"Twenty-four," mumbled Raymond.
"What?" said Csucskari anxiously. "Twenty-four what?"
"Steps," said Raymond. "Twenty-four steps up here," and settled back more fully into the couch.
Csucskari set the cup carefully back on the tray,and turned to where Madam Moria had ensconced herself in an old bentwood rocker. "The scarf and the rug," he said without preamble. "Together, they mean what?"
Startled, she looked up from gazing at the tea in her cup. "Eh? I've no idea. And no time to consider it. I must boil more water for tea. There will be company, soon."
"Who?" He frowned.
"I don't know that either," she said irritably. "Be patient." She creaked up and went back through the tapestry.
Csucskari scowled after her. When he turned back to Owl, his eyes were open. "Well," said Csucskari gently. "You've been a far ways, it seems."
Raymond opened his mouth, then shut it. He shook his head weakly. Tears gathered in his eyes, while a smile hovered at the corners of his mouth. At last he said, "I'm coming back, brother. A few moments, is all. I'll be fine, now you've come for me."
Csucskari looked for words to say and found none. Once more he held the cup to Raymond's lips, and Raymond expended most of his gathered strength in taking one feeble sip. Madam Moria and her teakettle had just re-emerged from the kitchen when the door burst open.
Drink from a deep dark pool,
tell me what you taste.
Bitter mountain stream;
Flows like nectar past your lips,
lying there in wait,
Falls from your hand.
"STARS OVERHEAD"
The warmth of the seeping blood inside the bandage made the night seem colder. He wished he could pull his legs up against his body and hoard what warmth was left to him, but his first effort at that had hurt too much. Better to sit still, leaning against the metal and glass that sided the bus shelter. Sit in the dark and dream. The shelter was no bigger than a good-sized box stall; but a stall at least would have had clean straw to rest on and the warm smell of horses to keep him company.
He remembered a master he had once had, so long ago that he could not remember his name, nor anymore about him than that the master'd thought he was saving money and cheating the Coachman by giving him only a room over the stable. The fool never knew that most nights he had taken his blankets down to the stalls, to sleep closer to those who loved him best.
There had been four, black as night and as soft; five if you counted the ill-tempered stud in his iron-barred stall who had sired them. Storm had been his name,as stupid a name for a stallion as the Coachman had ever heard, and it fit him no more than did his reputation for savage behavior. He had wanted a farmhand, that was all, and a man who did not flinch from his angry stamping, nor let the stable boys get away with letting his stall go dirty because they feared him.He had needed a man who would give him space and time with the tall grey mares they brought him to be serviced. Another man had owned him, but only the Coachman had mastered him. And in return, the stallion had sired the four blacks, the three fillies and the colt, who learned their lessons on his lunge line and under his gentle hands. They'd grown well, and earned the braided harness with leather tassels, and the leather-covered rope traces and the owner's finest coach, with its tall box and carved wooden back and sides, and rounded lanterns.
How they'd stepped out for him, heads always high, black legs flashing in unison! As Storm was their father, so the owner called them Wind, Rain, Thunder, and Lightning. But the Coachman had had his own names for them alclass="underline" Setal, Sztrajktoro, Madar,and Nagyful, and those were how he called them when he spoke to them at night. Those were the names they would come to, no matter what stood between him and them: Snakes or fires or barking dogs. Once Csucskari had wagered that they'd come to him past death itself if he called those names.
He smiled, the foolish smile of a man who is cold and without hope, bleeding in the night, and he muttered their names like a charm. His head drooped forward onto his chest.
Dive into a deep dark pool,
tell me what you feel,
The world you left behind,
Smooth and warm as life,
the living and the dead,
Stars overhead.
"STARS OVERHEAD"
"So," Durand observed as the Caddy idled at a stoplight, "'If Luci is the lady you're all going to kill, and the Gypsy is this Taltoesh guy that can do it, how does the Coachman fit in?"
Ed rolled his eyes at Mike. Stepovich sighed to himself. Let the guy talk himself out first; he'll tell you more that way. This was stuff he should have been teaching Durand all along.
Daniel looked thoughtful. "He is," he groped for words, but found them only in a language none of them spoke. He tried again: "like the one who plays the music that sets the other dancing. He is not a dancer, nor does he even know the steps they must pace, but nevertheless, he is the one…" He lapsed once more into helpless silence, unable to explain the Coachman's role, perhaps scarcely comprehending it himself. Finally, he said, "It was the Coachman who brought us here. And when all is done, it is he who will take us back. And I feel that the Coachman should be there, to witness the doing of our task. Whether we succeed or fail, he will be the one to know of our doing, and to tell those who should know."
Ed made the lights at Woodwright and Quince, but was stopped at Central. He prodded, "Task?"
Daniel took a breath, then spoke, patiently. "To send the Fair Lady back where She belongs."
The silence that followed seemed to echo Daniel's quiet words until Durand, as if struggling with an idea, asked, "This Choo-, uh, Chuch, uh, Csucskari,this scar-faced Gypsy? The Coachman can find him for us?"
When Daniel gave a tentative nod, Durand leaned back, satisfied. "Well, as long as this Coachman can lead us to that sneaky S.O.B., then I'm happy."
The light changed and they passed under I-79 and continued on West Drewry, the boundary of the industrial area and the Fourth Precinct. Daniel gave Durand one puzzled sideways glance, then relaxed. He leaned his wounded head carefully against the seat back, let his hands go lax on his knees. No. Not relaxed. Stepovich studied him unobtrusively. Taking rest while he could. Suddenly, Daniel's long graceful fingers tensed, his dark eyes snapped open. He sat up abruptly, cocking his head like a dog hearing a distant siren.
"What?" Stepovich demanded.
Daniel's eyes shone brighter than the passing street lights could account for. His hands floated up as if to the signal of an unseen maestro. He began to mime the playing of a fiddle-mimed it with such uncanny precision that Stepovich could almost hear the eerie music drawn forth from the unseen strings.
Neither Durand nor Ed heard anything, judging by their expressions. Ed eased the Caddy to a stop at a red light at Pine. "Maybe that hit on the head," he muttered to Stepovich, sotto voce. Stepovich shrugged, and turned to stare ahead into the night street and the sparse cross traffic.
The light was just ready to turn, Ed was already letting the Caddy creep forward when every hair on Stepovich's body came to attention. Later it would seem to him that first his hide prickled, and then the four black horses drawing the midnight coach came out of the night and crossed their path. Sixteen hooves rose and fell in perfect cadence, high spoked wheels turned soundlessly against black asphalt.