the speaker. “Watch your head. I’m putting the lid down.”
As the canopy descends, the plane makes its second turn to face south, into the wind. Maggie kicks the engines in full, and the plane shudders a second time with the force that, once in the air, will send it racing ahead of its own sound. For long moments the plane remains stationary, its power held in check. Then Maggie throws the throttle open, and the jet is streaking down the runway at a speed that presses Koda into her seat and takes her breath away. Her heart pounds against her sternum and shouts to be let out, blood running in her ears with the roar of the Colorado in spring flood. Between one breath and the next, it seems, she feels the nose come up and the lift of air beneath the wings, and they are airborne, climbing steeply into the clear, impossible blue of the afternoon. The ascent goes on and on, leveling out finally when the land beneath is no more than intricate swirls of brown and green and white, with the course of the occasional river cut into it like the trunk of a vast tree, its tributary streams forking off into branches and twigs.
The craft banks into a turn, and sun glints off the wing and the canopy in bursts like small stars gone nova. When they level off again, the wings sweep back close to the body of the plane, like a falcon stooping. All around her now is the open sky, and with it a sense of perfect freedom. There is only herself and the blue air and the wings that carry her.
This must be how it feels to be Wiyo.
The tang of oxygen flowing into her mask brings her out of her reverie, followed closely by Maggie’s voice. “Engage the camera and radar now. We’re going to make a sweep up the Cheyenne and then follow the Missouri into North Dakota..”
Koda thumbs the toggles and stares at the images that rise to her screen. She can make out the rectangular shapes of roofs, outlined in shadow, as they pass over the small villages that dot this part of the state. Beside them stand tall hardwoods, winter-naked, or evergreens with fans of needles spread against the unvarying snow. When she engages the zoom, antennas and chimneys stand out of the snow that blankets the roofs. Once she sees a pair of deer, or elk, perhaps, breaking their way through the snow that covers the main street of a small town. Abandoned cars and farm machinery form mounds in the spaces between the houses, anonymous under the snow.
“See anything?”
“Negative,” she responds. “Mostly snow, apparently abandoned homes, buried vehicles.”
“Hang on, then.”
With no more warning than that, Maggie flips the fighter over in a barrel roll. Koda gasps with surprise, then yells into her mike. “Do that again!”
Maggie rolls the plane twice more, then streaks out of the third flip upside down, with earth turned suddenly to sky and the blue depths of the sky below. Koda feels the adrenaline pouring into her blood, hitting her brain in a rush of pure physical pleasure. . Then they are rightside up again, and Maggie is laughing through the mike. “Liked that, did you?”
“Gods, yes!” she all but yells. “That was wonderful!”
“Okay. Tell me if this gets uncomfortable.”
The fighter begins to climb, straight up, corkscrewing. The ascent becomes a curve becomes a loop, and they are upside down again, sweeping into a descent that has left all sound behind except the low whisper of breath, and Maggie brings them out again into even flight for a space before the plane skims along its upward trajectory for the second time. The G-force holds Koda motionless, back pressed into her cushions, the whole force of their speed against her solar plexus. The sensation rides the thin line between pain and pleasure , pleasure and sensory overload. Then they are plunging down from the sky to skim no more than three or four meters above the snow along a thin flat stretch or road, only to climb again at an impossibly steep angle, reaching toward the edge of the envelope of air that is the first frontier between earth and space. When Maggie levels off again, five miles up, Koda’s breath comes in little gasps and her rational mind has gone AWOL. When a thought finally forces its way upward from the part of her brain that is still functioning, it is sex. It feels like sex. Her blood sings in her veins, her sated muscles hum. I want to have its babies, too. Hatch its eggs. Whatever.
The sensation fades gradually over the next half hour as they quarter the landscape beneath them. Maggie flies a straight-line grid pattern over the ruins that were once population centers, but they can detect no gathering of humans or droids, no movement that is not solitary. Roads have become largely impassible and look fit to remain so till spring thaw. Many will still be blocked then, by storm-felled trees or the tangled remains of accidents. They have been flying for a little more than two hours when Koda picks up a line of—something-–moving on the highway leading south from Bismarck.. She zooms in on it, tweaking the fine focus. “Maggie. Have a look.”
She transfers the image to the pilot’s readout, but she knows already what she sees. It is a column of troops, some droid, some apparently human, preceded by a coterie of snowplows and followed by a contingent of armor. There are personnel carriers, several tanks, a dozen flatbed trucks loaded with something long and rectangular. Construction materials? She tweaks the image again, and the cargo comes into focus. Mobile missile launchers.
“This,” Maggie says dryly, “is not good. I’m gonna take ‘em out here and now. Hang onto your hat.”
Maggie kicks in the afterburners, and the Tomcat comes streaking down out of the sky with the sun behind it. Half a mile above the column, she releases a long stick of precision-guided five-hundred pounders, laying them down with mathematical exactitude in the center of the long column, spaced precisely to destroy everything on the road. The explosions are muffled by distance and the roar of the jet’s engines. On the video screen, Koda watches as the mobile launcher swivels on its truckbed to get them in its sights. A puff of smoke in the frigid air, and a long, lean shape rises toward them. Maggie has already seen it; even as Koda forwards the image to the pilot, she feels a faint thump as a Sparrow missile leaves its roost on the plane’s flank and streaks to intercept the enemy fire. The kill is almost instant, a burst of flame and vapor in the cold air. The plane swerves wildly as a second ground-to-air missile passes by without harm, a clean miss.