"Not at all. I'm glad."
Her wonderful eyes shone like stars. "Your mother said you would be."
Straws, he thought, were useless to drowning men. It was the unquenchable longing for life that kept heads above water. "I'll have that shower, then I'll be off," he said. "I'll fetch the books and the paintings tomorrow, and maybe the records I bought before we were married." He glanced through the sitting-room door at the chromium coffee table, the oatmeal carpet, the net curtains, the white formica wall units and the dainty pastel three-piece suite, and he thought, no one has even lived here. He shook his head. "There's nothing else I want."
She caught him by the arm. "You are angry."
His dark face cracked into a grin. "No. I'm glad. I needed a push. I hate this place. I always have done. It's so"-he sought for a word-"sterile." He looked at her with compassion. "Like our marriage."
She dug her fingers into his arm. "I knew you'd bring that up, you bastard. But it's not my fault. You never wanted kids any more than I did."
He removed her hands. "That wasn't quite the sterility I was referring to."
She was bitter. "You've found someone else."
He moved to the telephone, took a piece of paper from his pocket and dialled the number written on it. "McLoughlin," he said into the mouthpiece. "We've identified the body. That's it, all over the newspapers tomorrow, so if he's any sense he'll lie low. Yes, it'll have to be tonight. Damn right, I want him. Let's just say I take what he did personally. So can you swing it?" He listened for a moment. "Just make the point that they've got away with murder again. I'll be with you by ten." He looked up and caught Kelly's eye.
Water had gathered in great droplets round the mascaraed lashes. "Where will you go?"
"I don't know yet. Maybe Glasgow."
Tears turned to anger, and her anger lashed out at him as it always had done. "You've left that bloody job, haven't you? After all the begging I did for you to leave, you've left it because someone else asked you."
"No one's asked me, Kelly, and I haven't left it, not yet."
"But you will."
"Maybe."
"Who is she?"
He found he wanted to hurt her, so there must be some feeling left. Perhaps there always would be. Seven years, however sterile, had left their mark. "She's my rose," he said, "my red, red rose." And Kelly, who had heard enough of hated Rabbie Burns to last a lifetime, felt a knot of panic tighten round her heart.
Phoebe rocked Diana's shoulder and prodded her into wakefulness. "We've got visitors," she whispered. "I need help." Somewhere in the darkness behind her came the low growls of the dogs.
Diana squinted at her out of 'one eye. "Turn the light on," she said sleepily.
"No, I don't want them to know we're awake." She bundled Diana's dressing-gown on to her chest. "Come on, old girl, get a move on."
"Have you called the police?" Diana sat up and shrugged her arms into the dressing-gown.
"No point. It'll be over one way or another long before the police get here." Phoebe switched on a small torch and pointed it at the floor. "Come on," she urged, "we haven't much time."
Diana pulled on her slippers and padded after her. "Why are the dogs here? Why aren't they outside? And where's McLoughlin?"
"He didn't come tonight." She sighed. "The one night we needed him, he didn't turn up."
"So what are you planning to do?"
Phoebe lifted her shotgun from where she had propped it outside Diana's bedroom door. "I'm going to use this," she said, leading the way downstairs, "and I don't want to shoot the dogs by mistake. It'll be their turn to have a go if the bastards manage to break in."
"Lord, woman," muttered Diana, "you're not intending to kill anyone, are you?"
"Don't be a fool." She crept across the hall and into her drawing-room. "I'm going to scare the shit out of the creeps. They didn't get rid of me last time. They won't get rid of me now." She gestured Diana to one side of the curtains and, switching off the torch, took up a position on the other side. "Keep your eyes peeled. If you see anyone on the far side of the terrace, let me know."
"I'm going to regret this," Diana groaned, twitching the curtain aside and peering into the darkness. "I can't see a bloody thing. How do you know they're out there?"
"Benson came in through the cellar window and woke me. I trained him to do it after the first time these yobs had a go at me." She patted the old dog's head. "You're such a good boy, aren't you. It's years since I've had you patrolling the grounds and you haven't forgotten." The sound of the dog's tail swishing backwards and forwards across the carpet was loud in the quiet room. Hedges, unborn at the time of David Maybury's disappearance, crouched by his mistress's feet, muscles tensed for when his turn came. Phoebe scanned the wide terrace for signs of movement. "Your eyes will soon adjust."
"There is someone," said Diana suddenly. "By the right-hand wall. Do you see him?"
"Yes. There's another coming round Anne's wing." She gripped her shotgun firmly. "Can you unlock the windows without making a noise?"
For a brief moment Diana hesitated, then she shrugged and applied herself carefully to the key. Phoebe, she argued, knew all there was to know about hell. She had been there. She wouldn't willingly go back a second time. In any case, the adrenaline was racing in her as strongly as it was racing in Phoebe. It was backs-against-the-wall time, she thought, when everyone, even rabbits, showed their teeth. "OK," she whispered, as the lock clicked quietly open. She peeped past the edge of the curtain again. "Oh, lord," she breathed, "there are dozens of them."
Black figures crouched along the edge of the terrace like a troop of apes, but to think of them as such was to demean the animals. It is only man, with his single evolutionary advancement of reason, who takes pleasure in other people's pain. Diana's mouth went dry. There was something unbelievably chilling in mob hysteria where individual accountability was subordinate to the group.
"Hardly dozens; five, six at the most. When I say, 'Now,' open the door wide." Phoebe gave a wild laugh. "We'll put the old adage to the test and wait till we see the whites of their eyes. I've always wanted to try it."
There was confusion in the huddled mass as they seemed to crowd together about the terrace wall, then separate again. "What are they doing?" asked Diana.
"Pulling bricks off the top by the look of it. Keep your head down if they start throwing them."
One of the group seemed to be the leader. He used his arms to direct his troop, half to go down one side of the terrace, half to take the other side. "Now," muttered Phoebe urgently. "I don't want them splitting up."
Diana twisted the handle and thrust the door open. Phoebe was through it in a second, her tall figure melting into the shadows. She had raised the heavy stock to her shoulder and was about to sight down the barrel when one large hand clamped itself over her mouth and another plucked the gun from her grasp.
"I wouldn't if I were you, madam," whispered Fred's soft voice in her ear. He kept his hand firmly over her mouth and used his forearm on her shoulder to force her to her knees. Bent double, he laid the shotgun noiselessly on the flagstones then, urging her upright again, he caught her round the waist as if she were no more than a piece of thistledown, and lifted her through the drawing-room windows. He felt Diana's presence, rather than saw it. "Not a sound," he cautioned her in a tight whisper, "and close the window, if you please."
"But, Fred-" she began.
"Do as I say, Mrs. Goode. Do you want madam hurt?"
Thoroughly shaken, Diana did as he said.