But beneath all this outward show lurks the hidden force, slumbering now and not ready for battle. Under all that semblance of visible things is the ominous essence of silent mysticism, like smouldering fire in the ground and like hate and mystery in the heart. Under all this calm grandeur the danger threatens, and the future rumbles like the subterranean thunder in volcanoes, inaudible to the human ear. It is as if the conquered peoples know and simply abandon the pressure of things, waiting for the sacred moment, which will come if the mysterious calculations are correct. They understand the rulers with a single searching look, see them with their illusions of civilization and humanity, and know that they do not exist. Though they give him the title of lord and the respect due to a master, they see right through his democratic businessman’s nature, and secretly despise him and judge him with a smile, comprehensible to their brothers, who smile the same way. They never contravene the code of abject servitude and with the semba greeting pretend to be inferior while secretly knowing themselves to be superior. He is aware of the unspoken hidden force: they feel the soft approach of the mystery in the sweltering hot wind from their mountains, in the silence of the mysteriously silent nights, and he has a presentiment of distant events. What is, will not always remain so: the present disappears. They harbour the unexpressed hope that one day, one day in the far distant eddies of the dawning future, God will raise up those who are oppressed. But they feel it, hope it and know it in the depths of their soul, which they never reveal to their rulers and which they never could reveal. It remains for ever like the illegible book, in an unknown, untranslatable language, in which, though the words are the same, the colours of the words are different and the nuances of two thoughts have a different spectrum: prisms in which the colours are different, as if refracting the light of two different suns — rays from two different worlds. There is never the harmony that understands; the love that feels in unison never blossoms; and between them there is always the rift, the depths, the abyss, the vast distance, the wide horizon from which the mystery softly approaches, in which, as in a cloud, the hidden force bursts forth…
So it was that Van Oudijck did not feel the mystery of visible things.
And the divine, tranquil life could find him unprepared and weak.
3
NGAJIWA WAS a more cheerful place than Labuwangi: there was a garrison; administrators and clerks often came down from the interior for some fun; twice a year there were races, and the attendant festivities took up a whole week — commissioner’s reception, horse lottery, flower parade and an opera, two or three balls, which the revellers divided into a masked ball, a gala ball and a soirée dansante: a time of early rising and late retiring, of going through hundreds of guilders in a few days at cards and at the bookmaker’s… During those days the urge for pleasure and sheer enjoyment of life simply burst out. Coffee planters and sugar clerks looked forward to those days for months; people saved for six months. People poured in from all directions, into the two hotels; every family took in lodgers; people wagered with passion in a flood of champagne, the public, including the ladies, as familiar with the racehorses as if they were their personal property; quite at home at the balls, with everyone knowing each other, as if at family parties, while the waltzes and the Washington Post and Graziana were danced with the languorous grace of the Eurasian dancers of both sexes, with a swooning rhythm, trains softly billowing, a smile of calm rapture on the half-opened mouths, with that dreamy ecstasy of dance that the dancers of the Indies, men and women, express so charmingly, not least those with Javanese blood in their veins. For them, dance is not a wild sport, crude leaping around and bumping into each other with loud laughter, not the crude confusion of the lancers at young people’s balls in Holland, rather it is pure courtesy and grace, particularly among those of mixed race: a calm unfolding of elegant movement, a gracefully described arabesque of a precise step perfectly in time across the floor of club ballrooms; a harmonious blend of almost eighteenth-century youthful, noble, flowing movement, and languorous, floating steps, accompanied by the decidedly primitive booming rhythm of the Indies musicians. That was how Addy de Luce danced, with the eyes of all the women and girls fixed on him, following him, begging him with their eyes to take them with him into the undulating swell, like dreamily entering the water… That came from his mother’s side, that was an echo of the grace of royal dancers among whom his mother had lived as a child, and the mixture of modern Western and ancient Javanese gave him an irresistible attraction…
Now, at the ball, the soirée dansante, he danced like that with Doddy and afterwards with Léonie. It was already late at night, early in the morning. Outside, the day was breaking. Exhaustion lay over the whole ballroom, and finally Van Oudijck indicated to Vermalen, the assistant commissioner with whom he and his family were staying, that he wished to leave. At that moment he was standing on the front veranda of the club, talking to Vermalen, when the prince’s assistant suddenly came straight towards him out of the shadow of the garden and, clearly upset, squatted down, made the semba and spoke: “Kanjeng! Kanjeng! Advise me, tell me what to do! The Prince is drunk and is walking about the street and has completely lost his sense of dignity.”
The revellers made their way home. The carriages trundled up to the main entrance; their owners got in and the carriages trundled off. In the road, in front of the club, Van Oudijck saw a Javanese: his upper body bare, he had lost his turban and his long black hair waved freely about, while he gesticulated violently and talked loudly. Groups formed in the dim shadows, watching from afar.
Van Oudijck recognized the Prince of Ngajiwa. The Prince had already behaved without self-control during the ball, after losing large sums at cards and drinking all sorts of different wines indiscriminately.
“Hadn’t the Prince already gone home?” asked Van Oudijck.
“Certainly, kanjeng!” wailed the prince’s assistant. I had already taken the Prince home, when I saw that he was out of control. He had already thrown himself down on his bed; I thought he was fast asleep. But as you see, he woke and got up; he left the palace and came back here. Look how he’s behaving! He’s drunk and he’s forgetting who he is and who his fathers were!”
Van Oudijck went outside with Vermalen. He approached the Prince, who was gesticulating wildly and declaiming an incomprehensible speech.