“Jerzy!”
Our car engines were off and we were alone in the quiet under the redwoods. Wind soughed high in the branches above. The asphalt was thickly scattered with brown pine needles, and dappled with gold patches of setting sun. The person who’d called to me was a twenty-year-old boy with shoulder-length brown hair in rasta tangles; he was bouncy and skinny, with thin lips pulled back in an expression that was not quite a smile. He walked toward me. His hands were empty, but an odd little shape trailed along the pavement after him like a mascot. A toy animal? There was no time to look closer. I focused my attention back on the boy.
“What do you want?” I challenged.
“That’s awesome that you’re working for West West, cuz,” he said in a soft, trailing-off twang. He was right in front of me. The open Animata door was just behind me. I watched the boy’s big hands and feet closely for any sign of an attack. Something bumped against my foot.
I looked down: the boy’s mascot was a motorized toy truck with some circuit boards in its back. The truck had the head of a rubber cow glued to its front, and this is what was nudging me.
“Am I Hex DEF6 yet?” drawled the boy, and waggled his eyebrows like Bugs Bunny imitating Groucho Marx. He raised one hand and made a gesture of tapping ashes off an invisible cigar. “Big business. I’m most hellacious with family video.”
“You little creep.” I thought of the tortured cyberspace session I’d spent writhingly watching myself and my loved ones being tortured and killed. They’d pasted our faces into slasher movies and war footage-my mind kept coming back to the scene of Sorrel and Tom running down a bombed road in Vietnam, all their clothes burned off by napalm, Sorrel screaming and Tom’s mouth twisted into an unbearable dog bone of anguish. And the scene with Ida sobbing over my disemboweled corpse while the killer crept up behind her-I surged forward and got my hands around the boy’s neck. “I’ll kill you.”
Bruisingly he knocked my arms away and sprang back. “No harm, schoolmarm. It’s only software. Like the GoMotion ants.”
“Then the threats weren’t real?”
“I wouldn’t say that either. There’s always fireworks with a Chinese Dragon. You better deliver the goods for West West, Jerzy.”
“You work for West West?”
“No, bro.” The little robot truck had retreated to a safe distance when the boy and I had grappled, but now it came nosing up close to me again. It rose up and down on its tires, bucking like a low-rider and then actually jumping a couple of inches off the ground. It was cute, with the cow’s head and everything, but maybe there was like a hypodermic dart gun inside one of those soft rubber horns, a dart gun loaded with bio-hacker brainscramble. Not wanting to find out, I kicked hard at the side of the mascot. It dodged me and skittered away. I took the opportunity to hop back into my car and close the door.
“Come see me in cyberspace if you need any phreaking done,” said the boy. “That’s all I wanted to say. And don’t forget-don’t forget Hex DEF6.” Even though he was bareheaded, he made a hat-doffing gesture appropriate for a ten-gallon hat.
“Get out of here, you Texas prick.” I reached into my glove compartment as if I had something in there.
“I’m gone.” He drove off, and I went on up to Queue’s. Keith was sitting on the deck staring up at the trees. He was a peaceful person: big, healthy, and always high. We did two quick bowls of Queue’s bud.
“Hey, Keith, do you know where I could get a pistol?” I asked as the rush settled over me.
“Statistically, a gun is most likely to kill its owner or a member of the owner’s family,” said Keith mildly. “So why would you want one? Guns are bad karma.”
“A kid was threatening me down at the gate,” I explained. “He had sort of a mechanical cow. A little one.”
“What did the little cow do to you?”
“It just rolled around, but I felt like it was getting ready to attack me. Maybe it had a needle inside its horn. I wish I could have shot it.”
“I think that if you shot off a gun, the cops would revoke your bail, Jerzy. Why don’t I give you a staff instead.” Keith disappeared into the warren of the house and emerged with a thick, ornately carved redwood stick. “I made this. See the sacred energy symbols that spiral up around it? Keep it with you in your car.”
So instead of a gun I got a sacred staff.
Well that’s enough talk about the real world; now it’s time to talk about hacking.
For the longest time, the Kwirkey/SuperC logjam would not yield. West West was committed to using Kwirkey, which was the creation of one of Seven Lucky’s seven Taiwanese founders. And most of my coding experience for GoMotion was in SuperC, and all the Veep code which the West West cryps had copied was SuperC as well. But Russ Zwerg was working on the interpreter, or had one running, or was about to have one ready, wasn’t he?
On the surface, it seemed that the languages were easily interconvertible; it was just a matter of writing an automatic interpreter that knows that “A + B” in SuperC is “(+ A B)” in Kwirkey, and other stupid shit like that. Yet Kwirkey, being Lisp-grounded, had an utterly different idea of memory than did SuperC. Russ’s Kwirkey interpreter needed to waste megabytes of space and kiloclocks of time on creating and then cleaning up the “frame diagrams” required to convert Kwirkey commands into machine instructions. And there were lots of other things-maddeningly fiddling little thinglets that nobody except Sun Tam would ever want to have to know about.
Russ Zwerg was not a likable person, but I ended up feeling some sympathy and even respect for him as he hacked his way through the vicious undergrowths that separated the kingdoms of Kwirkey, SuperC, and the Y9707 machine language of the Adze.
While Russ hacked from within, I worked from without, getting familiar with Kwirkey by learning how to do some simple things. I was excited when my first Kwirkey program for the Adze actually worked; a program called Hello Squidboy.
There was a rudimentary cyberspace viewer connected to my desktop workstation. The viewer was like a pair of binoculars connected by a wire to the machine. Inside the binoculars were swinging inertial sensors that knew exactly to what position you turned the binocs. You could look all around a scene, and there were buttons on the binocs to zoom you forward, pan sideways, or whatever. It was as if you were looking through the viewfinder of a video camera while you moved your head.
When I ran the Hello Squidboy program on my machine, I’d see a little black-and-white copy of Our American Home with a model of Squidboy sitting in the kitchen. Whenever I moved my viewpoint into the kitchen, the Squidboy figure would wave one arm and say, “Hello Squidboy,” through my workstation’s speaker. It wasn’t much, but on any system, getting your very first program to run is half the battle. It’s like the first wheel, or the invention of fire. I began building on Hello Squidboy step-by-step, continually testing each improvement out in my workstation’s cheap cyberspace. Sun Tam helped me more than Russ did.
West West Home Products General Manager Otto Gyorgyi was calling Ben Brie in for daily meetings and asking him about my progress. Keep in mind that I was into West West for three million dollars at this point. No doubt Gyorgyi was wondering if just maybe what GoMotion said about me was true-that I was a destructive incompetent.
“Are you, Russ, and Sun ready to like schedule some milestones and benchmarks?” Ben asked me after a few days. He handed me some sheets of paper. “These are the Adze performance specs that Marketing has decided to run with. Janelle basically took the Veep specs and made everything twenty-five percent better. I’m going to feel a hell of a lot more confident about all this when our software starts doing more than saying, ‘Hello Squidboy.’”
I labored frantically to prove that I was indeed worth three megabucks, and slowly, as I dug deeper into Kwirkey, my feelings about the language underwent a flip-flop, the kind of flip-flop that had happened to me a dozen times before.