The ladies had been in that morning. Anne was sitting up in the chair dressed and washed, listening to the radio, wearing a clasp in her hair and some carpet slippers Luke had found at the back of the wardrobe. Sheila was right: she looked beautiful and seemed content, just listening, occasionally looking over
and saying something odd. The girls wanted to take Anne to the Regal Cafe and soon they arrived carrying shoes and winter coats. Anne wanted the scarf with the gloves sewn in and soon they were off down the stairs. ‘Are you all right, Gran?’ Luke said from the door. And when she looked up she was smiling like a gala queen.
‘Shake a leg, Mrs Blake,’ Sheila said. ‘There’s nowt in the world between us and a peach Melba.’
He placed the folders and boxes on the sink unit and then he spread them on the floor. He first opened a green, cloth-coloured album labelled ‘Menier Camp, 1948’. He got lost there, a pier with boats at an angle,
Light through the trees, Clifton Falls
The album was filled halfway and ended with a group photograph, showing some young women lined up against a boathouse with linked arms.
Monica Eames, Reva Brooks, Ruth Silverstein, Diane Arbus, Anne Tully, Anne Quirk
Her teenage face was so bright and he stared at the picture and wondered about the others, those young women. He wondered if their lives had gone elsewhere, too.
He didn’t open any cans or the backs of any cameras. He didn’t know about photography but he understood that new light isn’t good for old film. The contact sheets were filed and so were many of the actual photos, some of them yellow or dark or only half-developed, with smears. One of the prints, labelled
Jane Street, New York City
, showed a box of soap powder sitting on top of an old washing machine. He’d never seen anything like it, so real and yet so imagined, in a realm of its own. He began to set some of her photos aside but he kept getting caught up in one of her new ventures, a make-up counter in Harlem, a row of prams in the Gorbals, a carpet factory in 1956, and, finally, what he’d been looking for, ‘Teenagers, 1962’. He also found an old copy of a
woman’s magazine, fresh as the morning. It had a knitting pattern attached, but on the cover, above the title, he read five words written in pencil. ‘I was his spiritual wife.’
‘Teenagers, 1962’ was thick with prints. There were contact sheets and in a number of round tins he imagined there must be negatives. The photos showed groups of young people with slick hair and cigarettes. A girl wearing lipstick was kissing a boy with lazy eyes. Luke noticed the slim ties on the boys and the way the girls laughed and he noticed their hands and the light coming off a vinegar bottle. Each print was described on the back and some of them had been taken in dark alleyways or out on the pier during the day. And then, towards the back of the folder there was a group of twenty-four colour prints, sharp and clear as anything, labelled ‘25 August 1962, The Beatles, Fleetwood Marine’.
‘These are edited. More on rolls. See contacts.’ This was the folded note acting as a clip. In one of the photographs the group was smoking as they leaned from the tower; in another they ate in a seedy canteen. Here they were, the four boys in the back of a van, huddled round a newspaper, as if the words really mattered. In the nicest of them all, John Lennon lay on a sofa writing a postcard. Anne had caught the mischief in his eyes as he glanced at the camera. Luke had to stand up, astonished at the scale and the mystery of what she’d done. He lifted them again. He wanted to race down the stairs or throw open the window and shout, but he just paced the room. He just stood in silence. For all her mistakes and her bad luck, she had managed this. She had taken these pictures and kept quiet.
The boy died and the gift was gone. Harry was away, and maybe her talent departed along with her belief in herself as a mother. Luke couldn’t say, and, for all he knew, Anne had simply
set out to preserve an ideal version of herself, someone the world couldn’t spoil, or recognise, or celebrate, or even know. She left herself behind in a room, and that way survived her own potential, until her mind began to fray. He cried into his hands and an hour passed when he had nothing to add. He just sat in the gloaming of these facts and wished he had known a way to rescue her from her secrets. When he returned the prints, he stood over the boxes, and he lifted a single photograph from the side of one of them. It showed the shadow of a woman and her camera against a grey pavement.
Self-portrait
, it said in Anne’s hand, the same hand, he knew, that once wrote the names of the talented girls at the Menier Camp.
On his way down the stairs, Luke phoned his mother and was glad to hear her voice. ‘At last,’ she said. ‘We were beginning to wonder what happened to you. Do you never answer your phone, Luke?’
‘I switched it off. Sorry.’
‘What’s the weather like?’
He looked out and felt time was nothing at all. They were all young. A feeling of optimism fell from the deep past. There was a way to work out how to pity his mother and not blame her for needing it. He felt the impulse to move on, to improve things, to put what strength he had at the service of his family, without pausing for explanations or statements or reckonings.
‘Clear today,’ he said, ‘but really windy.’
‘Did you see the lights?’
‘Aye. It was fantastic. All the way down the front. I think she’s having a nice time. No stress, you know? Just peaceful.’
‘Well,’ Alice said. ‘It’s her place.’ He waited. ‘You know she’s spent a fortune on it, don’t you?’
‘I suppose she must have, over the years.’
‘A fortune. And she didn’t have a fortune. But that’s what she wanted to do and she did it. You could buy a house for the money she’s spent on that flat. But she’s never wanted my opinion. The bills alone …’
He realised he was listening to her for the first time. She rattled on, and she would always rattle on but Luke wanted to listen, just as he wanted to think the best of Charles Scullion. It wasn’t justice and it wasn’t quite understanding, but Luke was glad he had come to Blackpool. He wasn’t sure if he’d ever mention what he’d found out. He could see her as a small girl with a dead brother, a boy she perhaps knew little about but who took up all the love, and Luke could see — even as Alice’s old defences rose to meet him — that her mother’s investment in her own life had left Alice out in the cold. It had shaped her life, and of course she couldn’t bear to think of Harry or to admire her mother’s talent, or to talk about the boy.
‘I never liked Blackpool,’ she said. ‘And those people down there never had anything to do with me.’
‘I’m sorry,’ Luke said.
‘Don’t know what you’re sorry about. It’s her money to waste any way she wants. I’ve long since given up. And I bet you she’s not even getting a rebate on her council tax. I mean, it’s a second home, isn’t it? That means she should be getting something off and it’s always been a mystery, that flat. She’s helped that family out, you know.’
‘They’re nice people.’
‘They’re
lovely
people,’ she said.
‘And they kept her room together.’
‘She paid their bills.’