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his mighty hammer in one hand, the other gripped his tongs.

And first Hephaestus makes a great and massive shield,

blazoning well-wrought emblems all across its surface,

raising a rim around it, glittering, triple-ply

with a silver shield-strap run from edge to edge

and five layers of metal to build the shield itself,

and across its vast expanse with all his craft and cunning

the god creates a world of gorgeous immortal work.

There he made the earth and there the sky and the sea

and the inexhaustible blazing sun and the moon rounding full

and there the constellations, all that crown the heavens,

the Pleiades and the Hyades, Orion in all his power too

and the Great Bear that mankind also calls the Wagon:

she wheels on her axis always fixed, watching the Hunter,

and she alone is denied a plunge in the Ocean’s baths.

And he forged on the shield two noble cities filled

with mortal men. With weddings and wedding feasts in one

and under glowing torches they brought forth the brides

from the women’s chambers, marching through the streets

while choir on choir the wedding song rose high

and the young men came dancing, whirling round in rings

and among them flutes and harps kept up their stirring call—

women rushed to the doors and each stood moved with wonder.

And the people massed, streaming into the marketplace

where a quarrel had broken out and two men struggled

over the blood-price for a kinsman just murdered.

One declaimed in public, vowing payment in full—

the other spurned him, he would not take a thing—

so both men pressed for a judge to cut the knot.

The crowd cheered on both, they took both sides,

but heralds held them back as the city elders sat

on polished stone benches, forming the sacred circle,

grasping in hand the staffs of clear-voiced heralds,

and each leapt to his feet to plead the case in turn.

Two bars of solid gold shone on the ground before them,

a prize for the judge who’d speak the straightest verdict.

But circling the other city camped a divided army

gleaming in battle-gear, and two plans split their ranks:

to plunder the city or share the riches with its people,

hoards the handsome citadel stored within its depths.

But the people were not surrendering, not at all.

They armed for a raid, hoping to break the siege—

loving wives and innocent children standing guard

on the ramparts, flanked by elders bent with age

as men marched out to war. Ares and Pallas led them,

both burnished gold, gold the attire they donned, and great,

magnificent in their armor—gods for all the world,

looming up in their brilliance, towering over troops.

And once they reached the perfect spot for attack,

a watering place where all the herds collected,

there they crouched, wrapped in glowing bronze.

Detached from the ranks, two scouts took up their posts,

the eyes of the army waiting to spot a convoy,

the enemy’s flocks and crook-horned cattle coming...

Come they did, quickly, two shepherds behind them,

playing their hearts out on their pipes—treachery

never crossed their minds. But the soldiers saw them,

rushed them, cut off at a stroke the herds of oxen

and sleek sheep-flocks glistening silver-gray

and killed the herdsmen too. Now the besiegers,

soon as they heard the uproar burst from the cattle

as they debated, huddled in council, mounted at once

behind their racing teams, rode hard to the rescue,

arrived at once, and lining up for assault

both armies battled it out along the river banks—

they raked each other with hurtling bronze-tipped spears.

And Strife and Havoc plunged in the fight, and violent Death—

now seizing a man alive with fresh wounds, now one unhurt,

now hauling a dead man through the slaughter by the heels,

the cloak on her back stained red with human blood.

So they clashed and fought like living, breathing men

grappling each other’s corpses, dragging off the dead.

And he forged a fallow field, broad rich plowland

tilled for the third time, and across it crews of plowmen

wheeled their teams, driving them up and back and soon

as they’d reach the end-strip, moving into the turn,

a man would run up quickly

and hand them a cup of honeyed, mellow wine

as the crews would turn back down along the furrows,

pressing again to reach the end of the deep fallow field

and the earth churned black behind them, like earth churning,

solid gold as it was—that was the wonder of Hephaestus’ work.

And he forged a king’s estate where harvesters labored,

reaping the ripe grain, swinging their whetted scythes.

Some stalks fell in line with the reapers, row on row,

and others the sheaf-binders girded round with ropes,

three binders standing over the sheaves, behind them

boys gathering up the cut swaths, filling their arms,

supplying grain to the binders, endless bundles.

And there in the midst the king,

scepter in hand at the head of the reaping-rows,

stood tall in silence, rejoicing in his heart.

And off to the side, beneath a spreading oak,

the heralds were setting out the harvest feast,

they were dressing a great ox they had slaughtered,

while attendant women poured out barley, generous,

glistening handfuls strewn for the reapers’ midday meal.

And he forged a thriving vineyard loaded with clusters,

bunches of lustrous grapes in gold, ripening deep purple

and climbing vines shot up on silver vine-poles.

And round it he cut a ditch in dark blue enamel

and round the ditch he staked. a fence in tin.

And one lone footpath led toward the vineyard

and down it the pickers ran

whenever they went to strip the grapes at vintage—

girls and boys, their hearts leaping in innocence,

bearing away the sweet ripe fruit in wicker baskets.

And there among them a young boy plucked his lyre,

so clear it could break the heart with longing,

and what he sang was a dirge for the dying year,

lovely ... his fine voice rising and falling low

as the rest followed, all together, frisking, singing,

shouting, their dancing footsteps beating out the time.

And he forged on the shield a herd of longhorn cattle,

working the bulls in beaten gold and tin, lowing loud