He passed acres of potted plants, Seiko signs, then quilts of paddies and plots of young trees growing for the new-year market. He came to a narrow sand lane to his left and turned sharply into it, watching his mirror. He pulled up, parked for a while with the rear lid up, pretending to let the engine cool. A pea-green Mercedes slid past him, smoked windows, one driver, one passenger up. It had been behind him for some while. But it stuck to the main road. He crossed the road to the café, dialled a number, let the phone ring four times and rang off. He dialled the number again; it rang six times and as the receiver was lifted he rang off again. He drove on, lumbering through remnants of fishing villages to a lakeside where the rushes were threaded far out into the water, and doubled by their own straight reflection. Bullfrogs bellowed and light pleasure yachts switched in and out of the heat haze. The sky was dead white and reached right into the water. He got out. As he did so, an old Citroën van hobbled down the road, several Chinese aboard: Coca-Cola hats, fishing tackle, kids; but two men, no women, and the men ignored him. He made for a row of clapboard balcony-houses, very rundown and fronted with concrete lattice walls like houses on an English sea-front, but the paint on them paler because of the sun. Their names were done in heavy poker work on bits of ship's timber: Driftwood, Susy May, Dun-romin. There was a Marina at the end of the track but it was closed down and the yachts now harboured somewhere else. Approaching the houses, Jerry glanced casually at the upper windows. In the second from the left stood a lurid vase of dried flowers, their stems wrapped in silver paper. All clear, it said. Come in. Pushing open the little gate, he pressed the bell. The Citroën had stopped at the lakeside. He heard the doors slam at the same time as he heard the misused electronics over the entryphone loudspeaker.
'What bastard's that?' a gravel voice demanded, its rich Australian tones thundering through the atmospherics, but the catch on the door was already buzzing and when he shoved it he saw the gross figure of old Craw in his kimono planted at the top of the staircase, hugely pleased, calling him 'Monsignor' and 'you thieving pommie dog', and exhorting him to haul his ugly upper-class backside up here and put a bloody drink under his belt.
The house reeked of burning joss. From the shadows of a ground floor doorway a toothless amah grinned at him, the same strange little creature whom Luke had questioned while Craw was absent in London. The drawing room was on the first floor, the grimy panelling strewn with curling photographs of Craw's old pals, journalists he'd worked with for all of fifty years of crazy oriental history. At the centre stood a table with a battered Remington where Craw was supposed to be composing his life's memoirs. The rest of the room was sparse. Craw, like Jerry, had kids and wives left over from half a dozen existences, and after meeting life's immediate needs there wasn't much money for furniture.
The bathroom had no window.
Beside the handbasin, a developing tank and brown bottles of fixer and developer. Also a small editor with a ground-glass screen for reading negatives. Craw switched off the light and for numberless years in space laboured in the total darkness, grunting and cursing and appealing to the Pope. Beside him Jerry sweated and tried to chart the old man's actions by his swearing. Now, he guessed, Craw was feeding the narrow ribbon from the cassette on to the spool. Jerry imagined him holding it too lightly for fear of marking the emulsion. In a moment he'll be doubting whether he's holding it at all, thought Jerry. He'll be having to will his fingertips into continuing the movement. He felt sick. In the darkness old Craw's cursing grew much louder, but not loud enough to drown the scream of water-birds from the lake. He's deft, thought Jerry, reassured. He can do it in his sleep. He heard the grinding of bakelite as Craw screwed down the lid, and a muttered 'Go to bed you little heathen bastard'. Then the strangely dry rattle as he cautiously shook the airbubbles out of the developer. Then the safety light went on with a snap as loud as a pistol shot, and there was old Craw himself once more, red as a parrot from the glow, stooped over the sealed tank, quickly pouring in the hypo, then confidently overturning the tank and setting it right again while he watched the old kitchen timer stammer through the seconds.
Half stifled with nerves and heat, Jerry returned alone to the drawing room, poured himself a beer and slumped into a cane chair, looking nowhere while he listened to the steady running of the tap. From the window came the bubbling of Chinese voices. At the lake's edge the two fishermen had set up their tackle. The children were watching them, sitting in the dust. From the bathroom came the scratching of the lid again, and Jerry leapt to his feet, but Craw must have heard him, for he growled 'wait' and closed the door.
Airline pilots, journalists, spies, the Sarratt doctrine warned. It's the same drag. Bloody inertia interspersed with bouts of bloody frenzy.
He's taking first look, thought Jerry: in case it's fumble. In the pecking order, it was Craw, not Jerry, who had to make his peace with London.
Craw, who in the worst contingency, would order him to take a second bite of Frost.
'What are you doing in there, for Christ's sake?' Jerry yelled. 'What goes on?'
Perhaps he's having a pee, he thought absurdly.
Slowly the door opened. Craw's gravity was awesome.
'They haven't come out,' said Jerry.
He had the feeling of not reaching Craw at all. He was going to repeat himself in fact, loudly. He was going to dance about and made a damn scene. So that Craw's answer, when it finally came, came just in time.
'To the contrary, my son.' The old boy took a step forward and Jerry could see the films now, hanging behind him like black wet worms from Craw's little clothes line, pink pegs holding them in place. 'To the contrary, sir,' he said, 'every frame is a bold and disturbing masterpiece.'
Chapter 7 — More About Horses
In the Circus the first scraps of news on Jerry's progress arrived in the early morning, in a deadly quiet, and thereafter set the weekend upside down. Knowing what to expect Guillam had taken himself to bed at ten and slumbered fitfully between bouts of anxiety for Jerry, and frankly lustful visions of Molly Meakin with and without her sedate swimming suit. Jerry was due to present himself to Frost just after four a.m. London time and by three-thirty Guillam was clattering in his old Porsche through the foggy streets toward Cambridge Circus. It could have been dawn or dusk. He arrived at the rumpus room to find Connie completing The Times crossword and Doc di Salis reading the meditations of Thomas Traherne, plucking his ear and jiggling his foot at the same time, like a one-man percussion band. Restless as ever, Fawn flitted between them, dusting and tidying, a headwaiter impatient for the next sitting. Now and then he sucked his teeth and let out a breathy 'tah' in barely controlled frustration. A pall of tobacco smoke hung like a raincloud across the room and there was the usual stink of rank tea from the samovar. Smiley's door was closed and Guillam saw no cause to disturb him. He opened a copy of Country Life. Like waiting at the bloody dentist, he thought, and sat staring mindlessly at photographs of great houses till Connie softly put down her crossword, sat bolt upright and said 'Listen'. Then he heard a quick snarl from the Cousins' green telephone before Smiley picked it up. Through the open doorway to his own room Guillam glanced at the row of electronic boxes. On one, a green caution light burned for as long as the conversation lasted. Then the pax rang in the rumpus room — pax being jargon for internal phone — and this time Guillam reached it before Fawn.
'He's entered the bank,' Smiley announced cryptically over the pax.
Guillam relayed the message to the gathering. 'He's gone into the bank,' he said, but he might have been talking to the dead. Nobody gave the slightest sign of hearing.